A Midsummer Night’s Dream

An overview A Midsummer Night's Dream was written between 1590 to 1596 First performance is1 st Jan 1605 One of Shakespeare’s strangest and most delightful creations, and it marks a departure from his earlier works and from others of the English Renaissance It makes fun of everything from love at first sight to realistic staging The play was first printed in a quarto edition in 1600

Why is it a comedy? The plot is very important in Shakespeare's comedies. They are often very convoluted, twisted and confusing, and extremely hard to follow Another characteristic of Shakespearean comedy is the themes of love and friendship, played within a courtly society. Songs often sung by a jester or a fool parallel the events of the plot. Also, foil and stock characters are often inserted into the plot

More about Shakespeare’s comedy In the comedy itself, Shakespeare assumes that we know the basic plot, and he jumps right into it with little or no explanation Foreshadowing and foreboding are put in the play early and can be heard throughout the drama All Shakespearean comedies have five acts and the climax of the play is always during the third act

Shakespearean comedies also contain a wide variety of characters He often introduces a character and then discards him, never to be seen again in the balance of the play Shakespeare's female leads are usually described as petite, and often they assume male disguises Often, foul weather parallels the emotional state of the characters The audience is often informed of events before the characters, and when a future meeting is to take place it usually doesn't happen immediately Character names are often clues to their roles and personalities, such as Malvolio from Twelfth Night, and Bottom in A Midsummer Nights Dream

Sub-categories of comedy The comedies themselves can be sub- categorized as tragicomedies, romantic comedies, comedies of justice, and simple entertaining comedies with good wholesome fun Many of these plays remain popular favourites 400 years after they were written

Characters? Many of the characters are drawn from diverse texts: Titania comes from Ovid’s Metamorphoses, and Oberon may have been taken from the medieval romance Huan of Bordeaux, translated by Lord Berners in the mid-1530s Unlike the plots of many of Shakespeare’s plays, however, the story in A Midsummer Night’s Dream seems not to have been drawn from any particular source but rather to be the original product of the playwright’s imagination

What about references? The range of references in the play is among its most extraordinary attributes: Shakespeare draws on sources as various as Greek mythology (Theseus, for instance, is loosely based on the Greek hero of the same name, and the play is peppered with references to Greek gods and goddesses); English country fairy lore (the character of Puck, or Robin Goodfellow, was a popular figure in sixteenth-century stories); and the theatrical practices of Shakespeare’s London (the craftsmen’s play refers to and parodies many conventions of English Renaissance theater, such as men playing the roles of women).

Main theme? Love provides the main ingredient for the plot. If the lovers are unmarried when the play opens, they either have not met or there is some obstacle in the way of their love Examples of the obstacles these lovers go through are familiar to every reader of Shakespeare for e.g. the father insistent upon his daughter marrying his choice, as in A Midsummer Nights Dream; or the expulsion of the rightful Duke's daughter in As You Like It

Other theme/s? Many themes are repeated throughout Shakespearean comedies. One theme is the never-ending struggle between the forces of good and evil. Another theme is that people often hide behind false faces.

Is there a hero? Shakespeare uses many predictable patterns in his plays. The hero rarely appears in the opening lines; however, we hear about him from other characters. The hero does not normally make an entrance for a few lines, at least, if not a whole scene. The hero is also virtuous and strong, but he always possesses a character flaw

Dramatis Personae in Midsummer

Supernatural elements in Shakespeare’s plays In the time of William Shakespeare there was a strong belief in the existence of the supernatural. Thus, the supernatural is a recurring aspect in many of Shakespeare¹s plays The supernatural appeals to the audience¹s curiosity of the mysterious and thus strengthens their interest

Supernatural elements in Shakespeare’s plays 3 distinct categories: A) Spirits B) Ghosts C) Gods/fairies* * they are making the humans get confused thanks to their powers. They do what they want and humans don’t realise that fairies are joking with them

The role of supernatural beings The supernatural is an integral part of the structure of the plot It provides a catalyst for action, an insight into character, and augments the impact of many key scenes. The supernatural appears to the audience in many varied forms

Why include ghosts and fairies? Shakespeare added many of the supernatural apparitions in his plays due to popular demand; he wanted his audience to have fun, so he included ghosts or spirits when the play needed drama and fairies or other elements when he wanted to create complicate and make funny situations

What are they? From beginning to end, A Midsummer Night’s Dream is filled with supernatural themes Titania is the Queen of fairies, Oberon is the King of fairies and the husband of Titania, and finally Puck who is the fairy which due to misunderstood, complicates all the situation in the woods

Do we still like ghost?

Ghost as part of entertainment

Do we still love the supernatural?

A scary character?

A memorable legend?

Is there a friendly ghost?

Can supernatural be friendlier?

In short, the comedy relies on Forbidden love/relationship Varied characters Twisted plot/s Supernatural beings And usually Ends with pomp celebrations/weddings