NEW LICENSING SOLUTIONS vs. USER PATTERNS Tarja Koskinen-Olsson Nordic Conference on Copyright and Visual Material Oslo, 11.11.2010.

Slides:



Advertisements
Similar presentations
Panel 3: Audiovisual Archives Audiovisual Production in the EU: Opportunities and Challenges Public Hearing: 13 December 2010 Dr. Susanne Nikoltchev Head.
Advertisements

The World Intellectual Property Organization (WIPO)
Digital Content Solutions Digital content management technology has transformed the way to manage content and knowledge, in this knowledge era. Research.
11 December 2013 Cape Town Creative Commons & open licensing workshop.
Copyright Collective Management Role and Functioning of RROs Olav Stokkmo, CEO of IFRRO Repronig – IFRRO – NCC – ARIPO – WIPO Conference 17 September 2013Lagos.
Strategy: Analysis and Practice Slide 1 ©The McGraw-Hill Companies, Competitive strategy: The analysis of strategic capability.
© T RENDS IN E UROPE UTEN Copyright Workshop for the Creative Industries by Teresa Nobre.
Open Educational Resources / production workshop / february 2009 Except where otherwise noted, this work is available under a Creative Commons Attribution.
ER-0317/2/99 G R U P O S G A E Intellectual Property Rights in digitisation of education Part 1. Current problems in the face of digitisation. Massive.
Preserving and Accessing Our Cultural Heritage – The Role of Copyright Law, Digitisation and the Internet The Community Dimension Dr. Jens Gaster King’s.
Communicating with images This work is licensed under a Creative Commons Attribution-Noncommercial- Share Alike 3.0 License. Skills: none IT concepts:
Intellectual Property and Cultural Heritage at the crossroads of law, technology and business: a view from WIPO INTERNATIONAL CONFERENCE ON INTELLECTUAL.
Legal NISHA Copyright and Licensing Issues Michael Sparenberg e Institute for Internet Security Gelsenkirchen.
IASA-AMIA 2010 ANNUAL CONFERENCE PHILADELPHIA EUROPEANAEUROPEANA Benefits and progress.
Bildkonst Upphovsrätt i Sverige Developing Management of Rights in Visual Works - What are the pre- requisites? 9/ Harare.
Libraries, archives and museums working together! Learning by doing! Making the collections and services of libraries, archives and museums digitally available.
WIPO Copyright Sector 1.  Fundamental or constitutional rights or public interest: freedom of speech, access to information, right for education, enjoyment.
1 ITU/EBU Meeting of High-Level Experts on Competitive Platforms for the Delivery of Digital Content Participative web: User-created content Graham Vickery.
Copyright Compliance Sharing in a Digital World London Info International, Nov 2014 Kate Alzapiedi Business Development Director RightsDirect Stephen.
Copyright in the EU: UPDATE Pearle conference Geneva - agenda point 12 Saturday 30 May 2009.
Creating Access to Europe’s Television Heritage Prof. Dr. Sonja de Leeuw (project-coordinator, Utrecht University) Johan Oomen MA (technical director,
STATE UNIVERSITY FOR LIBRARY STUDIES AND INFORMATION TECHNOLOGIES INTELLECTUAL PROPERTY OF INFORMATION RESOURCES ON THE INTERNET. Assist.Prof. Tereza Trencheva.
Exploring Europe's Television Heritage in Changing Contexts Connected to: Funded by the European Commission within the eContentplus programme
. Do not distribute. 2 Online Content (Billions of items indexed) Offline Content (Billions of items still un-indexed) Google’s.
Licensing News Content in a Digital World Newspaper and Periodicals Working Group IFRRO World Congress, October 25, 2011 Presented by: Edward Colleran.
Enhancing the Culture of Reading and Books in the Digital Age - ARROW Olav Stokkmo, Chief Executive, IFRRO 13 October 2009IFLA-IFRRO-WIPO-IPA-EWC Conference;
Accessing Cultural Heritage The Role of Collective Management Rainer Just, President of IFRRO August 2013Bangkok, Thailand.
1 INVENTORS, INNOVATORS AND CREATORS - THE INTELLECTUAL CAPITAL OF NATIONS Document prepared by Mrs. Tarja Koskinen-Olsson, Chief Executive.
MoU On Out of Commerce Books and Learned Journals Jerker Rydén Senior Legal Adviser National Library of Sweden.
Slide 1 e-learning resources workshop (so you want to put that music in your PowerPoint presentation) Vanessa Tuckfield.
Making cultural heritage available to the public Managing Orphan and Out-of-Print Works Olav Stokkmo, Chief Executive, IFRRO 5 April 2011Polska Kziaska.
IFRRO Legal Issues Forum Brussels – 9 June 2011 Martin Delaney Legal Director.
Technology Transfer and IP framework initiatives May 2011.
©2013 Core Knowledge Foundation. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
1 Wizards of OS 3 The Future of the Digital Commons Berlin - June 10 to 12, 2004 International Copyright in the Digital Era Geidy Lung WIPO Copyright Law.
Rethinking Copyright for the Digital World Panel Discussion: O’Reilly Tools of Change Conference New York February 23, 2010 Moderated By: Edward Colleran.
Copyright issues in digitization projects in Croatia Aleksandra Horvat, Ph.D., Prof. Daniela Živković, Ph.D., Assoc. Prof. Faculty of Humanities and Social.
The Creative Commons Project: Sharing Knowledge in the Digital Age Enrico Bertacchini
Copyright Limitations and Exceptions in International Treaties and Beyond: Developing Countries and Access to Knowledge Geidy Lung, WIPO Copyright Law.
Copyright © 2007 Pearson Education Canada 19-1 International Trade and Canada 1. 1/3 of our jobs depend on international trade. 2. 9,00 new jobs created.
Contents: 1. The copyright context 2. Image copyright and teaching 3. Image databases: copyright clearance 4. Image databases: copyright management 5.
Final Strategic Seminar, Barcelona, March 25 th 2010 The impact of Creative Commons Ignasi Labastida, Universitat de Barcelona Right Issues The Impact.
How can I find it? Can I use it? considerations for the use and reuse of digital content.
Unless otherwise noted, the content of this course material is licensed under a Creative Commons Attribution - Non-Commercial - Share Alike 3.0 License.
Frankfurt, ACCESS TO COPYRIGHT WORKS THROUGH COPYRIGHT LICENSING Tarja Koskinen-Olsson Honorary President IFRRO.
Licensing of Orphan Works Olav Stokkmo, Chief Executive, IFRRO 26 October 2009European Commission, Orphan Works hearing.
Introduction to Copyright & Related Rights Lucinda Jones WIPO-INSME International Training Program on Intellectual Property and Management of Innovation.
Extended Collective Licensing WIPO Cooperation with the Polish Ministry of Culture, Warsaw 16 and 17 March 2016 TOPIC 5.v. Cultural institutions, incl.
ECL – FOR ONLINE ACCESS TO BROADCASTERS’ ARCHIVES IN SWEDEN Extended Collective Licensing Conference in Warsaw Birgitta Adamson Legal Counsel,
CONFERENCE ON ECL (EU-WIDE VERSION) HEIJO RUIJSENAARS HEAD OF INTELLECTUAL PROPERTY POLISH MINISTRY OF CULTURE / NATIONAL HERITAGE - WIPO NATIONAL AUDIOVISUAL.
Digital Single Market From Open Data to the Free Flow of Data in the Digital Single Market W3C Day in Spain – 26 May 2016 Szymon Lewandowski, Data Value.
Copyright Uppsala 12/ Katarzyna Płaneta-Björnskär Department of Informatics and Media.
Extended Collective Licensing: Application in libraries KATARZYNA ŚLASKA NATIONAL LIBRARY OF POLAND Conference on Extended Collective Licensing, National.
Open Educational Resources Training (Part 2): How to Find, Attribute and Share OERs By Christine Turner.
Avv. Daniela De Pasquale Content Licenses for the new media LL.M. in Intellectual Property 2006 Università degli Studi di Torino - WIPO Università degli.
ERASMUS PROGRAMME- INTELLECTUAL PROEPRTY LAW COPYRIGHT LAW – NEIGHBOURING RIGHTS, OTHER RELATED RIGHTS AND COLLECTIVE MANAGEMENT JUDr. Pavel Tůma, LL.M.
Becoming Familiar With Creative Commons Licences Creative Commons Aotearoa New Zealand.
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement number Gry Henriksen.
e-content thoughts on copyright
Scalable Web Apps Target this solution to brand leaders responsible for customer engagement and roll-out of global marketing campaigns. Implement scenarios.
???.
« Out of commerce works » The French system
Exploring Europe’s Television Heritage in the Digital Age
IFRRO AGM 2009 OSLO Speaker: Dr. Anke Schierholz
Observatory Work Programme 2015
CREATIVE COMMONS FOR CULTURAL HERITAGE
Interactive Copyright Education for 3D Objects
Scalable Web Apps Target this solution to brand leaders responsible for customer engagement and roll-out of global marketing campaigns. Implement scenarios.
Creative Commons: A License to Share
​ Carla Myers Assistant Librarian & Coordinator of Scholarly Communications Miami University Libraries (Ohio)
Presentation transcript:

NEW LICENSING SOLUTIONS vs. USER PATTERNS Tarja Koskinen-Olsson Nordic Conference on Copyright and Visual Material Oslo,

GIVE, SUE OR MONETIZE? Lawful access Trade in digital assets rights based Licensing for multiple platforms ATAWAD

ISSUES 1.Clarity over rights 2.ISP liability 3.Simplified licenses 4.Collective licensing 5.Multi-territorial licensing 6.Licensing and content → GIVE, SUE OR MONETIZE

CLARITY OVER RIGHTS CREATIVE COMMONS Free licenses Free tools to inform people how they can use works Share, reuse or remix No control or monetizing

CREATIVE COMMONS OPTIONS… Attribution Attribution, share alike Attribution Non-Commercial Attribution No Derivatives

ISP LIABILITY ENFORCEMENT ISP - Rightsholders ISP - Customers Entertainment → knowledge BENEFIT SHARING

SIMPLIFIED LICENSES BUNDLE RIGHTS Reproduction Communication to the public, etc. PARTNER AMONG ORGANIZATIONS

INA IN FRANCE NATIONAL AUDIOVISUAL INSTITUTE All programs by public television companies Five agreements with different CMOs Agreements with trade unions WATERMARKING

COLLECTIVE LICENSING MASS DIGITIZATION Orphan works Out-of-print works Embedded works EUROPEANA - THINK CULTURE

MULTI-TERRITORIAL LICENSING NATIONAL LAWS – CROSS BORDER LICENSING Direct licensing Portal solution Reciprocal agreements WORKS OF ART THROUGH A PORTAL

OLA, OnLineArt ONE-STOP-SHOP FOR RIGHTS ON WORKS OF ART artists Commons tariffs EU competition legislation

LICENSING AND CONTENT IMAGE DATABASES COLLECTIVE MANAGEMENT ORGANIZATIONS Copyright Clearance Center, US ReadyImages ® Academic and business users

CONCLUDING REMARKS Powerful users Consumer freedoms User expectations ADAPTATION →