Audio Fingerprinting MUMT 611 Ichiro Fujinaga McGill University.

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Presentation transcript:

Audio Fingerprinting MUMT 611 Ichiro Fujinaga McGill University

MUMT611 Fujinaga 2 / 11 Introduction  Fingerprints uniquely identify people  Audio fingerprints aims to uniquely identify a piece of music from a short excerpt of the music  Other names:  Acoustic fingerprinting  Content-based audio identification

MUMT611 Fujinaga 3 / 11 Applications  “The popular social networking site MySpace.com announced Monday that it has licensed technology [Gracenote] that will help it prevent unauthorized copyrighted music from being posted to MySpace users’ pages.” Macworld (2006/10/06)  “Adding missing album art: With the increased emphasis on album art, Windows Media Player 11 also ensures that missing album art isn't a problem. Most album art can automatically be populated in the background using the advanced audio fingerprinting capabilities in Windows Media Player 11.”

MUMT611 Fujinaga 4 / 11

MUMT611 Fujinaga 5 / 11 Commercial products  Gracenote Gracenote  M2any M2any  Audible Magic (Muscle Fish) Audible Magic

MUMT611 Fujinaga 6 / 11 Basic framework (Cano et al. 2005)

MUMT611 Fujinaga 7 / 11 Challenges  Variance  Compression  Distortion  Noise  Efficiency  Encoding  Loopkup  Database size  Search algorithm  Music  High dimensionality GOALS  Robust  Compact  Fast

MUMT611 Fujinaga 8 / 11 Extraction Fingerprint extraction (Cano et al. 2005)

MUMT611 Fujinaga 9 / 11 Searching  Euclidean / HMM sequence  Pre-computed distances  Multi-staged searching (coarse to fine)  Indexing  Candidate pruning  Table lookup

MUMT611 Fujinaga 10 / 11 Table lookup database (Haitsma et al. 2002)

MUMT611 Fujinaga 11 / 11 References  Cano, P., E. Batlle, T. Kalker, and J. Haitsma A review of audio fingerprinting. Journal of VLSI Signal Processing Systems 41 (3): 271–84.  Haitsma, J., and T. Kalker A highly robust audio fingerprinting system. Proceedings of the International Conference on Music Information Retrieval. 107–15.