Twelfth Night second lecture TN as festive comedy.

Slides:



Advertisements
Similar presentations
Twelfth Night or What You Will Literature Notes William Shakespeares plays fit into two general categories: comedies and tragedies. William Shakespeares.
Advertisements

Twelfth Night William Shakespeare The Title “Before used to be “What you Will” Title removed – John Marston premiered in play also “What You Will” Second.
Act III.
 Introduction  As the dream-like setting Illyria, Twelfth Night is constructed by illusion and delusion. Through Viola’s disguise, Twelfth Night presents.
Act IV.
Act V.
Twelfth Night Acts 4 and 5 summaries. Act 4, scene 1 summary: Mistaking Sebastian for Cesario, Sir Andrew and Sir Toby take turns abusing him. Olivia.
English 3012 Twelfth Night. William Shakespeare Widely considered the greatest writer in the English language - Author of 38 plays and 154.
Twelfth Night; or, What You Will Lecturer: Audrey Tinkham.
Trevor Nunn’s Twelfth Night Instructor: Audrey Tinkham.
Twelfth Night or What You Will
An Introduction by Brian Yablon. The Holiday A festival or holiday celebrated by some branches of Christianity that ends the Twelve Days of Christmas.
Twelfth Night, or What you Will first lecture “Dost thou think because thou art virtuous, there shall be no more cakes and ale?”
Twelfth Night Structure, speeches, and staging. Twelfth Night -- Act I Scene 1 Orsino sad Scene 2 Viola sad To serve Orsino Scene 3 Sir Toby drunk Maria.
Comedy in Twelfth Night. Comic Characters Sir Andrew Aguecheek Sir Andrew Aguecheek Sir Toby Belch Sir Toby Belch Write down why you think they are funny.
Review Jeopardy Brit Lit Semester Test Review Round 2.
Monday, Feb. 23 Twelfth Night.
Twelfth Night or What You Will
An introduction To William Shakespeare’s. First, introducing Shakespeare…
“Twelfth Night, or What You Will”. Title’s Significance Final night in Twelve Days of Christmas: break from the rigid day-to-day life of the Elizabethan.
Characters, structure, and themes
BY WILLIAM SHAKESPEARE Twelfth Night. William Shakespeare: Bare Bones Biography He was born in 1564 in Stratford-on-Avon and died in He is arguably.
Twelfth Night. Baptized – April 26, 1564 Death – April 23, 1616 English play writer and poet. Facts about William Shakespeare At age 18 he married Anne.
Silent Read for 20 Minutes. William Shakespeare: What do you know about this man?
Twelfth Night practice test. 1. Who is the speaker? O, she that hath a heart of that fine frame / to pay this debt of love but to a brother,
NOTES.  Is a common name for a period in the Church calendar called Epiphany.  Epiphany- traditionally celebrated on Jan. 6 th  when the Magi (Wise.
Twelfth Night, or What You Will by: William Shakespeare.
By William Shakespeare. Background Information  Comedy  Written  First performed February 2, 1602.
CORDELIA By Jenny and Laura. Significant Quotations ‘Unhappy that I am, I cannot heave my heart into my mouth: I love your majesty according to my bond,
Shakespeare’s life Application questions Quotes Literary terms Plot
SHAKESPEARE’S TWELFTH NIGHT. OBJECTIVES In this unit you will be involved with: PAIR WORK PROBLEM SOLVING ORAL PRESENTATIONS WALL DISPLAY DIARY WRITING.
The Cause and Effect of Characters Actions HOW CHARACTERS MOVE THE PLOT FORWARD.
SHAKESPEARE’S TWELFTH NIGHT Intro and Character Analysis.
BY WILLIAM SHAKESPEARE Twelfth Night. Historical Context The basic plot of TN is not original to Shakespeare. This play was inspired by several Italian.
VERSE/PROSE USE: Passage is VERSE if… *words do not go across the page *1 st word of each line is capitalized *regular rhythm of stressed/unstressed syllables.
Twelfth Night A Quick Intro.
Chain of Being Orsino: “Give me thy hand, And let me see in thy woman’s weeds” ( ). Viola= hand woman weeds low lower lowest.
Act 3.
Twelfth Night by William Shakespeare
Twelfth Night A Quick Intro.
By William Shakespeare
Twelfth Night William Shakespeare.
Twelfth Night Act 2.
Twelfth Night; or, What You Will
Act 5, Scene Five.
TWELFTH NIGHT ASSESSMENT
Common Elements of Shakespearean Works and Comedies
ENG 1D1 Tuesday May 19th.
Shakespeare’s Comedies
Introduction to Twelfth Night
Contemplation Questions
By: William Shakespeare
Words, Identity, Sexuality, Imagination, Madness
Twelfth Night William Shakespeare.
Twelfth Night Acts 4 and 5.
Twelfth Night or What You Will
Twelfth Night Discussion Questions.
Pop Quiz #11 Act 5.
Shakespearean elements of a Tragedy
Twelfth Night by William Shakespeare
Twelfth Night Acts 4 and 5.
Writing tips Twelfth Night.
ENG 1D1 Tuesday May 26th, 2015.
Twelfth Night Act 4.
Are you smarter than a 9th grader?
Midterm Review.
Presentation transcript:

Twelfth Night second lecture TN as festive comedy

Comedy and disorder Orsino’s disordered emotions. Viola’s desperate situation Toby’s opinion of Olivia’s mourning: 1, 3. Itself a disordered opinion? And he an example of disordered living? Aguecheek as wooer. Feste’s absence: I, 5. Anger of Olivia toward fool. Enmity of Feste and Malvolio, ll. 77ff.

More disorder Olivia’s disordered love. Disordered merriment of II, 3. Reversal of night and morning. Noise, song, drink. Malvolio’s objection: 87ff. Maria’s disordered affection for Toby: l. 180.

Comedy as Courting All Shakespeare’s comedies concern the in-between world leading up to marriage. A psychic world of instability. Love as profoundly disorienting. Producing extravagant behavior. Unsettled identity of lovers. The necessity of disorder and exploration?

Twelfth Night and courting Variety of wooers of Olivia Aguecheek as wooer of Olivia. Malvolio as wooer of Olivia: II, 5. Orsino as wooer of Olivia: Feste’s opinion of his mind: II, Orsino and men’s fancies: II, 4, 39. But his opinion of the character of women’s love: II, 4, 94. Olivia’s sense of her own “madness”: III, 4, 13.

Malvolio’s “madness” His name. He stands out against the festivity, merriment. Maria: “Marry, sir, sometimes he is a kind of Puritan.” II. 3, 140. Or not: 146ff. Only “serious” character in play? His dream of social climbing. Malvolio the “shadow side” of Shakespeare’s own dream of advancement? (Greenblatt)

Rationality of Malvolio’s madness? Contrast of his sobriety and appearance. Yellow stockings, cross gartered

More cross-garteringg

Toby’s revenge? Malvolio’s transformation: III, 4, 6ff. Olivia’s concern for him: ll His soliloquy: 66ff Bear-baiting? “Go hang yourselves all! I am not of your element.” Fabian: “If this were played upon a stage now, I could condemn it as an improbable fiction.” “His very genius hath taken infection of the device.”

And Feste’s revenge More bear-baiting: Feste as parson: IV, 2 Does it go too far? Toby’s wish to have it over: l. 69ff. Feste doubling of his role. Are they trying to drive Malvolio mad? But Malvolio seems to remain relentlessly sane. Audience’s sympathies?

Malvolio’s structural role Olivia’s attempt to correct the wrong: V, 1, 290ff. His almost tragic pathos: 338ff. He becomes the scapegoat of the comedy, the one who carries the weight rancor and ill humor. Should he at this point accept his comic role and laugh? But he rather bears the ill humor off the stage with a curse: “I’ll be revenged on the whole pack of you!” To whom analogous in Merchant?

Feste as jester Immediately in opposition to Malvolio. And to Olivia? Why to Olivia? Viola and the Fool: III, 1: “a sentence is but a cheverill glove to a good wit.” Melancholy sense of what words become. “I am indeed not her fool, but her corrupter of words.” Viola on the “work” of the fool: 61ff.

Feste’s music What to make of his songs? They seem curiously “throw-away” in terms of their lyrics. “Carpe diem” at II, 3; Heavy-duty sadness and love at II, 4. Imparting a kind of generalized melancholy? Final song – what to make of it?

Disorder and violence Psychic violence suffered by Antonio: V, 1, 76ff. Orsino’s threatened violence, V, 1, 117ff. And to Cesario: 129ff. Cesario’s unintended violence to Olivia. “His” rejection by Orsino: 164ff. Actual violence to Aguecheek and Toby. Final violence is the only threatened revenge of Malvolio

Recognition scene Shakespearean comedy ends in marriage(s). And so here: Viola/Cesario is interchangeable with Sebastian, Cesario/Viola acceptable to Orsino. But the real conclusion is the revelation of the sister and brother, which very slowly unfolds: V, 1, 226ff. And in fact the brother-sister revelation allows “nature” to prevail (sorry, Antonio): “Nature to her bias drew in that.” And allows the marriages.

Except Malvolio His entry at this point and the revelation of the trickery against him. Does it invite him to reconciliation? Does his rejection of that cast a shadow over the conclusion? Feste’s song seems to reject thematic closure. Leaving us with both the satisfaction of a comic ending and a sense of open- endedness?