SALMON (Sharing as an Alternative for Locking up the Music On the Net) – 2.10.2003 A proposal for NETS/Valtavirran.

Slides:



Advertisements
Similar presentations
Legal Issues: IPR and DRM Dr. Charlotte Waelde Co-director, AHRB Research Centre for Studies in Intellectual Property and Technology Law, School of Law,
Advertisements

Copyright Basics Michael Lorenzen. Agenda What is Copyright? What is Copyright? What Can Be Copyrighted? What Can Be Copyrighted? How Long Does Copyright.
Copyright Basics Michael Lorenzen, Ed.D Associate Dean for Public Services Western Washington University.
11 December 2013 Cape Town Creative Commons & open licensing workshop.
Copyright Law Boston College Law School March 11, 2003 Rights - Public Performance, Display.
 Andy Stemper Ced 555.  What is Copyright?  What is Plagiarism?  What is Fair Use?  Simply state: What can we use?  When do we have to cite sources?
Burnett IT Legal Services March 2004 BRITISH COMPUTER SOCIETY NORTH LONDON BRANCH LEGAL ISSUES OF DIGITAL RIGHTS MANAGEMENT Rachel.
Slides prepared by Cyndi Chie and Sarah Frye1 A Gift of Fire Third edition Sara Baase Chapter 4: Intellectual Property.
1 Information Online 2009 Rights management – does copyright still matter in the 21st century? 20 January, 2009 Caroline Morgan General Manager, Corporate.
CS CS 5150: Software Engineering Lecture 5 Legal Aspects of Software Engineering 1.
Herkko Hietanen. Articles 20 thesis of Collecting societies and Creative Commons (working paper) Legal and Organizational Issues in Collaborative User-Created.
Copyright Law Boston College Law School March 13, 2003 Rights - Digital Rights.
In the last part of the course we make a review of selected technical problems in multimedia signal processing First problem: CONTENT SECURITY AND WATERMARKING.
Intellectual Property/Copyright and The Public Domain.
CalShares Investigating Voluntary Collective Licensing for Music File-Sharing at UC Berkeley Matt Earp and Andrew McDiarmid May 15, 2008 Advised by Pamela.
Copyright Law Boston College Law School February 25, 2003 Rights - Reproduction, Adaptation.
Chapter 14 Legal Aspects of Sport Marketing
Melanie R. Barber EDUC Dr. D. Wilson October 18, 2010 Copyright Infringement Tutorial.
Copyright Basics. What is Copyright? Copyright allows authors, musicians, artists, etc. to make money off of their labor. Copyright allows authors, musicians,
Intellectual Property Rights Online File Sharing Brett Colbert Wendi Jardin Victor Cortez Brett Colbert Wendi Jardin Victor Cortez.
WIPO Copyright Sector 1.  Fundamental or constitutional rights or public interest: freedom of speech, access to information, right for education, enjoyment.
New copyright challenges for the users digital works Dragutin Nemec Library of the Faculty of law in Zagreb LIBRARIES IN THE DIGITAL AGE (LIDA) 2007.
Chapter 17.3 Regulating the Internet. Internet Speech ► Free speech is a key democratic right. The Internet promotes free speech by giving all users a.
Jolly Phan Cal State University of San Marcos Professor Fang Fang IS News 11/12/2009.
Matthew Rothmeyer. Digital Rights Management (DRM) “ A class of technologies that are used by hardware manufacturers, publishers, copyright holders, and.
SYMPOSIUM ON OPEN EDUCATIONAL RESOURCES OPEN TEXT BOOKS – A VIGNETTE G. DHANARAJAN WAWASAN OPEN UNIVERSITY PENANG, MALAYSIA.
MobileMonday Shanghai – Mobile TV, Jan 15’ Now playing 5 Coming attractions 15 In The Pipeline Jan Henrik Pratje, General Manager - 1MP.
Copyright Basics. Agenda What is Copyright? What is Copyright? What Can Be Copyrighted? What Can Be Copyrighted? How Long Does Copyright Last? How Long.
Managing Privacy and Trust in P2P Communication v. 0.7 Privacy, Economy and Trust in P2P Content.
ztech/articles/10digital.html "Cyberspace Programmers Confront Copyright Laws" What Is the right approach?
Copyright Basics.
Contract Law and Copyright Exceptions: What’s at stake? Benjamin White Head of Intellectual Property British Library.
P2P file-sharing and collective management Séverine Dusollier University of Namur CRID.
 Music can make or break a film or TV show.  The wrong music can bring an otherwise good piece of television down ▪ The right music can dramatically.
Copyright, Fair Use, and Public Domain Computer 1.
Licensing, DRM, and the use by libraries and educational institutions Senior Legal Adviser WIPO / IPD Meetings on 15/16 March 2004.
Reminders: 1)Who is doing a project? You will present on Tuesday of next week (a week from today). This presentation must show your work and explain how.
Web 2.0: Making the Web Work for You, Illustrated Unit B: Finding Media for Projects.
PrintImagesAudioVideo Software and Internet.
1 CS 501 Spring 2004 CS 501: Software Engineering Lecture 5 Legal Aspects of Software Engineering I.
EC The transformative character of the IT sector and the eCommerce applications built upon it is deep and provocative. Consider the example of the entertainment.
1 Analysis of Consumer Issues and Paths for Concrete Approaches Dr. Carsten Orwat Forschungszentrum Karlsruhe in the Helmholtz Association, Institute for.
Proposal “we replace major portions of the copyright and encryption-reinforcement models with … a governmentally administered reward system.” Chapter 6:
© Viveca Still, 2001 W3C WORKSHOP ON DRM Sophia Antipolis Viveca Still researcher, Institute of International Economic Law, Helsinki University.
1 CS 501 Spring 2003 CS 501: Software Engineering Lecture 5 Legal Aspects of Software Engineering I.
ESS-VIP ICT Project Work Package III Task Force Meeting, Luxembourg, 5 March 2013.
Copyright Basics. Agenda What is Copyright? What is Copyright? What Can Be Copyrighted? What Can Be Copyrighted? How Long Does Copyright Last? How Long.
Evaluating New Copy-Protection Techniques for Audio CDs J. A. Halderman, 2002 ACM Workshop on Digital Rights Management (DRM 2002). Available at
Using Social Factors in Digital Rights Management 차병래.
CELL2PC 403 Presentation By Rohit Malhotra Kinson Liu.
LaTonya Greer Copyright Information for Educators.
COPYRIGHT TERMS BROADCAST LAW. AUTHOR/ARTIST The creator of a work.
Chapter 18 The Legal Aspects of Sport Marketing. Objectives To introduce the key legal concepts and issues that affect the marketing of the sport product.
Creative Commons terms and definitions By Chelsey Maton.
Digital Rights Management Zach Milko. Overview Definition Why it exists DRM Today  Fairplay Opponents of DRM  DefectiveByDesign.org Future Conclusion.
Introduction to Business, The Role of Government in Business Slide 1 of 54 The Role of Government In Business.
Electricity licensing and trading rules in Latvia Mini-Forum, July 3, 2006 Sandija Audzere, Head of Energy Unit, Legal Department Public Utilities Commission.
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
I can hear it? Can I use it? Copyright: Audio What are our rights? Natasha Smith Marie Webb March 10, 2016 Audio Copyright Workshop for Teachers.
A Gift of Fire Third edition Sara Baase
By Jake Schmitt, Seth Raleigh, Neil McLain
BROADCAST LAW COPYRIGHT TERMS.
Internet Interconnection
Caroline Morgan, CEO of IFRRO Malaysian National Seminar
BROADCAST LAW COPYRIGHT TERMS.
BROADCAST LAW COPYRIGHT TERMS.
Advances in Digital Rights Management
Intellectual Property
Chapter # 6 Intellectual Property
Presentation transcript:

SALMON (Sharing as an Alternative for Locking up the Music On the Net) – A proposal for NETS/Valtavirran haastajat

The Distribution Dilemma Content producers want to distribute their products for a compensation –Consumer copying is seen as a big problem Current “dogma” –DRM and copyright are necessary - otherwise artists and record companies will not be compensated for their work The Dilemma –DRM is not the solution as something that can be played can always be copied

The New Approach Proposed model –Users are allowed to share and use (compulsory licensing) music non-commercially in exchange for a simple “participation” fee –The compensation for artists is based on usage, not copies (“taking copy out of copyright”) Justification –Transaction costs will be considerably lower and thus making all parties (but IPR-lawyers) better off. –Incentives to cheat reversed compared to the current model

Background Derived from MobileIPR & STAMI - projects –DRM unlikely to realize (global user resistance, long-term competitive alternatives) –Using statistical methods for tracking the usage of digital works

Open Issues 1/2 Architecture: –How is the money going to be raised (ISPs collect, a governmental tax etc?) –How is the money going to be distributed –Fairness: what about users who do not download music or only listen music, which is already in public domain

Open Issues 2/2 Technical feasibility –How to create robust enough tracking systems, which do not violate the user privacy? –How to prevent creation of “fake” artist (a’la Mafia Marching Band) Legal feasibility –Is it possible to create global compulsory licensing regime?

Project proposal Funding from Valtavirran Haastajat –One year, budget: 80K€ –2 researchers, 40% Deliverables –Solution concept –Report on legal aspects What kind of changes would be needed to international treaties and national copyright laws