Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.

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Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest in medieval stories like King Arthur – heroic stories referred to as “romances.” Sometimes inspired by current events, particularly tragedies. Also inspired by Africa and the Orient. Shows a respect for nature and a desire for a simpler time, before industrialism. Characterized by colour, emotion, content and passion. This movement is also in poetry (eg. Wordsworth and Keats) and Music (eg. Beethoven and Schubert).

29. Francisco Goya. Saturn Devouring one of his Sons. ( ) Oil on canvas. Goya was a rebel & libertarian – opposed to tyranny of all kinds worked as a court painter for King Charles IV of Spain saw the vices of both church and state many of his works focus on social protest came to hate humanity – saw only the brutalities of war / torture late career – created these “black paintings” focused on violence and his dark imagination this piece is based on Classical Mythology – Saturn tries to prevent a prophecy about one of his son’s taking his place (ultimately Jupiter / Zeus overthrows him)

30. Henry Fuseli. The Nightmare. (1781) Oil on canvas. iconic image of horror shows a demon and a horse to represent the “nightmare” might be an allegory of disappointment if the model is the artist’s love: Anna Landolt

31. Eugene Delacroix. Liberty Leading the People. (1830) Oil on canvas. Delacroix was one of the most successful Romantic painters after Gericault subject: the French Revolution of 1789 (Bourgeoisie uprising) the number three is symbolic = the French flag, 3 rebels, 3 guns, use of triangular composition chiaroscuro used shows energy and activity – hope for a promising future

32. John Nash. Royal Pavilion. Brighton. ( ) Borrowed ideas from other times and cultures This building meant to be summer home for King George IV of England Inspired by Islamic domes and minarets, also contains interior spaces in the styles of Greek, Egyptian, Chinese and Gothic art.