Apocalyptic Genre Robert C. Newman Definitions Apocalyptic – those ancient visionary writings which purport to reveal the mystery of the end of the age.

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Presentation transcript:

Apocalyptic Genre Robert C. Newman

Definitions Apocalyptic – those ancient visionary writings which purport to reveal the mystery of the end of the age and of the glories of the age to come. Prophecy – an utterance of a prophet, one who claims to speak for God. Since it often pertained to the future, comes to be identified with foretelling future events. Usually distinguished from narrative, law, psalms, wisdom; but not strictly a category of form, but rather of claimed source. –Soulen, Handbook of Biblical Criticism

Characteristics of Apocalyptic Revelation of a visionary sort Extensive use of symbolism Tendency to pessimism re/ human nature Cosmic perspective World-shaking events Triumph of God Deterministic – events are set Dualistic – struggle between good and evil Pseudonymous – claims famous author History rewritten as prophecy

OT Material usually considered Apocalyptic Numbers – Balaam's oracles Isaiah – events of end of age Ezekiel – chariot w/ cherubim, departure of Glory, invasion of Israel, visionary temple, parabolic visions Daniel – parabolic visions, dreams re/ future & end of age Zechariah – parabolic visions, events of end

NT Material usually considered Apocalyptic Olivet Discourse – Christ reveals signs of end, 2 nd coming to disciples 1 Thessalonians 4-5 – 2 nd coming, resurrection, end of age 2 Thessalonians 1-2 – 2 nd coming, man of lawlessness Revelation – visions of heaven, symbolism, end of age

Extrabiblical Apocalypses 1-3 Enoch –1 Enoch – visionary journeys thru world & underworld; angels, Messiah; world history –2 Enoch – visionary journey thru heavens; revelation of creation & world history to flood –3 Enoch – visionary journey of R. Ishmael to heaven; secrets from Metatron re/ cosmos, end 2-3 Baruch –2 Baruch – preview of world history to Messiah –3 Baruch – complaint re/ destruction of Jerusalem leads to visit to different heavens

Extrabiblical Apocalypses War Scroll (1QM) – rules for conducting end-time war against Gentiles Assumption of Moses – Moses, before departure, reveals history of Israel Martyrdom & Ascension of Isaiah – visits heaven, sees future; sawn in two by king 4 Ezra – 7 visions answering Ezra’s Qs re/ Jerusalem, # of saved, history to Messiah

Extrabiblical Apocalypses Shepherd of Hermas – allegorical visions from woman & shepherd re/ Christian life Apocalypse of Peter – Christ on Mt Olives describes heaven & hell, esp punishments Apocalypse of Paul – carried up to 3 rd heaven, meets angels, patriarchs; blessing of righteous, punishment of wicked Apocalypse of Thomas – events leading up to end in a 7-day scheme

Summary on Apocalyptic Diverse materials here, particularly when both canonical & non-canonical lumped together Origin of genre is earlier than IT period, continues centuries later. Except for Jude, no clear evidence that canonical borrowed from non-canonical. Rather dependence seems to go the other way –1 Enoch dependent on Ezekiel, Daniel –Hermas, Apoc Peter on Revelation

Summary on Apocalyptic Does not mean canonical cannot use symbolism existing in culture at time: –Some Greco-Roman symbolism in Revelation –Seven-sealed book, white stone, etc. No real evidence of pseudonymity in canonical apocalyptic. What does this mean for interpretation? –End of age, history –Final judgment –Fate of wicked –Eternal state

Some Comments on Genre Genre studies often overlook important items: Truth vs fiction of the book's contents Public vs private status of the book's circulation

Truth vs Fiction Book of Mormon shares many genre features with Old Testament, but –BM is fiction –OT is history Apocryphal Acts resemble Canonical, but latter is history, former fiction Similarly with the Canonical vs Apocryphal Gospels I suggest that the Canonical Apocalypses are real visions from God while Apocryphal are not.

Public vs Private Canonical apocalypses apparently in public circulation since time of claimed authors, no reason to think this true for apocryphal ones. Compare Gospel of Thomas: "These are the secret words…" and Joseph Smith 'finding' golden plates. I think the apocryphal apocalypses were semi- secret works of Mormon-like groups in antiquity. Semi-secret because all such groups have occasional cases of apostasy.

Some Comments on Genre These two matters will have considerable bearing on whether false authorship was OK in antiquity: –Obviously it was OK to the founders of heretical cults who wrote such stuff –They would have been in big trouble with their followers if they found out! I suspect the apocryphal works were written to mimic the canonical when these became well- known.

The End! Don't dismiss end-times prophecy as just 'apocalyptic'!