John Cassevetes Indie Auteur
John Cassavetes Films mistaken as improvisational precise scripts/rough camera long takes that are meant to expose the shakiness of middle class life not easily categorized or liked disturbing/erratic Most people aren’t indifferent about his work
Cassevetes Aesthetic Theatrical and Cinematic Theatrical pacing Long takes draw attention to the shots themselves, because they defy are expectations for quicker edits Close-ups allow for microscopic scrutiny of characters
Explore emotional messiness and people’s tolerance for personal and social disorder inventive mise en scene, actor driven performances over script/actors over stars held onto freedom of self expression throughout his career
Background Grew up on Long Island Became a successful actor Started an improvisation workshop for out of work actors He had the idea of making a film (using the improvisation techniques) Received 20,000 dollars from showbiz friends
Shadows 1959 Catches the bohemian jazz world of 50’s New York About an interracial relationship Music of Charles Mingus Shaky handheld camera Rejection of polished studio quality 1960 Cannes film festival (acclaimed) Cassavetes continued acting in the 60’s (Starred in Rosemary’s Baby, but wanted to direct again.)
Faces 1968 Rawest of his features Gritty black and white Extremely long scenes (virtual real time) Failed upper middle class marriage Husbands followed in 1970
Woman Under the Influence 1974 Financed by Peter Faulk and Cassavetes “housewife in bondage trying to find fulfillment” Best actress and best director nominations
When making the film Cassavetes did not intend for Mabel to be crazy He considered her to have poor social skills—poor communication She is also frustrated with her environment—reacting to other behavior
Pay attention to Mise en Scene (things put into the shot) What does the house say about the characters? Figure behavior? Framing? Costume? Color?
Pay attention to the script How is the plot laid out? The film is NOT improvised. Pay attention to how the words are scripted. Script includes: Dialogue, Location and Action Descriptions
Consider choices made by the camera person How is lighting used? Is the camera stable or shaky? Are there low angles or high angles?
Mise en Scene Performance Figure Behavior Color Costume Staging Location Set
Cinematography Framing, Lighting, Use of Film Stock, Focus (lens), Contrast
Shallow Depth of Field vs Deep Focus
Deep Focus Used for Framing in Depth
Shallow depth of field used to isolate Mabel from her background
Screenplay Dialogue Action Description Story structure “I think it’s in the air”