Everything about ESC is preserved for the future ESC 2014 Project.

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Presentation transcript:

Everything about ESC is preserved for the future ESC 2014 Project

Adopted early December 2013 (RESAW) ESC 2014 Project

Why ESC as a case? ESC has a massive social media presence and generates a lot of content. It is very technologically demanding to harvest. (from the project description (january 2014)).

ESC 2014 Project Why ESC as a case? ESC has a massive social media presence and generates a lot of content. It is very technologically demanding to harvest. Doing so tests the Netarchive functionality and gives valuable experience wrt. needed improvements, and input about which technological solutions are needed. (from the project description (january 2014)).

ESC 2014 Project Why ESC as a case? ESC has a massive social media presence and generates a lot of content. It is very technologically demanding to harvest. Doing so tests the Netarchive functionality and gives valuable experience wrt. needed improvements, and input about which technological solutions are needed. ESC-related research is diverse; music, politics, culture, language, gender, media, and more. Accomodating these different angles challenges the collections and collection process and strategy. (from the project description (january 2014)).

ESC 2014 Project Why ESC as a case? ESC has a massive social media presence and generates a lot of content. It is very technologically demanding to harvest. Doing so tests the Netarchive functionality and gives valuable experience wrt. needed improvements, and input about which technological solutions are needed. ESC-related research is diverse; music, politics, culture, language, gender, media, and more. Accomodating these different angles challenges the collections and collection process and strategy. The transnational aspect of ESC makes it a superb case for collaboration (RESAW) (from the project description (january 2014)).

ESC 2014 Project Project description (January 2014) Ongoing event harvest up to the Eurovision Song Contest in Copenhagen on 10 th May 2014

ESC 2014 Project Project description (January 2014) Ongoing event harvest up to the Eurovision Song Contest in Copenhagen on 10 th May 2014 Focusing on ESC 2014 as an online event, especially social media (including AV)

ESC 2014 Project Project description (January 2014) Ongoing event harvest up to the Eurovision Song Contest in Copenhagen on 10 th May 2014 Focusing on ESC 2014 as an online event, especially social media (including AV) Creation of the archive is overseen by reseachers and specialists, who, in collaboration with the Netarchive curators, find and add material and provide quality control

ESC 2014 Project Project description (January 2014) Ongoing event harvest up to the Eurovision Song Contest in Copenhagen on 10 th May 2014 Focusing on ESC 2014 as an online event, especially social media (including AV) Creation of the archive is overseen by reseachers and specialists, who, in collaboration with the Netarchive curators, find and add material and provide quality control The archive is limited to the Danish contest (Dansk Melodi Grand Prix) and the international ESC contest

The Problem: is – in a nutshell – about really big data

The Control Center - a manual experience

Results & Experiences From day 1 we had our work cut out for us by the (now dreaded) dynamic content:

Opening of the 1 st semi-final:

Results & Experiences From day 1 we had our work cut out for us by the (now dreaded) dynamic content:

Results & Experiences Static pages with no dynamic elements are archived without any problems. These are sites such as news sites, fan sites and betting pages A lot of these sites have high levels of activity, which demands that we keep close watch, for instance for newly sprouted sub-pages etc.

Results & Experiences Social media activity is enormous in scope: videos when using the query ”Eurovision 2014” on YouTube:

Views of the winning song’s official video (One week after the victory)

Social media is more than text

- and this is how they work Via inter- and re-references

Social media is more than text - and this is how they work Via inter- and re-references Multi- media

Social media is more than text - and this is how they work Via inter- and re-references Multi- media Visual commentary

Social media is more than text - and this is how they work Via inter- and re-references Multi- media Visual commentary but even more ESC is mainstream

Social media is more than text - and this is how they work Via inter- and re-references Multi- media Visual commentary but even more ESC is mainstream People – fans, anti-fans and casual viewers – relate to it

It is not ”just” music either… Danish TV’s official ESC news site

Saved in the Netarchive: (Danish TV’s official ESC news site)

Results & Experiences YouTube The Netarchive is able to save the video front pages, showing no. of ”likes”, ”dislikes” and ”views”, but cannot save the comments Videos themselves are saved manually and separately to the archive

Results & Experiences Social media activity is massive: tweets a minute during the final (and that is way too much for the Netarchive)

Problems & Solutions Problem: The Netarchive cannot harvest social media due to frequency of updates, page coding etc. – ie. tech issues > Solution: a)Twitter and Facebook: Digital Footprints Screen shots Screen film

Problems & Solutions Problem: The Netarchive cannot harvest social media due to frequency of updates, page coding etc. – ie. tech issues > Solution: b)YouTube: Videos and front pages were harvested separately, and a spreadsheet is needed to match them. Comments are not harvested.

Problems & Solutions Problem: The Netarchive cannot harvest social media due to frequency of updates, page coding etc. – ie. tech issues > Solution: c)Joinus.dk (mostly), Instagram, Tumblr, VK.com, Vimeo, Flickr, streaming on news sites et al…

Conclusion ESC 2014 has proven that social media are vital, if we want to preserve an accurate impression of our present time.

Conclusion ESC 2014 has proven that social media are vital, if we want to preserve an accurate impression of our present time. Established news media (”old media”) interact with them – even in their logo/branding – and debates on social media can affect the outcome of something like ESC, just as they can affect policy and policy making.

Conclusion ESC 2014 has proven that social media are vital, if we want to preserve an accurate impression of our present time. Established news media (”old media”) interact with them – even in their logo/branding – and debates on social media can affect the outcome of something like ESC, just as they can affect policy and policy making. Online discourse is not pure text, but uses a multi-media approach – everything is connected and inter-referential. This puts new and high demands on archiving.

Conclusion ESC 2014 has proven that social media are vital, if we want to preserve an accurate impression of our present time. Established news media (”old media”) interact with them – even in their logo/branding – and debates on social media can affect the outcome of something like ESC, just as they can affect policy and policy making. Online discourse is not pure text, but uses a multi-media approach – everything is connected and inter-referential. This puts new and high demands on archiving. Two kinds of problems –Technical error and complication (ie. things we cannot do – yet) –Human error

Conclusion A massive amount of work has gone into harvesting and documenting ESC 2014, and this has led to a large and excellent material for future research. However, a lot of this material is currently outside the Netarchive proper.

Conclusion A massive amount of work has gone into harvesting and documenting ESC 2014, and this has led to a large and excellent material for future research. However, a lot of this material is currently outside the Netarchive proper. The Netarchive lacks the technology to harvest the media of the now. Without tools to do so, the source material we pass on will be incomplete and unable to accurately reflect the present day in our preserved material.

Conclusion A massive amount of work has gone into harvesting and documenting ESC 2014, and this has led to a large and excellent material for future research. However, a lot of this material is currently outside the Netarchive proper. The Netarchive lacks the technology to harvest the media of the now. Without tools to do so, the source material we pass on will be incomplete and unable to accurately reflect the present day in our preserved material. Whole domains/sites are currently impossible to harvest

Conclusion A massive amount of work has gone into harvesting and documenting ESC 2014, and this has led to a large and excellent material for future research. However, a lot of this material is currently outside the Netarchive proper. The Netarchive lacks the technology to harvest the media of the now. Without tools to do so, the source material we pass on will be incomplete and unable to accurately reflect the present day in our preserved material. Whole domains/sites are currently impossible to harvest And therefore we now have AV-collections of activities on Twitter, Facebook etc.

Conclusion Curation is vital – the amount of data is so large and the choices so many that we need more resources.

Conclusion Curation is vital – the amount of data is so large and the choices so many that we need more resources. Social media use/practices is one of the challenges of this collection. –What to collect from where and how –What do people do on Facebook vs. YouTube vs. Twitter etc.

Conclusion Curation is vital – the amount of data is so large and the choices so many that we need more resources. Social media use/practices is one of the challenges of this collection. –What to collect from where and how –What do people do on Facebook vs. YouTube vs. Twitter etc. The devil really is in the detail –Small mistakes muddy the collection

Conclusion Curation is vital – the amount of data is so large and the choices so many that we need more resources. Social media use/practices is one of the challenges of this collection. –What to collect from where and how –What do people do on Facebook vs. YouTube vs. Twitter etc. The devil really is in the detail –Small mistakes muddy the collection Time and timing is essential

”As my dad used to say: any failed attempt is a victory for those who have the strength to make a new, better one.” - Jan Guillou 2013 (our translation) ESC 2014 Project