CHARACTER NOTES: MORRIS BY KIARA, SOPHIE AND OLIVIA.

Slides:



Advertisements
Similar presentations
Film Terms & Techniques
Advertisements

‘The Shawshank Redemption’
“the most dangerous game” by Richard connell
Mise-en-scene In our film. We felt that it was extremely important to think about the different elements of Mise-en-scene and try to incorporate those.
Brick Opening Title Sequence. Mise-en-scene Locations/Settings The first setting that the audience sees is a storm drain, the location looks very isolated.
My Book Review: My Buddy by Audrey Osofsky
BRICK Holly Higgins. Setting The dark damp setting makes us feel un-comfortable. There is something to hide as it is in a palace that the public can’t.
Set Scottish texts National 5
My Darling, My HamburgerSlide 1 Qn:- “Always looking and only seeing part of what is there.” In what way does that sum up characters in the novel…. Liz.
Location/setting The very first shot is of a bedroom, the rest of the OTS appears to have no relevance to this shot and so leaves the audience with questions.
Confronting An Angry Person. Anger – a strong passion or emotion of displeasure –Definitive anger: an anger toward any kind of genuine wrongdoing such.
By: Jesse Stuart.  Jesse Stuart  Born in Greenup County, Ky.  Most of his stories/poems involve education and living in the South.
Do Now – Read the biographical information, annotating as you read.
“The Most Dangerous Game”
Chapter Questions Of Mice and Men.
Narrative Essay: Telling your Story. Simply a Story Oral stories (what we did over the last weekend) Can come from your experiences, imagination, or a.
A Christmas Carol Novel by Charles Dickens, Play by Frederick Gaines Images and Discussion Questions English 7/7H Mrs. Gennosa.
Of Mice and Men All the characters in the novel are lonely. Choose three characters who are lonely and show how Steinbeck develops the theme of loneliness.
My Animation Start My animation begins with a spaceship landing in the moon. Finish Character A salutes the United States of America Flag. Interaction.
Creative Writing Based on the work you have done on ‘Titanic’, you are now going to write a short story. This means the story will be made up. Your title.
Communication Skills Anyone can hear. It is virtually automatic. Listening is another matter. It takes skill, patience, practice and conscious effort.
English Literature and Film Unit 1: The Shawshank Redemption elements of fiction Scott DeWaelsche 3/19-3/21.
Aim: What can the stolen baby offer Tsotsi? Do Now: Referring to Tsotsi: “His own eyes in front of a mirror had not been able to put together the eyes,
Christof. An important character.. Christof as an important character.  He is important because he controls Truman’s life.  He is important because.
1. EVERYONE COMPLETES # 16 FROM YOUR STUDY GUIDE. 2. NOW WE COUNT OFF. YOUR NUMBER WILL COMPLETE THE FOLLOWING: 1 = 3 2 = 5 3 = 6 4 = 8 5 = 10 6 = 12 7.
Before Office John Ryan is a white cop working for the LAPD. In his first scene (the telephone call with Shaniqua) we straight away are faced with a short.
Point of View shot. From the point of view of a character. From the point of view of an external observer (the camera and viewer) POV shot.
Set at night in an imaginary city (Basin City) the scene is based on the top of an apartment block, on the open balcony. The characters are at a party,
Symbolism Meanings beyond the obvious. A visual symbol or picture is used to stand for an idea. Example: dove=peace.
Description: Tybalt in the Film “Romeo And Juliet” is a character of class and class alone. Tybalt wears mainly black clothing likes suits and western.
Shots/Frames From Our Opening Title Sequence ‘The Present Past’
Detailed Analysis on the open title sequence of Brick.
PREVENTING CHILD ABUSE DTURaLvbDM.
Assignment #1. Goals of a Memoir  To capture an important moment  To convey something about its significance.
Mrs. White and Ms. Richmond From Page To Stage… Creating Great Movies from Great Literature.
Reading Notes-Heading “The Utterly Perfect Murder” Pages 19-9/14.
Literary Elements Review. Foreshadowing A hint used by an author of something to come Example: When Simba and Mufasa are looking up at the stars and have.
There would come a time when we have to stop loving someone not because that person started hating us but because we found out that they'd be happier if.
John, was a man, who was easy to hate. He was always in such a good mood and always said something positive. John, John, was a man, who was easy to.
Cole’s Conflict with the Spirit Bear Mrs. Oelerich.
Schindler’s List Techniques. Long Take  A shot which focuses on something or someone for longer than the rest of the film is emphasising a character.
Taxi Driver.  Light/ colour The red/ orange colure creates the emotion of anger and hate this could be what the character feels about people these are.
“Boxes” by Raymond Carver
Group B John is sitting in a dark room after taking acid which causes him to trip out while he is looking at family photos. On a table there’s a gun, rolled.
Come, gentle night… Review of Formative Assessment: Passage-Based Question on Romeo & Juliet, Act 3 Scene 2.
BRICK- Textual Analysis. Describe the Setting & Location A small, dark drainage system- The tunnel is dark and some of the shots are unclear on what we.
Catcher in the Rye Chapters Chapter 20 Holden stays in the ‘Wicker Bar’ after Carl Luce has left He gets very drunk Considers phoning Jane – but.
Act 1 Scene 1Act 1 Scene 2 Act 1 Scene 3Act 2 Scene 1.
Conditional Clauses. You use a conditional clause to talk about a possible situation and its results. Conditional clauses often begin with ‘if’. To make.
The first location seen is at a storm drain, an isolated remote area on the outskirts of town. Giving the feel the character is away from civilisation.
RESOLVING CONFLICTS. Passive accepting or allowing what happens or what others do, without active response or resistance. Examples?
Evaluation Question 1 IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE THE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?
BRICK Opening Title Textual Analysis Release dateRelease date: April 7, 2006 (USA) DirectorDirector: Rian Johnson Rian Johnson.
“Merchant of Venice” Essay Plan Character..
Bullet Boy – British Crime Bullet Boy (2006) is a British Crime film that follows the life of young Ricky and his brother Curtis. The film uses the typical.
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
Character Costumes What do the clothes say about these people?
The Treasure of Lemon Brown
Question 1 Evaluation In what ways does your media product use, develop or challenge forms and conventions of real media products? (i.e.: of film openings)
Response Journal to Texts THE PROCESS OUTLINED HERE WILL BE USED VARIOUS TIMES THROUGHOUT HIGH SCHOOL ELA.
HELLO AND WELCOME ! Do Now: Sit anywhere (but choose wisely) Take out your journals and title the next A and B page: Life is Beautiful.
Let all bitterness and wrath and anger and clamor and slander be put away from you, along with all malice. Bitterness--Resentment that will not reconcile.
Media presentation Narrative and Opening title sequence.
Creating Suspense Suspense A feeling of ___________ or ____________ created by an author to keep readers ________________ about the ____________ of events.
PANTOMIME !!! Fundamentals of Theatre I. TO TELL A STORY WITHOUT THE USE OF WORDS, AN EMPHASIS ON PHYSICAL EXPRESSION.
פתרון בגרות שאלון ד׳ Module D
Question 1.
The Truman Show 2.2 Essay Writing.
Analysis Opening Title Sequence Brick
Characterization.
Presentation transcript:

CHARACTER NOTES: MORRIS BY KIARA, SOPHIE AND OLIVIA

MAIN ACTIONS Yells at Tsotsi at the train station and spits at his feet Tsotsi becomes angry and follows Morris into dark alleyways Morris offers Tsotsi his money but Tsotsi is not interested He tells Tsotsi that he lost the use of his legs in a mining accident We see a change in Tsotsi and he decides to forget his anger and let Morris go At the end of the film we see Tsotsi give money to Morris something in Morris's helplessness touches Tsotsi. Helps him become more human after he reminds Tsotsi of a dog with a broken back from his childhood.

COSTUME In a wheelchair and wearing dark clothing Black beanie Dark grey coat Brown shoes

PROPS ASSOCIATED WITH THE CHARACTER Wheelchair - Morris does not have the use of his legs and is bound to a wheelchair. Money – Morris collects coins and money is a tin box that we see in the confrontational scene between Morris and Tsotsi.

CONFLICTS conflict between Tsotsi and Morris. Morris calls Tsotsi a dog and spits at his feet. Makes Tsotsi angry and causes him to follow Morris underneath a bridge, intending to kill him. Tsotsi decides to let Morris go unharmed. His significance is he is the first person that Tsotsi feels sympathy for and leaves him alive because he reminded Tsotsi of a dog in his childhood

A KEY EPISODE INVOLVED IN AND FILM TECHNIQUES USED Tsotsi follows Morris into the dark alleyways with the intention of killing him. Morris offers Tsotsi his money but Tsotsi is not interested in it. Tsotsi kicks the tin containing the money and the contents spill out in slow motion. Morris is frightened and comes to the realisation that he may not live. Tsotsi asks Morris how he became to be bound to the wheelchair. Morris replies and says that he was in a mining accident. Tsotsi says that Morris reminds him of a dog with a broken back from his childhood. This evokes a change in Tsotsi. He begins to pity Morris and he decides to let Morris go unharmed.

KEY QUOTES “What kind of man would break a dog’s back?” (after hearing about the dog with a broken back from Tsotsi’s childhood)

RELATIONSHIPS WITH OTHER CHARACTERS Has a confrontation with Tsotsi after Tsotsi stalks him down alleyways, intending to kill him

FUNCTION / IMPORTANCE IN THE NARRATIVE STRUCTURE OF THE FILM The incident between Tsotsi and Morris showed a change in Tsotsi, where his first outbursts of hostility towards Morris change to feelings of sympathy. The vulnerability of Morris evokes sympathetic feeling within Tsotsi and we see the first signs of Tsotsi regaining his humanity. Morris helps to convey the theme of the possibility of redemption.

THEMES WHICH THE CHARACTER REFLECTS The possibility of redemption Tsotsi changes from wanting to kill Morris, to walking away from the situation and letting Morris go unharmed. Tsotsi chooses to do good instead of evil.