Film History and Criticism Week 8 March 2 nd The Post-War Avant-garde and Independent Cinema.

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Film History and Criticism Week 8 March 2 nd The Post-War Avant-garde and Independent Cinema.

Week 8 February 28 th The Post-War Avant-garde The Post-War Avant-garde and Independent Cinema. Readings: Thompson & Bordwell Chapter 21 Documentary and Experimental Cinema in the Postwar Era 1945-Mid 1960’s pp Maya Deren p 490 Hayward, Key Concepts Feminist film theory pp97-116; Supplementary Reading: Laura Mulvey “Visual Pleasure and Narrative Cinema”, (Braudy and

Counter culture Independent film makers c.w. more commercial interests of Hollywood producers. Documentary film making Avant-garde personal expression aided by the introduction of cheaper portable 8mm 16mm cameras and projection equipment.

NYC Avant-Garde Important figure impresario of the NYC Avant- garde (or neo-avant-garde) Jonas Mekas (Film makers Cooperative founder and cofounder of anthology film archives) Film Culture magazine and writing for the Village Voice. Bruce Connor (A Movie 1958) Jack Smith (Flaming Creatures (1963)

Fireworks (1947) Scorpio Rising (1964) Kenneth Anger

Last Year at Marienbad (1961); Alain Renais Alain Robbe-Grillet Le nouveau roman

Stan Brakhage “Brahkage is one of the four or five most authentic film artists working in cinema anywhere, and perhaps the most original film maker in America today” (Mekas, J 1961 Village Voice column) qu. Wexman p341 Dog Star Man ( ) Mothlight (1963)

“OF NECESSITY I BECOME INSTRUMENT FOR THE PASSAGE OF INNER VISION, THRU ALL MY SENSIBILITIES, INTO ITS EXTERNAL FORM. My most active part in this process is to increase all my sensibilities (so that all films arise out of some total area of being or full life) AND, at the given moment of possible creation to act only out of necessity. In other words, I am principally concerned with revelation.” -letter to P Adams Sitney, (1963)

“Endgames”

Agnes Varda Cleo from 5-7 (1961)

Andy Warhol Sleep (1963) 6h Empire (1964) 8h The Factory productions with Paul Morrissey Chelsea Girls (1966) Lonesome Cowboys (1968)

Chelsea Girls (1966) “I love to be bored” “In the future everyone will be world famous for 15 minutes”

Wavelength (1967) Michael Snow 45 minute slow zoom to a photograph of waves attached To the wall of his loft apartment/studio in NYC

Structuralist film (P. Adams Sitney “The film insists on its shape and what content it has is minimal and subsidiary to its outline” Other early Structuralist Films: Hollis Frampton (Zorns Lemma 1970) Ernie Gehr (Serene Velocity 1970) George Landow Remedial Reading Comprehension (1970)

Hollis Frampton’s 1970 Zorns lemma Zorns Lemma

Performance (1970) Nicholas Roeg

Yvonne Rainer. Lives of Performers (1971) Film about a woman who… (1974) The man who envied women (1985) Privilege (1990) Ref. NSCAD Press Book 1974

1970’s Feminism Women’s Political films Geri Ashur Janies Janie (1971) Jim Klein and Jukia Reichart Union Maids (1976)

Connie Field The life and times of Rosie the Riveter (1976)

The Personal is political” (Confessional films) Carolee Schneeman Fuses (1964) Joyce Wieland Reason over Passion (1969) Michelle Citron (Daughter Rite 1978) Sue Freidrich The ties that Bind (1984) Trin te Min ha Surname Viet, Given Name Nam 1989)

Carolee Schneeman Fuses (1964)

Week 9, March 9 th Contemporary Cinema Since the 1960’s; Crime, Horror and Suspense. The Hollywood ‘B’ movie. Readings: Thompson & Bordwell Chapter 22 Hollywood’s Fall and Rise pp ; Hayward, Key Concepts Horror pp Screening: Bucket of Blood (1960) Roger Corman, Night of the Living Dead (1968) George Romero; Breathless (1960) Jean Luc Godard.