Dither and Noise Shaping

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Presentation transcript:

Dither and Noise Shaping

When do we use DITHER? Most commonly when Converting DIGITAL AUDIO BITRATES Ex: 24bit  16bit for CD

What is DITHER? It is actually adding NOISE to an audio signal. We make a trade: A little low-level hiss is added BUT… There is a big reduction in DISTORTION.

16-Bit CD Audio Remember: 16-bit CD has a 96dB MAX dynamic rang BUT we don’t ALWAYS listen to our music at its full dynamic range

More on BITS… We are using less BITS when volume level is not FULL QUIETER digital audio has more DISTORTION because it is utilizing less of those BITS!

Here you can see the low bitrate

TRY THIS ANALOGY: Spread your fingers and hold them up a few inches in front of one eye, and close the other. Try to read this text. Your fingers will certainly block portions of the text (the smaller the text, the more you'll be missing), making reading difficult. Wag your hand back and forth (to and fro!) quickly. You'll be able to read all of the text easily. You'll see the blur of your hand in front of the text, but definitely an improvement over what we had before. The blur is analogous to the noise we add in dithering. We trade off a little added noise for a much better picture of what's underneath.

The LSB. What is that? LSB stands for the LEAST SIGNIFICANT BIT This is where the noise is added It spreads individual ERRORS into NOISE

In other words… Creating NOISE actually helps us hear LOW LEVEL SIGNAL BETTER!

So when does dither happen? Converting Sample Rates Mixdown of a digital project Normalizing: What is that?

Your DAW The good news is that your software usually does this automatically Bitrate conversion often allows for the option

The Power of our BRAIN Hearing through dither is like picking out a voice in a crowded room Our brain can separate low level sound from the noise created by dither

In Short… Dither is INTENTIONAL Low-Level NOISE Is used in DIGITAL SYSTEMS It’s better than DISTORTION

Finally… Noise Shaping This uses DITHER to make it SEEM like there is a lower NOISE FLOOR This also uses the ‘Fletcher-munson’ curve: It considers how we HEAR Again, fooling our brain into hearing something else

Listening examples (bottom of page): http://www.hydrogenaudio.org/musepack/klemm/www .personal.uni-jena.de/~pfk/mpp/dither.html