Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY Edited by Lynn Ellis Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY Edited by Lynn Ellis.

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Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY Edited by Lynn Ellis Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY Edited by Lynn Ellis

Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Overt sexuality. 5.Violence & savagery.

Expressioism A tendency to distort reality for an emotional effect Use bright colors to express emotion

Edvard Munch: The Scream (1893) Expressionism  Using bright colors to express a particular emotion.

Franz Marc: Animal Destinies (1913)

Gustav Klimt: Judith I (1901) Secessionists  Disrupt the conservative values of Viennese society.  Obsessed with the self.  Man is a sexual being, leaning toward despair.

Gustav Klimt: The Kiss (1907-8)

Gustav Klimt: Danae (1907-8)

Henri Matisse: Woman with Hat (1905) Henri Matisse: Woman with Hat (1905) FAUVE  The use of intense colors in a violent, and uncontrolled way.  “Wild Beast.”

Henri Matisse: Open Window (1905) Henri Matisse: Open Window (1905)

Andre Derain: Black Friars Bridge, 1906 Andre Derain: Black Friars Bridge, 1906

Picasso, Les Demoiselles de Avignon, 1907 CUBISM  The subject matter is broken down, analyzed, and reassembled in abstract form.  Cezanne  The artist should treat nature in terms of the cylinder, the sphere, and the cone.

Georges Braque: Violin & Candlestick (1910)

Georges Braque: Woman with a Guitar (1913) Georges Braque: Woman with a Guitar (1913)

Georges Braque: Still Life: LeJeur (1929)

Picasso: Studio with Plaster Head (1925)

Pablo Picasso: Woman with a Flower (1932) Pablo Picasso: Woman with a Flower (1932)

Pablo Picasso: Guernica, 1937

Vassily Kandinsky: Father of the Abstract Composition VII, 1913 Vassily Kandinsky: Father of the Abstract Composition VII, 1913

Wassily Kandinsky: On White II (1923) Wassily Kandinsky: On White II (1923)

Kandinsky: Composition X, 1937

Piet Mondrian, Composition with Yellow, Blue and Red, 1921 Piet Mondrian, Composition with Yellow, Blue and Red, 1921

Mondrian, Composition II with Red, Blue and Yellow 1930 Mondrian, Composition II with Red, Blue and Yellow 1930

George Grosz Grey Day (1921) George Grosz Grey Day (1921) DaDa  Ridiculed contemporary culture & traditional art forms.  The collapse during WW I of social and moral values.  Nihilistic.

George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II ( ) George Grosz: Daum Marries Her Pedantic Automaton George in May, 1920, John Heartfield is Very Glad of II ( )

George Grosz The Pillars of Society (1926) George Grosz The Pillars of Society (1926)

Marcel Duchamp: Fountain (1917)

Marcel Duchamp: Nude Descending a Staircase (1912) Marcel Duchamp: Nude Descending a Staircase (1912)

Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War), 1936 Surrealism  Late 1920s-1940s.  Came from the nihilistic genre of DaDa.  Influenced by Freud’s theories on psychoanalysis and the subconscious.  Confusing & startling images like those in dreams.

Salvador Dali: The Persistence of Memory (1931)

Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach (1938)

Rene Magritte, The Human Condition, 1935 Rene Magritte, The Human Condition, 1935

Rene Magritte: Golconde, 1953

Walter Gropius: Bauhaus Building (1928) Bauhaus  A utopian quality.  Based on the ideals of simplified forms and unadorned functionalism.  The belief that the machine economy could deliver elegantly designed items for the masses.  Used techniques & materials employed especially in industrial fabrication & manufacture  steel, concrete, chrome, glass.

Walter Gropius: Lincoln, MA house (1938)