CHELSEY DAHM & LANI LUTZ DR. POLL-SORENSEN, DEPARTMENT OF MUSIC AND THEATRE ARTS ABSTRACT M ARTHA G RAHAM IS ONE OF THE MOST CELEBRATED ARTISTS IN MODERN.

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CHELSEY DAHM & LANI LUTZ DR. POLL-SORENSEN, DEPARTMENT OF MUSIC AND THEATRE ARTS ABSTRACT M ARTHA G RAHAM IS ONE OF THE MOST CELEBRATED ARTISTS IN MODERN DANCE. T HIS PROJECT ALLOWED STUDENTS AND FACULTY OF THE M USIC AND T HEATRE A RTS D EPARTMENT THE OPPORTUNITY TO STUDY M ARTHA G RAHAM, HER TECHNIQUE, AND HER BODY OF WORK IN DEPTH. T HIS PROJECT HAD THREE MAIN GOALS, AND REACHED TWO ULTIMATE OBJECTIVES. T HE GOALS WERE : TO RESEARCH M ARTHA G RAHAM AS A CHOREOGRAPHER AND PRIME MOVER IN MODERN DANCE, TO RESEARCH CHOREOGRAPHIC WORKS OF M ARTHA G RAHAM, AND TO RESEARCH THE TECHNIQUE OF M ARTHA G RAHAM. A CHIEVING THESE THREE GOALS LAID THE GROUNDWORK FOR COMPLETION OF TWO ULTIMATE OBJECTIVES. T HE FIRST OBJECTIVE WAS CREATING A STUDENT CHOREOGRAPHED WORK USING THE TECHNIQUE OF M ARTHA G RAHAM. S ECOND, THE RESEARCHERS DEVELOPED A TECHNIQUE BASE UTILIZING THE CHOREOGRAPHIC ELEMENTS OF THE PIECE TO TRAIN DANCERS TO PERFORM THE WORK. METHODOLOGY: IMPORTANT QUESTIONS W HAT IS IT THAT SETS M ARTHA G RAHAM ’ S WORK APART FROM ALL OTHER DANCE TECHNIQUES ? H OW DID M ARTHA G RAHAM ’ S PERSONAL LIFE AND EXPERIENCES INFLUENCE THE PIECES SHE CREATED ? H OW MUCH OF M ARTHA G RAHAM ’ S TECHNIQUE BASE IS USED BY DANCERS TODAY ? METHODOLOGY: PRACTICE C REATE A NEW WORK IN OUR OWN STYLE USING NARRATIVE FORM AND ORIGINAL MUSIC. D EVELOP A TECHNIQUE BASE TO TRAIN DANCERS TO PERFORM THIS PIECE SALIENT FINDINGS FROM LITERARY REVIEW G RAHAM CHOREOGRAPHED IN THE NARRATIVE FORM : H ER PLOTS DERIVED MOSTLY FROM MYTHOLOGY, HISTORY, POEMS, AND PIECES OF ART. G RAHAM CREATED PIECE - SPECIFIC TRAINING ROUTINES IN ORDER TO BEST PREPARE HER DANCERS TO PERFORM THE CHALLENGING ROLES. “W HAT WAS EXTRAORDINARY IS THAT DANCERS DIDN ’ T GET HURT. I DON ’ T KNOW WHY, BECAUSE WE DIDN ’ T USE PLIES VERY MUCH.” S OPHIE M ASLOW G RAHAM ’ S REPERTOIRE AND TECHNIQUE EVOLVED WITH HER LIFE AND EXPERIENCES : S HE WAS NOT INTERESTED IN RECREATING PAST WORK, RATHER SHE STRIVED TO CREATE NEW WAYS TO MOVE. “S HE DISCOVERED A LOT OF NEW MOVEMENTS. A ND SHE JUST KEPT WORKING ON FINDING …. THERE IS ALWAYS SOMETHING NEW THAT SHE BRINGS IN.” L OUIE H ORST, 1929 FINDINGS REGARDING IMPORTANT QUESTIONS Martha Graham’s work was unique because she took an abstract art and transformed it in such a way that people could understand and relate to it; the consequence being that contemporary dance was brought to the forefront of the dance world. Martha Graham was influenced by everything she saw. The motives of her pieces and her personal experiences were intimately connected; her life can be outlined by the pieces she created Martha Graham made many significant contributions to contemporary dance Use of breath through contraction and release Expanded use of floor work CONCLUSIONS R ESEARCHERS UTILIZED G RAHAM ’ S TECHNIQUE AND STYLE TO CREATE A WORK OF THEIR OWN USING THE FOLLOWING FIVE STEPS : EXPLORED POSSIBLE SUBJECTS THAT M ARTHA G RAHAM WOULD CHOREOGRAPH ABOUT IF SHE WERE ALIVE TODAY C REATED MOVEMENT BASED ON THAT SUBJECT A CQUIRED A COMPOSER TO CREATE AN ORIGINAL COMPOSITION SET TO THE MOVEMENT C OSTUMED THE PIECE IN SUCH A WAY THAT G RAHAM WOULD HAVE DONE P ERFORMED PIECE AS A METHOD OF COMMUNICATION TO AN AUDIENCE WITH THE INTENT OF INSPIRING THROUGH MOVEMENT