Printing 2 Assignment 1 MORGAN. Engraving  To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving only.

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Presentation transcript:

Printing 2 Assignment 1 MORGAN

Engraving  To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving only ink in the engraved lines. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the engraved lines, making a print. The process can be repeated many times; typically several hundred impressions (copies) could be printed before the printing plate shows much sign of wear, except when dry point, which gives much shallower lines, is used.

Woodcut  Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting more away and printing the next color on top. This allows the previous color to show through. This process can be repeated many times over. The advantages of this process is that only one block is needed, and that different components of an intricate design will line up perfectly. The disadvantage is that once the artist moves on to the next layer, no more prints can be made.

Digital prints  These images can be printed to a variety of substrates including paper, cloth, or plastic canvas. Accurate color reproduction and the type of ink used (see below) are key to distinguishing high quality from low quality digital prints. Metallic (silvers, gold's) are particularly difficult to reproduce accurately because they reflect light back to digital scanners. High quality digital prints typically are reproduced with very high- resolution data files with very high- precision printers. The substrate used has an effect on the final colors and cannot be ignored when selecting a color palette.

Foil imaging  Foil imaging is a revolutionary printmaking technique developed at the University of Iowa by Professor Virginia A. Myers. Hot-stamped foil is a process of applying foil or roll-leaf using a combination of heat, pressure,and dwell time to adhere the foil to a wide variety of substrates, including but not limited to paper, metal, leather, or plastics. The foil or roll leaf is adhered to a plastic film which is then transferred to the substrate during the printing process. The foil is manufactured in a rainbow of metallics, pigments, pearl-escents, tin-foils, and specialty products including holograms.-from the Iowa Foil Printer web page.

Lithography  Acid is applied, transferring the grease to the limestone, leaving the image 'burned' into the surface. Gum Arabic, a water soluble substance, is then applied, sealing the surface of the stone not covered with the drawing medium. The stone is wetted, with water staying only on the surface not covered in grease-based residue of the drawing; the stone is then 'rolled up', meaning oil ink is applied with a roller covering the entire surface; since water repels the oil in the ink, the ink adheres only to the greasy parts, perfectly inking the image. A sheet of dry paper is placed on the surface, and the image is transferred to the paper by the pressure of the printing press. Lithography is known for its ability to capture fine gradations in shading and very small detail.