Witness Section B: Writing in Context Identity and Belonging.

Slides:



Advertisements
Similar presentations
Close Reading A revision guide to question types.
Advertisements

Prose Analysis Essay for the AP Language and Composition Exam
Context Response.
You’re the author – what were your intentions?  A dot point outline of unrelated, random thoughts loosely connected to your writing  A plan for your.
Year 12 ENGLISH Creating and Presenting: ‘the imaginative landscape’
Reading Rules! Ashford Oaks Primary School Donna Frith.
Understanding Progress in English A Guide for Parents.
SECTION B: WRITING IN CONTEXT IDENTITY AND BELONGING.
WRITING IN CONTEXT Creating and Presenting. What you need to do:  Your task is to develop your writing skills so that you can create a number of short.
CREATING AND PRESENTING WRITING IN THE CONTEXT
 The award of satisfactory completion for a unit is based on a decision that the student has demonstrated achievement of the set of outcomes specified.
Why are we revising writing?
Lesson 6H: Two Versions, One Narrative
Embedded Assessment UNPACKING
Chapter One – Thinking as a Writer
What must students cover
OUTCOME 2: Creating & Presenting CONTEXT: The Imaginative Landscape FOCUS TEXTS: ‘ One Night the Moon’, - short film and ‘Island’- a collection of short.
The California Writing Exam Grades 4 and 7
California State Writing Test
How to “Get” What You Read --Dr. Suess. Writing comes in many textual forms; this means reading needs to happen in just as many ways. ELA 20 Reading Texts.
Area of Study 2 Creating and Presenting
Short Story Boot Camp 2014 Introduction to Analysis using Short Fiction.
Writing Analytically.
What do I need to consider when writing the final explanation? Explain the themes, issues and ideas you explored in your pieces in relation to the context.
Rubric Understanding. Focus Addresses all aspects of prompt appropriately maintains a strongly developed focus. A B C D.
Chris Barcock A680: English/ English Language Information and Ideas: Higher and Foundation Tiers.
Outcome 1 – Social Values.  All media texts are constructed. As a result, they often reflect the social values - the views, attitudes and beliefs - of.
Standards! What are we writing? What are we practicing?
Area of Study 2 ENCOUNTERING CONFLICT
B121 Chapter 3 Learning Skills. Reading and note taking Identify your own reading strategies A reading strategy is an operation you put into action according.
May 2009 Of Mice and Men Essay.
Revision for Writing Identity and Belonging Practise AT.
HOW TO WRITE WELL IN OUTCOME 2: CONTEXT Identity and Belonging Freedom Writers.
Writing With Your Child. Parents, recall your own school experiences with writing. “ I had to write stories with at least 300 words” “Every year we wrote.
We do not search for the meanings of things in the things themselves. Rather, we find meaning in the way we can relate things together, either through.
What makes good academic writing?. Essay writing Problem 1 – an essay assignment evaluates how well students can produce a particular piece of writing.
Before we continue with our F451 discussion, get out your SOAPSTone notes and the last SOAPSTone chart that you completed…
Media Studies 2009 External Achievement Standards.
Credits: 3 Respond critically to significant aspects of visual and/or oral text(s) through close reading, supported by evidence English 3.9 Through their.
Attacking the Poetry Prompt
How to Write an Excellent AP English Language and Composition Essay
Sometimes Gladness Section B: Writing in Context Identity and Belonging Tuesday October 26, 2010.
VCE English Unit 4 – Creating and Presenting.  A written Statement of Intention about form, purpose, language, audience and context should be 150 plus.
6 +1 Traits. In your groups right now, brainstorm on a piece of paper – what makes a paper good? What must it have in it to make it a powerful piece?
Year 11 Lessons 13 th January. Starter On the big paper on your desks write down what you will need to show the examiner in a writing question asking.
Module C: Representation and Text Elective 2: History and Memory Prescribed Text: Fiftieth Gate.
Written Assignment NOTES AND TIPS FOR STUDENTS.  MarksLevel descriptor 0The work does not reach a standard described by the descriptors below. 1–2The.
Namecards You have ten minutes to create a name-card which sends out the right sort of message about you and your unique personality to the rest of the.
Writing an Essay. Reading a Primary Source: Step 1 Who wrote this document? In the first place, you need to know how this document came to be created.
WHAT SKILLS AND UNDERSTANDINGS DO I NEED TO DEMONSTRATE? HOW CAN I MAKE SURE I HAVE PRODUCED A HIGH QUALITY RESPONSE? (OR TWO!) Literature : Close Passage.
GCSE English Language 8700 GCSE English Literature 8702 A two year course focused on the development of skills in reading, writing and speaking and listening.
Requirements and expectations Welcome to Year 12 English Your personal goal for the year should be to achieve the highest possible study score (out.
Size Of the Problem Beginning Social Communication High School: Lesson Three.
- Complete “Just Walk on By” text analysis response.
Paper 1: Area of Study Belonging. What is the Area of Study? Common area of study for Advanced and Standard students = Paper 1 is common Explore and examine.
Size Of the Problem Beginning Social Communication Middle School: Lesson Four.
Objective: to explore the exam paper and mark scheme. The texts that go with this exam are under Copyright, so we can’t put them on the website. Please.
Summarise (Sum up) Analyse (Work out) Hypothesise (Put forward)
+ PARCC Partnership for Assessment of Readiness for College and Careers.
Questions adapted from: Lanesville Community Schools Resources /RRQuestions.pdf
Mrs Joslyn Fox.  TIME MANAGEMENT: Don’t leave everything until the last minute!!!
Websites Revision Guides
Non-fiction and Media Higher Tier.
English Literature Exam
Unpacking the Essay Question
Communicating and Adapting Language task
Introduction to HSC English Advanced
Informational Text Project
Using Phonemic Awareness &
Presentation transcript:

Witness Section B: Writing in Context Identity and Belonging

Exam Requirements  Read and digest the prompt VERY carefully  Answer this section last  Definitely NOT under 2 pages, aim for 3-4.

How to score a 9 or 10  Demonstrates an insightful grasp of the implications of the prompt, and perceptively explores its conceptual complexity using an appropriate strategy for dealing with it.  Achieves an assured, cohesively structured piece of writing in an appropriate form, successfully integrating, in a sophisticated way, ideas suggested by the selected text/s.  Makes fluent and effective use of language appropriate to the purpose and audience specified in the task.

The Prompt  Is the overall message of your piece, what the piece is REALLY about.  Is worth approx 1/3 of your mark  Should determine what happens in your piece – should control the action, dialogue, discussion topic, investigation, etc.  Should be examined closely for opportunities – cannot all be pre-planned content

What can I pre-plan?  You might have a pre-considered tone, voice, character or setting  Your form and expression is worth approx 1/3 of your mark  Develop a sophisticated vocabulary list that compliments any of the above that you have pre- planned  Practise your chosen form – pay close attention to specific conventions

What do I need to know?  Conventions of your chosen form  How to pull apart a prompt and address it in full  The IDEAS regarding Identity and Belonging that are evident in ‘Witness’

Form  Be as clear as possible. Make it as easy for the assessor to see your form as possible. Eg. essay of any description – give it a title and tell us where it’s published  Use language appropriate to your form. Always show don’t tell. Make it clear you know how to write in your chosen form

Complexity  Your piece needs to show complex ideas. Try to reduce your connection to I & B to one or 2 sentences. Are you saying something interesting? Can I take your message home and think about it/apply it to my life?  It can be helpful to think about your piece in terms of change. If imaginative: where do your characters start? What journey do they go on? What do they explore? If essay – what point are you making at the beginning? How is it explored/changed from the start to the end of your essay

The Film: How identity is shaped  People are products of the worlds in which they exist  Individualistic modern western society vs. staunchly community minded, traditional society  Children are inducted through rituals from early age  We learn from others, which helps form our identity (Book & Schaeffer, Eli & Samuel)

The Film: How group identity is represented  We are identified by the way we look  We are identified by the way we act  Changing our look or actions may result in exclusion from a group

The Film: Identifying the self as an individual and as a member of a group  Conflict can occur between the identity of the group and that of the individual  We can oscillate between the two identities  Our oscillation can manifest both verbally and non-verbally

The Film: Identity and gender  Respectable women are expected to put their children above romantic relationships  Real men are expected to have their own family  There is often conflict between how people are expected to behave according to their gender, and how they actually behave

The Film: How and why identity changes  Experience with a different community can change our identity  We can recognise elements of our own beliefs/values within those who are different to us  New groups can fill missing parts of our lives

Putting it all together  Planning should take 5 minutes and involve:  FORM – what it looks like  PROMPT – what will happen/ the message  IDEAS – about Identity and Belonging that are evident in the text

Practice Prompts  CRISIS – A single event can change who a person is  PLACE – Everyone is a product of their environment  RELATIONSHIPS – The people around you define who you are  BELIEFS – We are categorised by our actions rather than our words

Bibliography  VCE OXFORD ENGLISH 3 & 4