AMPLIFY SERIES THE JJJJLAKJFJADJFKJJDJ LAJDFKLJAKLJDFK JFJAKLJ ADLFJJ.

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Presentation transcript:

AMPLIFY SERIES THE JJJJLAKJFJADJFKJJDJ LAJDFKLJAKLJDFK JFJAKLJ ADLFJJ

What is Amplify ? Colour depth improver of various textile goods Especially dyed with black Colours Produces jet Black effect on textile goods. Amplify – BL-for Polyester Amplify-JW & ONE for Polyester, Cotton & their Blends Amplify –PA for Polyamide.

What is colour Colour can be broadly defined as the Effect on the brain of an observer when An object is viewed in presence of a Light source.

ULTRAVIOLET X-RAY ULTRAVIOLET X-RAY INFRARED MICROWAVE RADIOWAVE

HUMAN PERCEIVE 6 BASIC COLOURS TWO – ACHROMATIC COLOURS & FOUR- CHROMATIC COLOURS. TWO-ACHROMATIC COLOURSFOUR-CHROMATIC COLOURS

HOW WE SELECT COLOUR DEEPENING AUXILIARIES WHAT IS L VALUE DEEP-DYEING AUXILIARIES SHOULD BE SELECTED FOR THEIR L VALUE IN DEEP BLACK DYEING OF POLYESTER, THE USE OF DEEP DYEING AGENT THAT IMPROVES THE L* VALUE DOES YIELD A DEEPER BLACK, HOWEVER ACCORIDNG TO VISUAL PERCEPTION ASSESSMENTS FROM APPAREL FIRMS & CONSUMERS THE DIFFERENCE IS UNRECOGNIZABLE TO BE CASUAL OBSERVER. L* VALUES EASILY PERCEIVED AS JET BLACK BY THE HUMAN EYE ARE IN THE 9.0’S. AMPLIFY SERIES MAINTAINS L* VALUES WITHIN THAT RANGE, PRODUCING BLUISH SHADES ON POLYESTER.

SIMPLE COLOURS ARE THE PROPER COLOURS OF THE FOUR ELEMENTS FIREAIR WATER EARTH BLACK MIXED WITH SUNLIGHT & FIRE TURNS CRIMSON ARISTOTLE BELIEVED, YELLOW CAME OUT OF LIGHTNESS & BLUE OUT OF DARKNESS COLOUR SCALE 75% LIGHT 25% DARKENSS = YELLOW 50% LIGHT 50% DARKENSS = RED 25% LIGHT 75% DARKENSS = BLUE

Fig. 1 L*a* b* color space

Numbers are more accurate than words at color communication Example) Indication of the color of an apple in numerical figures: L*=42.83, a*=45.04, b*=9.52, Once you learn about hue, lightness and saturation in color, you might wonder if there are more accurate ways of describing colors other than using words. Quite so. These three attributes of color can be transposed into figures that indicate human perception. In this way, anyone can communicate colors through expressions common to all. First, let’s look at Fig. 1 in which L*, a* and b* coordinates are shown. When indicating a color by figures, lightness is represented by L*, and chromaticity (hue and saturation) by a* and b*. a* and b* each specifies the orientation of color, in terms of Red/Green and Yellow/Blue balances respectively. The following coordinates indicate the color of an apple. Numbers are more accurate than words at color communication Example) Indication of the color of an apple in numerical figures: L*=42.83, a*=45.04, b*=9.52, Once you learn about hue, lightness and saturation in color, you might wonder if there are more accurate ways of describing colors other than using words. Quite so. These three attributes of color can be transposed into figures that indicate human perception. In this way, anyone can communicate colors through expressions common to all. First, let’s look at Fig. 1 in which L*, a* and b* coordinates are shown. When indicating a color by figures, lightness is represented by L*, and chromaticity (hue and saturation) by a* and b*. a* and b* each specifies the orientation of color, in terms of Red/Green and Yellow/Blue balances respectively. The following coordinates indicate the color of an apple.

Fig 1 Fig 2 Fig 3 Now let us find out what colour these co-ordinates represents Look at fig.2 where the chromaticity of the apple is indicated By point X, where a*(=45.04) & b*(=9.52)cross over equally The tone of colour can be found by assigning numerical Values along the axis of lightness & saturation in fig.3. All of this can be summarised in words as a bright reddish Shade. Accurate figure for saturation C* can be workded out using the Formula – (C*)=√ (a*)2 + (b*)2 Colour deepening auxiliaries should be selected For their L* value. L*value represents brightness & a* & b* value does chromaticity. The orientation Of colour, in terms of Red/Green & Yellow/Blue Balances respectively. Fig. Shows a cross section(from X)of the diagram in Fig.2 The warp axis represents lightness. You may also refer to fig.1 for better Understanding. Hue angle H˚can be Worded out using formula H˚ = tan-1(b*/a*)

JET BLACK FINISH ON POLYESTER WITHOUT AMPLIFYWITH AMPLIFY L – VALUE ABOVE 11 IS NOT PERCEIVED AS JET BLACK BY THE HUMAN EYE. GOOD JET BLACK AGENT SHOULD PRODUCE L * - VALUE IN 9 ~ 10. AMPLIFY-ONE/JW PRODUCES AN ASTOUNDING JET BLACK ON POLYESTER L * - VALUE IN 9. 0’s

AMPLIFY – JW & AMPLIFY-ONE ARE SUITABLE FOR ALL POLYESTER GOODS WHICH NEEDS FULL BLACK. CHADOR, HYAB & OTHER BLACK WEAR. FOR POLYESTER, BLACK COLOUR GOODS. PRODUCES JET BLACK, ELEGANT SHADE ALSO FOR DEEP COLOUR. (e.g. DEEP GREEN, DEEP NAVY BLUE)

Application Step 1 Step 2 Cylinder dry [130ºC]Gas burner wetting mangle H2OH2O Dermasil-ST-1000/Topsoft SS 30: 10 g/l Aquasorb-SR: 20 g/l CH 3 COOH [98%]: 0.5 g/l Amplify-JW or ONE: 40 ~ 60 g/l [ca. 50 g/l] CH 3 COOH [98%]: 0.5 g/l Pick up [90%] Pick up [85%] Stenter [165~170ºC x 2 min] Stenter [140ºC x 3 min. speed: 30 m/min] I.R dryer [50% dry]