Jorge Cornejal Carlin Baez Edisson Garcia. How to Use LAYERs Illustrator's layers allow you to simplify your work. With layers, you can modify, edit,

Slides:



Advertisements
Similar presentations
Adobe InDesign CS5 - Illustrated Unit G: Working with Color and Tables.
Advertisements

Chapter 5 Working with Layers. Objectives Create and modify layers Manipulate layered artwork Work with layered artwork Create a clipping set.
Incorporating Color Techniques
Welcome To Photoshop CS5 S.K. Sublania, Sr. Technical Officer, Division of Computer Applications, Indian Agricultural Statistics Research Institute, New.
Chapter 3 Drawing and Composing an Illustration. Objectives Draw straight lines Draw curved lines Draw elements of an illustration Apply attributes to.
Foundation Level Course
Objectives Define photo editing software
Chapter 5 Working with Color. Work with process colors Apply color Work with spot colors Work with gradients Chapter Objectives.
Adobe Photoshop CS Design Professional TECHNIQUES INCORPORATING COLOR.
Adobe Photoshop 6 Foundation Level Course. What is Photoshop? Photoshop is a graphics program, which allows you to manipulate elements of photographs.
DIGITAL GRAPHICS & ANIMATION
Chapter 11 Preparing a Document for Prepress and Printing.
© 2011 Delmar, Cengage Learning Chapter 11 Preparing a Document for Prepress and Printing.
Working with Graphics. Objectives Understand bitmap and vector graphics Place a graphic into a frame Work with the content indicator Transform frame contents.
Chapter 3 Working with Symbols and Interactivity.
Adobe FlashProfessional CS5 – Illustrated
Welcome eager young artists! Ms. Edelman Thursday, September 17, 2015  DO NOW: take out your notebook and a pen.
Chapter 8 Working with Transparency, Effects, and Graphic Styles and Recoloring Artwork.
© 2011 Delmar, Cengage Learning Chapter 5 Incorporating Color Techniques.
Color. There are established models of color, each discipline uses it own method for describing and discussing color intelligently.
© 2011 Delmar, Cengage Learning Chapter 3 Working with Symbols and Interactivity.
Working with Symbols and Interactivity
© 2010 Delmar, Cengage Learning Chapter 2: Drawing Objects in Adobe Flash.
Creating a Logo – Lesson 3 1 Creating a Logo Lesson 3.
© 2010 Delmar, Cengage Learning Chapter 3: Working with Symbols and Interactivity.
Adobe Illustrator Basics Instructor: Cristol Gregory Assistant: Tara Caimi.
Copyright © 2003 Pearson Education, Inc. Chapter 2, Slide 1 by Michael Kay The Web Wizard’s Guide to Flash.
© 2011 Delmar, Cengage Learning Chapter 1 Getting to Know Illustrator.
1 Pertemuan 09 Working with Color Matakuliah: U0344 / DESKTOP 1 Tahun: 2006.
Manipulate Graphics Skill Area Lecture Overview Photoshop’s GUI Basic Function Basic Image Manipulation.
Adobe CS6: The Graphic Design Portfolio Project 1: International Symbols Setting up the Workspace Drawing Basic Shapes.
Adobe CC: Graphic Design Portfolio Portfolio Project 1: International Symbols Setting up the Workspace Drawing Basic Shapes.
Do Now: Do Not Log In. Take out your notebook and a pen. Good morning! Do Now: Do Not Log In. Take out your notebook and a pen. Good morning! Aim: Review.
Chapter 4 Working with Frames. Align and distribute objects on a page Stack and layer objects Work with graphics frames Work with text frames Chapter.
Adobe InDesign CS2—Revealed PLACING AND LINKING GRAPHICS.
PLACING AND LINKING GRAPHICS
Adobe Photoshop CS5 – Illustrated Unit A: Getting Started with Photoshop CS5.
© 2011 Delmar, Cengage Learning Chapter 5 Working with Color.
Do Now: Take out your notebook and a pen. Good Morning Do Now: Take out your notebook and a pen. Good Morning Aim: What is color? Mr. Spaterella Technology.
© 2010 Delmar, Cengage Learning Chapter 4 Working with Frames.
© 2011 Delmar, Cengage Learning Chapter 5 Working with Layers.
© 2011 Delmar, Cengage Learning Chapter 4 Working with Frames.
ADOBE INDESIGN CS3 Chapter 5 WORKING WITH COLOR. Chapter 52 Work with Process Colors LESSON 1 2 Process colors are colors you create by mixing varying.
Chapter 8 Recoloring Artwork and Working with Transparency, Effects, and Graphic Styles.
Adobe Photoshop CS5 – Illustrated Unit D: Working with Type and Gradients.
Illustrator Training Level I Training; Using Illustrator as a 2d visualization tool.
Chapter 5 Working with Layers. Creating and Modifying Layers Layers are a smart solution for organizing and managing a complex illustration. By default,
ADOBE INDESIGN CS3 Chapter 4 WORKING WITH FRAMES.
© 2011 Delmar, Cengage Learning Chapter 8 Working with Transparency, Effects, and Graphic Styles and Recoloring Artwork.
First, why use a program like Illustrator instead of Photoshop? Each is very good at different things. Illustrator is a drawing program and makes images.
Animation Fall Semester Exam Review James Martin High School Career and Technical Education.
Adobe Photoshop CS4 – Illustrated Unit A: Getting Started with Photoshop CS4.
To play, start slide show and click on circle Lesson 4 Lesson 4 Lesson 5 Lesson 5 Lesson Lesson 6.
- File>New>Record width and Height’s pixel that you desire Moving GIF animation -Choose File > Place> -Navigate to the file you want to insert and then.
© 2010 Delmar, Cengage Learning Chapter 5 Working with Color.
To play, start slide show and click on circle Lesson 3 Lesson 3 Lesson 3 Lesson 4 Lesson Lesson 4.
Adobe Flash Professional CS5 – Illustrated Unit C: Using Symbols and the Library Panel.
Photoshop CS6 – Nelson Unit 3: Photoshop CS6. Objectives Define photo editing software Start Photoshop and view the workspace Use the Zoom tool and the.
Getting Started with Adobe Photoshop CS6
Introduction to Illustrator
Module 11: Getting Started with Adobe Illustrator
Flash Interface, Commands and Functions
Introduction to Basic Interface of
Chapter 5 Working with Color.
Chapter 5 Working with Color.
Chapter Lessons Use the Macromedia Flash drawing tools
Exercise 30 - Skills Fireworks uses layers to help you organize and work with the various elements in your drawings. You can us layers to keep objects.
Working with Symbols and Interactivity
Presentation transcript:

Jorge Cornejal Carlin Baez Edisson Garcia

How to Use LAYERs Illustrator's layers allow you to simplify your work. With layers, you can modify, edit, hide or delete one layer of content while the other layers remain intact. With Layers you can move items into them, or move elements from one layer to another at any time. Illustrator's layers allow you to simplify your work. With layers, you can modify, edit, hide or delete one layer of content while the other layers remain intact. With Layers you can move items into them, or move elements from one layer to another at any time. The layer icon is shown above within the red circle. Afterwards, one would see the layer come up, which one can modify it name by clicking its name twice. As one adds more layer the color will chance automatically, which purpose is to prevent confusion with the items that are in a separate layer. A. Visibility column B. Edit column C. Target column D. Selection column Target column Indicates whether items are targeted for application of effects and edit attributes in the Appearance panel. When the target button appears as a double ring icon (either or ), the item is targeted; a single ring icon indicates that the item is not targeted. Target column Indicates whether items are targeted for application of effects and edit attributes in the Appearance panel. When the target button appears as a double ring icon (either or ), the item is targeted; a single ring icon indicates that the item is not targeted. Visibility column Indicates whether items in the layers are visible or hidden (blank space), or whether they are template layers or outline layers. Edit column Indicates whether items are locked or unlocked. The lock icon indicates that the item is locked and cannot be edited; a blank space indicates that the item is unlocked and can be edited. Selection column Indicates whether items are selected. A color box appears when an item is selected. If an item, such as a layer or group, contains some objects that are selected and other objects that are unselected, a smaller selection color box appears next to the parent item. If all of the objects within the parent item are selected, the selection color boxes are the same size as the marks that appear next to selected objects. Selection column Indicates whether items are selected. A color box appears when an item is selected. If an item, such as a layer or group, contains some objects that are selected and other objects that are unselected, a smaller selection color box appears next to the parent item. If all of the objects within the parent item are selected, the selection color boxes are the same size as the marks that appear next to selected objects.

Swatch Pallet Swatches are named colors, tints, gradients, and patterns. The swatches associated with a document appear in the Swatches panel. Swatches can appear individually or in groups. A. Spot color B. Global color C. Fill or stroke of None D. Registration swatch (prints on all plates) E. CMYK symbol (when document is open in CMYK mode) F. RGB symbol (when document is open in RGB mode) G. Swatch Library Menu button H. Show Swatch Kinds Menu button I. Swatch Options button J. New ColorGroup button K. New Swatch button A. Spot color B. Global color C. Fill or stroke of None D. Registration swatch (prints on all plates) E. CMYK symbol (when document is open in CMYK mode) F. RGB symbol (when document is open in RGB mode) G. Swatch Library Menu button H. Show Swatch Kinds Menu button I. Swatch Options button J. New ColorGroup button K. New Swatch button Choose Window > Swatch Libraries > [library name]. In the Swatches panel menu, choose Open Swatch Library > [library name]. In the Swatches panel, click the Swatch Libraries Menu button, and choose a library from the list. Choose Window > Swatch Libraries > [library name]. In the Swatches panel menu, choose Open Swatch Library > [library name]. In the Swatches panel, click the Swatch Libraries Menu button, and choose a library from the list.

Link Images To display the panel, choose Window > Links. Each linked file and embedded file is identified by name To display the panel, choose Window > Links. Each linked file and embedded file is identified by name A. Transparency interaction B. Missing artwork C. Embedded artwork D. Modified artwork When you place a graphic, you will see a screen-resolution version of the file in the layout, so that you can view and position it, but the actual graphic file may be either linked or embedded.

Rgb/cmyk RGB : the visible spectrum can be represented by mixing red, green, and blue (RGB) colored light in various proportions and intensities.. These colors are used for lighting, television, and computer monitors. CMYK: You can work with color values using the CMYK color mode, which represent cyan, magenta, yellow, and black. In CMYK mode the colors displayed are identical to the way they will *Use CMYK when preparing a document to be printed using process inks. RGB : the visible spectrum can be represented by mixing red, green, and blue (RGB) colored light in various proportions and intensities.. These colors are used for lighting, television, and computer monitors. CMYK: You can work with color values using the CMYK color mode, which represent cyan, magenta, yellow, and black. In CMYK mode the colors displayed are identical to the way they will *Use CMYK when preparing a document to be printed using process inks. When creating a new document you can select the colors mode clicking file> new Click advance settings ad toggle color mode desired

Blend tool You can blend objects to create and distribute shapes evenly between two objects. You can also blend between two open paths to create a smooth transition between objects, or you can combine blends of colors and objects to create color transitions in the shape of a particular object. To use blend tool >click object> blend >blend objects. And select smooth You can blend objects to create and distribute shapes evenly between two objects. You can also blend between two open paths to create a smooth transition between objects, or you can combine blends of colors and objects to create color transitions in the shape of a particular object. To use blend tool >click object> blend >blend objects. And select smooth Example of using a blend to distribute shapes evenly between two objects Example of using a blend to distribute color smoothly between two objects

Pixelate The Pixelate effects are raster-based and use the document’s raster effects settings whenever you apply the effect to a vector object. Color Halftone : Simulates the effect of using an enlarged halftone screen on each channel of the image. For each channel, the effect divides the image into rectangles and replaces each rectangle with a circle. The circle size is proportional to the brightness of the rectangle. Crystallize : Clumps colors into polygon shapes. Mezzotint: Converts an image to a random pattern of black-and-white areas, or of fully saturated colors in a color image. To use the effect, choose a dot pattern from the Type pop- up menu in the Mezzotint dialog box. Mezzotint: Converts an image to a random pattern of black-and-white areas, or of fully saturated colors in a color image. To use the effect, choose a dot pattern from the Type pop- up menu in the Mezzotint dialog box. Pointillize Breaks up the color in an image into randomly placed dots, as in a pointillist painting, and uses the background color as a canvas area between the dots. The Pixelate effects are raster-based and use the document’s raster effects settings whenever you apply the effect to a vector object. Color Halftone : Simulates the effect of using an enlarged halftone screen on each channel of the image. For each channel, the effect divides the image into rectangles and replaces each rectangle with a circle. The circle size is proportional to the brightness of the rectangle. Crystallize : Clumps colors into polygon shapes. Mezzotint: Converts an image to a random pattern of black-and-white areas, or of fully saturated colors in a color image. To use the effect, choose a dot pattern from the Type pop- up menu in the Mezzotint dialog box. Mezzotint: Converts an image to a random pattern of black-and-white areas, or of fully saturated colors in a color image. To use the effect, choose a dot pattern from the Type pop- up menu in the Mezzotint dialog box. Pointillize Breaks up the color in an image into randomly placed dots, as in a pointillist painting, and uses the background color as a canvas area between the dots. To toggle this tool click effect> pixelate select the pixilation mode desired. To toggle this tool click effect> pixelate select the pixilation mode desired.

1.OBJECT 2.LIVE TRACE 3.MAKE YOU CAN CHANGE THE WAY THE IMAGE MAY LOOKS. Live Trace The command live trace is a powerful process that really gives the artist freedom to digitally experiment with an type of drawings. Click the image > Object menu > Scroll down to Live trace > Click Make

1.STROKE COLOR 2.LINE WEIGHT 1.COLOR 2.SELECT LINES, LINE WEIGHT AND ALIGNMENT Stroke Panel A stroke can used to show the visible outline of an object, path or an edge of a live paint group. Using the stroke panel you can control the width and color of a stroke. Click stroke icon to change the color > Click stroke to change line weight

1.FILE 2.EXPORT 3.FILE TYPE 4.CLICK SAVE 1.FILE 2.PLACE 3.FILE TYPE 4.CLICK PLACE Export & Import The export and import command helps you in several ways. Export is used to convert files from adobe illustrator into an Autocad drawing or even a JPEG. The command import (place) is used to place different type of files into adobe illustrator. Click file > Export > Click on the type of file > Save Click file > Place > Click on the type of file > Save

Hot Cues (Short Cuts) These are the shortcuts that would help you to manage your work while one is doing a certain project and one can navigate to tools in a faster manner. These are the shortcuts ….  These are the shortcuts ….  * Make sure you are off the command before processing to your next shortcut These are the shortcuts that would help you to manage your work while one is doing a certain project and one can navigate to tools in a faster manner. These are the shortcuts ….  These are the shortcuts ….  * Make sure you are off the command before processing to your next shortcut