Lights, Action, Camera! An Introduction to Video Technology Film has proven its power to engage us for over 100 years; radio for over 70 years, television for 50, and computer media, the new kid on the block, is proliferating faster than its predecessors Students watch it all. Integrating media production in your curriculum can help you find new access to students and help them find new access to the material. Media production engages and excites; it leads to unexpected discoveries, increased self-awareness and esteem, sharpened critical thinking, analytical skills, group work skills, and ability to communicate ideas. Media production demands writing and rewriting, research, group effort, and clarity of thought. Media production offers a means for students to talk to whomever they think is an important audience. It does all this because students want to say things that have meaning to them - authentic production comes from authentic learning. Andrew Garrison Award Winning Film Maker
Today’s Objectives Cameras Lighting Audio Composition
What You Need
What Else You Will Need Video Communication and Production Jim Stinson ISDN The Goodheart-Wilcox Company, Inc.
LightsAction Cameras
Key Camera Issues Analog Or Digital? One Chip, Two Chip, Or Three Chip What Type Of Tape? Auto Focus Or Manual Focus
Additional Camera Issues Eyepiece or LCD Optical and Digital Zoom Built-in Light – External Light Connection Image Stabilization
Additional Camera Issues Exposure Modes Microphone Connections Resolution LUX Rating
IEEE 1394 Infrared S-Video Composite Video USB/USB2
Camera Science Lens Iris and Aperture question.htm question.htm question.htm question.htm Depth of Field Shutter Speed White Balance
Focal Length Iris Light50 mm Lens If iris diameter is…F-stop is… 25mm 40mm 10mm
CameraAction Lights
Lights First Rule of Lighting Three Point Lighting Key Light Key Light Fill Light Fill Light Backlight Backlight 45 – 45 Rule
Good Three-Point Lighting Tutorial Good Three-Point Lighting Tutorial Good Tutorial Good Tutorial
LightsCamera Action! Basic Shooting Principles Shooting Like A Pro
Basic Guidelines Keep the Camera Steady Get A Lot of Light On The Subject Focus On The Action Don’t Zoom Excessively In or Out
Composition and Framing Wide Shot 2-Shot Head and Waist Shot Head and Shoulder Shot Extreme Close-up
Composition and Framing Establishing Shot Long Shot Medium Shot Close Up Extreme Close Up Close Up and Extreme Close Up of Person
Composition and Framing Focus on the Eyes Rule of 3 rds Lead Space Head Room Background Mergers Zooming
Framing Faces Eyes Ears Profiles Moderate Zoom
Sound
Types of Microphones OmniDirectional UniDirectional Shotgun
Other Audio Considerations AGC Headphones Mic Level Signal Line Level Signal Mixers.001 volts 1 volt
Non-Linear Editors Hardware Software Basic, Entry Level Basic, Entry Level i-moviei-movie U-leadU-lead Video WaveVideo Wave Movie Maker (XP)Movie Maker (XP) Next Level Premier Final Cut Pro 3 Avid Express Pinnacle Edition High End Programs Avid Sphere Edit