Equestrian Statue of Gattamelata 1447-50 Bronze, 340 x 390 cm Piazza del Santo, Padua Spinario, 4 th C BC 1526-33 1511 1565.

Slides:

Advertisements

Similar presentations

AP Art History Chapter 22 Italy, 1500 to 1600.

Advertisements

Gardner’s Art Through the Ages, 13e

Maniera: intellectually intricate subjects highly skilled techniques art concerned with beauty for its own sake extraordinary virtuosity (the artist is.

Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

Renaissance art review. Masaccio Developed the rules for perspective Distributing of Alms and the Death of Ananias.

1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.

AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Portrait of Brunelleschi after a medal by A.Cavalcanti,

Chapter 21 Italy comparisons

Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.

Abduction of the Sabine Women

VARARENESANSS ITAALIAS SKULPTUUR. LORENZO GHIBERTI

Giulio Romano. Courtyard of the Palazzo del Te, Mantua. ca. 1527–34

FLORENCE Florence is the capital of the Italian Tuscany. It considered the birthplace of the Renaissance and is universally recognized as one of the cradles.

Chapter 17. Duomo (cathedral), baptistery Ponte Vecchio over the Arno.

Niccolo dell’Arca Lamentation over the Dead Christ

MANNERISM Rebels without a (united) cause. 2 Figure JACOPO DA PONTORMO, Entombment of Christ, Capponi Chapel, Santa Felicità, Florence, Italy, 1525–1528.

Mannerism & other Late Renaissance 1520s-1600 Intellectual Art The ideal world vs. the real world.

Quattrocento Italian Art

Ambrogio Lorenzetti FRESCOS OF THE SALA DEI NOVE (OR SALA DELLA PACE) Palazzo Pubblico, Siena, Italy Length of long wall about 46' (14 m).

Early Renaissance Art in Europe Humanism Thomas Aquinas ( ) Summa Theologica,

Clark Hilliard Alex Townsend.  Antonio Canova  Rome, Italy   Marble  The Metropolitan Museum.

ART HISTORY 2051 Baroque: Italy & Spain. Baroque painting: Italy –Caravaggio ( ) style: “realist” tendency –rejection of Mannerism –interest in.

Gothic architecture in Florence. Santa María del Fiore The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral.

Rome, Italy By: Tony Flores.

Gardner’s Art Through the Ages, 12e

She Wolf, 33” high Bronze, considered Etruscan Wolf was cast BCE (2006 study of the She Wolf shows that the bronze sculpture was cast during the.

Antonio Canova: a Practitioner of Neoclassicism and Napoleon’s Favorite Sculptor.

Pieter Bruegel c Children’s Games 1560 Kunsthistorisches Museum Wien, Vienna 118 x 161 cm oil on oak panel.

1443 – Donatello seems to have left Florence late in the year for Padua Il Santo, Padua.

Dome of Florence Cathedral detail, 19–2 (p596) bin/Florence_Cathedral.html/cid_ gbi.

Chapter 21 Humanism and the Allure of Antiquity: 15 th Century Italian Art Part 4 Gardner’s Art Through the Ages, 12e.

Lesson Five: Snapshots of Bologna. Bologna is the Capital City of the Emilia Romagna Region in Northern Italy Bologna © Jane Whittle.

ITALIAN ARCHITECTURE. THE LEANING TOWER  The Basilica di Santa Maria Del Fiore (English: Basilica of Saint Mary of the Flower) is the main church.

Mannerism KAUSHIK What is “Mannerism”?  The term "Mannerism" derived from the Italian word 'maniera'  Meaning style or stylishness,

Slide List # 2: Early Renaissance* Sculpture

Renaissance Architecture.

Discobolos c. 450 BC Roman marble copy after the bronze original by Myron height 155 cm (61 in) Museo Nazionale Romano, Rome.

1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.

MICHELANGELO Buonarroti Creation of Adam (detail) 1510 Fresco Cappella Sistina, Vatican Web Gallery of Art.

War Languages Gender stereotypes in war paintings and scuptures Vesa Matteo Piludu University of Helsinki Department of Art Research.

A change in how we look at art Art becomes the means to explore all facets of life on Earth Artists shifted from being anonymous craftsmen to prestigious.

Italian Renaissance Gardens DR. LOU MILLS – SEPT 2015.

The Arts and State Formation

Quizzle #2 Today (every other seat and utter silence)

Italian Renaissance Art

Culture Hearth of the Renaissance

Ancient Greek Art The social status of the artist in ancient Greece

Quiz #1 Results A+’s = Fully Prepared! A’s = Prepared

Jan van Eyck, Giovanni Arnolfini and His Wife, oil on wood, 1434

SEVENTEENTH-CENTURY EUROPE [Map 23-01]

Michelangelo DAVID Marble, height 17' (5

Raphael THE SMALL COWPER MADONNA c. 1505

WHO? patronage Cimabue (active ca ) Giotto (ca ) Giorgio Vasari

Simone Martini (ca ) WHO? WHAT?

WHO? Cerasi Chapel, Santa Maria del Popolo Pontormo ( )

WHO? chiaroscuro Bronzino ( ) Pope Paul III (pont ) Veronese ( )

THE RENAISSANCE.

The Deposition from the Cross

“Make a Joyful Noise”: Renaissance Art and Music at Florence Cathedral

Poseidon from Milos, 130 BC Athens Archaeological Museum.

Antonio Canova Cupid and Psyche marble

Palazzo Vecchio.

Sassetta Saint Francis in Ecstacy

PART 5 MANNERISM 1530.

Mannerism From By Kevin Camarena.

For More Details:

Presentation transcript:

Equestrian Statue of Gattamelata Bronze, 340 x 390 cm Piazza del Santo, Padua Spinario, 4 th C BC

The Fountain of Neptune (detail) 1565 Bronze Piazza della Signoria, Florence 1511

1521 The Fountain of Neptune (detail) 1565 Bronze Piazza della Signoria, Florence

Neptune from the Fountain of Neptune 1566 Bronze, 335 cm Piazza Maggiore, Bologna 1521

Deposition, c. 1528, Cappella Capponi, Santa Felicità, FlorenceSt Sebastian, , Kunsthistorisches Museum, Vienna Space-defining Humanistic Linear Paradox Virtuosity Exclusive

Space-defining Humanistic Linear Paradox Virtuosity Exclusive

Space-defining Humanistic Linear Paradox Virtuosity Exclusive Rape of the Sabines Marble, height: 410 cm Loggia dei Lanzi, Florence