Cataloguing Creativity: A Symposium of Literary Archives Working Press, books by and about working class artists, 1986-1996 Cataloguing Collaboratively.

Slides:



Advertisements
Similar presentations
IN PARTNERSHIP M&S: Business and HE in Partnership Katharine Carter (The M&S Company Archive) & Megan Parsons (The University of Leeds)
Advertisements

Using Reference Sources Fleet RISD. Why Use Reference Sources? Reference Sources provide an overview of a subject at the beginning of the research.
13 April User participation in digital collections building Amy Rudersdorf, Digital Technologies Librarian Special Collections.
“The world's largest and most widely used resource on the history of art in America”. Archives of American Art, Smithsonian Institute Archives of American.
Odour of Chrysanthemums Online access to a short story by D H Lawrence Group for Literary Archives and Manuscripts Manchester 26 March 2010 Dorothy Johnston.
Reintroducing Northrop Frye The Robert D. Denham Collection Mathieu Lanteigne, Smurfit-Stone Public Library Laura Mason, Moncton Public Library.
Europeana.eu: cultural collaboration across borders and domains Jon Purday Senior Communications Advisor, Europeana The 12th Annual International Conference.
ALEXANDER STREET PRESS Literature Music and Performing Arts History Religion classic texts major thinkers Sociology social theory Psychology voice of the.
Formation of ETD‘s and releated issues 6th ETD Conference May 20 – , Berlin Dr. Nikola Korb, Co-ordination Agency DissOnline Deutsche Bibliothek.
Archival Studies: A general guide to an information professional in a local, history museum Presented By: Shelley Maag & Melissa Wehunt.
PLUG-INs Information Fujariah Colleges
Araba Dawson-Andoh 122 A Alden Library
LAURAEDYTHE COLEMAN DECEMBER 5, 2012 THE INFLUENCE OF SOCIAL INCLUSION THEORY UPON THE MUSEUM PRACTICE OF THE ULSTER MUSEUM OF NORTHERN IRELAND: A MIXED.
Questions of Location, Ownership and Interpretation Funded by a grant from
Carol Hixson Dean, Nelson Poynter Memorial Library and Alex Brice Associate Professor, College of Education Promote and Publish Your Work A Presentation.
UNIVERSITY (USP) INITIATIVES FOR DISTANCE EDUCATION PROVISION OF MATERIALS TO REMOTE STUDENTS.
Tech Tools Advance Adult Literacy Tuesday Tea with a Twist Carolyn Wood, Adult Services and Technology Librarian Marie Downes McDonald, Library Director.
West Meets East: Digitizing Humanities at University of Pittsburgh
Museums, Families & Communities: Being of Value Museums, Families & Communities: Being of Value Lynn D. Dierking.
Isabel Silver and Laurie Taylor IMLS Library Publishing Services Workshop May 5, 2011 UF Smathers Libraries Publishing Services.
Exploring Europe's Television Heritage in Changing Contexts Connected to: Funded by the European Commission within the eContentplus programme
York St John University | Implementing a digital repository at York St John University: the story so far Helen Westmancoat.
The Western Waters Digital Library: Building a Resource Through Multi- State Collaboration and Technology Dawn Paschal Assistant Dean, Digital Library.
RIAMCO Rhode Island Archival and Manuscript Collections Online [your name]
New Information Services in Germany: GetInfo and vascoda 232nd ACS-Meeting, Dr. Irina Sens, 09/06.
WISER: Workshops in Information Skills and Electronic Resources with Kerry Weller, Reader Services Librarian, English Faculty Library
Cross-domain access to Europe’s heritage Jon Purday Senior Communications Advisor, Europeana Doom or Bloom: reinventing the library in the digital age.
SELF-DIRECTED/SELF-PACED LEARNING using course templates and community modules.
Collaboratively Developing Data Curation Literacy with the Digital Library of the Caribbean (dLOC) Laurie Taylor dLOC Technical Director Digital Humanities.
Digital Publishing to Feature the Histories of Multicultural Performing Arts Groups Natalia Fernández, OMA Curator Oregon Multicultural Archives (OMA)
Digital Library of the Caribbean (dLOC) Enhancing Metadata & Creating Context: Creating Intellectual Infrastructure as Scholarship Laurie.
WE WOULD LOVE TO ASSOCIATE WITH YOU.. Benefits of Association  Be one of the first Companies or firms to be associated with a National Level Movement,
New information solutions from Gale Charles-Louis Moreau Regional Sales Manager.
Why Arizona: An Arizona Centennial Public Engagement Project Rob Spindler, Head of Archives & Special Collections Arizona State University Libraries.
It’s Up and Running, Now What? Strategies for Building Content in an Institutional Repository LITA National Forum ♦ Denver, Colorado October 6, 2007 Catherine.
Digital Library of the Caribbean Creating Single Items with mydLOC and Editing Materials with the Curator Dashboard
University and Museum Collaborations Experience and Challenges Stana Nenadic Professor of Social and Cultural History School of History, Classics and Archaeology.
Common challenges, common issues Lorcan Dempsey School for scanning The Hague, 16 October 2002.
S HAPING A DIGITISATION STRATEGY IN THE WIDER CONTEXT OF A COMMUNITY HERITAGE PROJECT. Sarah Shooter Project Manager Pennine Horizons.
WISER: Resources for Research in English: an overview Sue Usher, English Librarian.
Poem Possibilities Using grants to foster collaboration Brenda Cowe School Library Media Specialist.
Questions of Location, Ownership and Interpretation Funded by a grant from
Presented by Kristen J. Nyitray Head, Special Collections & University Archives University Archivist Special Collections & University Archives Stony Brook.
EUROPEAN DIGITAL HERITAGE: CHALLENGES AND PERSPECTIVES Graham Jefcoate.
Archival authority files and the representation of literary networks: first steps and opportunities Cataloguing Creativity, 15/11/2013: Bill Stockting,
Archiving the Arts Kate Wheeler and Fleur Soper Collections Knowledge Managers.
Maria Tannant – Learning Technologist University for the Creative Arts Canterbury, Epsom, Farnham, Maidstone & Rochester.
Research Data Management: introduction Anne Spalding
The CERL Portal or search Google for: cerl portal.
The Library’s Digital Holdings 14,000 e-journals 52 licensed databases 77 web-based information resources 70,000 e-books.
Creative Ideas for Using Google Calendar in the Classroom presented by Kristine Scharaldi web:
In a nutshell. Definition: “establishment of principles governing literary composition, and the assessment and interpretation of literary works” (Norton.
HURD BUT NOT SEEN the archive of Bishop Richard Hurd Unwrapped in Partnership.
Redefining the Library’s Role through an Institutional Repository Sharon Mader, Dean Jeanne Pavy, Scholarly Communications Librarian Earl K. Long Library.
Digital Library of the Caribbean (dLOC) & Digital Humanities LEAH R. ROSENBERG LAURIE N.
The Promise of Digital Libraries Against the Perils of Erasure Laurie N. Taylor University of Florida, Digital Humanities Librarian Brooke.
AGRESSO INCOMING INVOICES IN MILESTONE 4 BY RICHARD CHAMPNESS FINANCE SYSTEM OFFICER 24/09/2015.
Dr Jennifer Edmond Trinity College Dublin & PARTHENOS
Building Capacity for DH in the Library: A “Learn by Doing” Approach
A Presentation of Teaching with Primary Sources Across Tennessee
Finding Images in the Library DFTT 209
Education of a scientist video
History Your Library It’s Online! Beth Staats MINITEX Reference Service
Why is the Times Literary Supplement Historical Archive an essential resource?
Matthew Shaw, IHR Librarian
Collecting Campus Culture: Collaborations and Collisions
W W E L C O M E T O U C A Kristy Widdicombe Head of Learning Enhancement & Support
Record your QUESTIONS as your read.
AUC’s Role In Facilitating Access To Knowledge In The Arab World
Presentation transcript:

Cataloguing Creativity: A Symposium of Literary Archives Working Press, books by and about working class artists, Cataloguing Collaboratively

Background: University for the Creative Arts Six Art Schools and Technical Institutes dating from late Victorian times Campuses at Canterbury, Rochester, Maidstone (Kent), Epsom, Farnham (Surrey) Specialising in the Creative Arts

Beginnings of The Working Press Initiated by Dr Stefan Szczelkun, with Graham Harwood Working Press poster About working class identity First self funded titles in 1987

About The Working Press Class, gender and race perceptions (1980s-1990s politics) Digital innovations Self-funded publishing activity Archive includes: Correspondence Conference records Draft manuscripts Finance Publicity and distribution

Class, Identity, and Culture Conference 1994

Letters of reviews of Working Press Letter to Stefan Szczelkun relating to the pamphlet ‘Artists Liberation’

Working class women artists

Working class black artists

Publicity Nothing Special, by Micheline Mason (a day in the life of a girl in a wheelchair)

Links between different publishers The Federation of Worker Writers & Community Publisher letter, confirming funding for the 1994 conference

Partners in the project Dr Stefan Szczelkun, Artist bookRoom, UCA research cluster.

Cataloguing requirements Initial talks with Stefan: Cataloguing as an artistic process History of Working Press Information about individuals

Cataloguing requirements Discussions on and Involvement in: Arrangement Description Definitions

Cataloguing requirements Searchability and Accessibility - Exploring links between books and archive material - Subject terms(including librarian knowledge)

Under exploration Online presence Voice recordings Student involvement Visual Guides Exhibitions

In summary… Greater understanding of collection Arrangement Description Subject terms Links between published/unpublished material Involvement leading to engagement

Thanks for listening! Contact us at… ucreative.ac.uk/library