Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings.

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SEVENTH GRADE VISUAL ARTS
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Presentation transcript:

Early Impressionism

History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings submitted to it. 1874, “The Salon of the Refused” Photography has made art “as historical documentation” unnecessary. Photos can now record visual history.

Paris Salon, 1824

Characteristics Obvious brushwork Thick, layered paint Impression of the fleeting moment Effect of light on subject Plein air painting Middle class subjects

Claude Monet, Subjects: landscapes, series of poppies, Rouen Cathedral, water lilies Style: the classic Impressionist look; dissolved form of subject into light & atmosphere; soft edges

Impression, Sunrise

Gare St. Lazare

Lily Pond, Giverny

Water- lilies

Edward Manet, Subjects: Updated classic scenes; painted contemporary scenes with a hard edge Style: flat color patches outlined in black

Dinner on the Grass

Olympia

Venus of Urbino, Titian

Bar at the Folies Bergere

Pierre-Auguste Renoir, Subjects: voluptuous, peach-skinned female nudes, café society, children, flowers Style: quick brush strokes, blurred figures blended into hazy background

Luncheon of the Boating Party

- Dance at the Moulin de La Galette

Nude Bathers

Edgar Degas, Subjects: ballerinas, café society, humans at rest Style: Off-beat angles, asymmetrical composition

Dance Rehearsal

The Absinthe Drinkers

Post-impressionism Dissatisfied with Impressionism. Some used formal, near scientific design. Others emphasized expression of emotions and sensations through color and light. Forerunners of 20 th century art with its individual styles.

Toulouse- Lautrec, painted posters of cabaret nightlife

Toulouse- Lautrec

Paul Cezanne, Subjects: still lifes with fruit, landscapes of Mont Ste. Victoire Style: forerunner of cubism, simple geometric shapes

Mont Sainte-Victoire

Cezanne, Large Bathers

Georges Seurat, Subjects: leisure activities in Paris Style: bright colors in tiny dots (pointilism)

Sunday Afternoon in the Park

Le Pont de Courbevoie

Vincent Van Gogh, Subjects: self-portraits, flowers, landscapes, still lifes Style: agitated, swirling brush strokes. Passionate, vibrant

Van Gogh, Starry Night

Sunflowers

Self- Portrait

Paul Gauguin, Subjects: Tahiti natives, peasants in Brittany Style: Exotic primitivism, brilliant colors

Gauguin, La Orana Maria

Two Women of Tahiti

Cubism An Important departure in early early-20 th Century art No longer trying to reproduce even the the appearance of reality (even more so than impressionism)…. Art for Art’s sake Art not a window on the world, but a window on the artist’s mind/emotions-“The painter thinks in forms and colors.” - Braque

Georges Braque, Woman With a Guitar

Braque Musical Instru- ments

Pablo Picasso, Guernica

les demoiselles d'avignon

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