The process of designing and producing prints using a variety of different methods: silk/screen print, linoleum print, wood block, intaglio, monoprint.

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Presentation transcript:

The process of designing and producing prints using a variety of different methods: silk/screen print, linoleum print, wood block, intaglio, monoprint lithography, calligraph, etc.

The surface on which the design was created. Ink is generally applied to this to produce prints. Ex: The carved piece of wood or linoleum, the litho stone, the metal plate, the screen, etc.

The actual picture the artist makes from a printmaking process.

A type of relief print in which the image is cut into a piece of linoleum.

The tool used to cut away non-image material (used in lino cuts).

A small, hand-held rubber roller used to spread printing ink evenly on a surface before printing.

A set of identical prints, that are numbered, titled, and signed.

A proof pulled from a block/plate to check the appearance of the image to make sure everything looks right before making the edition. After a critical or important change is made on a plate, it is necessary to see what has been done before going to the next step.

One of a small group of prints set aside from the edition for the artist’s use. This print is used by the artist to compare to the prints of an edition to make sure the print was pulled properly.

The number of a print in an edition. The first three prints in an edition of 10 would be: 1/10, 2/10, 3/10 Edition Number Title Artist Signature

Adjustment of separate plates/blocks in printing to ensure correct alignment.

A print that uses the left over ink from a previous print. It is usually lighter in color.

Solid Color Perfect Alignment: Centered w/ slightly more space at the bottom & Straight Perfectly Clean White Space (no stray marks) Signed, Titled, Edition Number