Science Fiction in the
Attitude of Sci Fi Post WWI mood is pessimistic. Ruined civilizations instead of glorified future warfare Dystopias, surreal nightmares Image from
Pulp Fiction Pulp magazines are popular Their course, tan paper (made from paper pulp) was cheaper than the smooth, white paper of the more expensive “glossies” Image from
Pulp Fiction Most sci fi published this way Low survival rate Novels were serialized for these magazines 1920s=Scientific romance Romance originally meant adventure Image from
Hugo Gernsback 1926: Amazing Stories—reprinted pop stories of Poe, Verne, Wells Gernsback = term science fiction. Sci fi should: Promote scientific possibilities + romance predict future scientific developments and prompt progress=good thing Image from magazines-on-dvd
Movies Pulps get the bulk of the credit for promoting sci fi during this era. Movies were becoming popular but weren’t yet doing much sci fi. Exceptions: The Lost World (by Sir Arthur Conan Doyle— later borrowed and adapted by Michael Crichton in his Jurassic Park series) AND... Image from
Movies Metropolis, 1927 A German produced high-budget silent film. Plot Summary Metropolis trailer Metropolis trailer What seems to be the attitude of this science fiction? Image from
Influential Sci Fi Writers Karel Capek (uses the term “robot” for the first time) H.G. Wells Hugo Gernsback Edgar Rice Burroughs (John Carver of Mars) Arthur Conan Doyle Jack Williamson Image & Williamson info. from SFWA Grand Master. Coined words like genetic engineering, terraforming, spaceport, and neutronium.