Impressionism, Postimpressionism, Cubism Kagan, Ch. 24.

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Presentation transcript:

Impressionism, Postimpressionism, Cubism Kagan, Ch. 24

 “Don’t proceed according to the rules and principles, but paint what you observe and feel.”  Pissaro – changing effect of light on objects in nature  Monet – interplay of light, water and atmosphere  Morisot – women were not dilettantes but had a special sense of vision

 More attention to form and structure  Personal statement of reality  Subjective reality  Cezanne – underlying geometric form  Van Gogh – the language of color

 Picasso & Cubism – geometric design to recreate reality  Kandinsky & Abstract painting – avoid representation all together, concentrate on color

 Focus on folk music/melodies; nationalistic feeling  Edvard Grieg – Norwegian nationalism, incidental music for Henrik Ibsen’s play  Claude Debussey – music inspired by visual arts  Igor Stravinsky  Musical primitivism; irrational forces in sound

Tchaikovsky Rimsky-Korsakov

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