第一次世界大戰之後的德國: 現代啟示錄 劉瑞琪.

Slides:



Advertisements
Similar presentations
A2 Graphic Communication
Advertisements

Art Deco + Colonialism. Adrian Allinson, Jules Isnard Dransy, Visit the International Colonial Exhibition, 1931.
Matisse, Open Window, Matisse, Bonheur de Vivre, 1905.
INTERNATIONAL CONSTRUCTIVISM The Machine Aesthetic and The Construction of a New (Rational, Post-War) Society Dutch De Stijl, Russian Constructivism, German.
Art of the Weimar Republic (Germany ) by Gabriel Tordjman, Winter 2011 Warning: Some of these images contain graphic depictions of violence.
De Stijl Dutch for “The Style” (also known as Neoplasticism)
Art in New York Cubism. Pablo Picasso, La Vie (Life), spring-summer 1903, Oil on canvas, Cleveland Museum of Art.
五校社團標竿學習 「社團學習策略聯盟 ( 四 ) 」 中國科技大學『藝起傳薪』實務研討會. 『藝起傳薪』實務研討會 指導單位:教育部。 主辦單位:中國科技大學台北校區日間部學生會、學務處課外活動指導組。 協辦單位:德明財經科技大學、中國文化大學、聖約翰科技大學、 中華科技大學。 活動時間: 98 年.
Lecture 1 – Since Industrial Revolution… History of Economic Thoughts, Fall 2010 Department of Economics Shih Hsin University Yi-Hsiue Wang.
Lecture 1 – Since Industrial Revolution… History of Economic Thoughts, Fall 2008 Department of Economics Shih Hsin University Yi-Hsiue Wang.
Lecture 1 – Since Industrial Revolution… History of Economic Thoughts, Fall 2009 Department of Economics Shih Hsin University Yi-Hsiue Wang.
逢甲大學公共政策研究所座談會 與談人:何彩滿 香港大學亞洲研究中心博士後研究員. 報告結構 香港高等教育的發展沿革 香港教育體制與資源分配結構 香港高等教育的未來 — 亞太的教育樞紐 國際化與國際化的弔詭 香港的大學、研究所與台灣的比較.
Aleksandr Rodchenko Presented by, Dave Frank 06 April 2004.
Bauhaus Bauhaus Insignia, Schlemmer Bauhaus Poster.
The 20 th century Vocabulary Fauvism Expressionism Die Brücke Der Blaue Reiter Non-objective Analytic Cubism Found object Synthetic Cubism Dada Futurism.
The Russian Avant-garde: Experiments in Abstraction.
Contextual Studies 8 Materials & Technology. The Apostles, 13 th century, Chartres Cathedral.
1 Ch The Utopian Styles Suprematism began in Russia in 1913 with the help of artist Kasimir Malevich. He introduced it to the public in 1915 with.
0808 IAT 102 Graphic Design Modernism and New Typography Grid Review.
Massimo Meo ID: September 12, 2012 By: Linda Dalrymple Henderson.
Art and Architecture How have changes in society created a use for geometry in art?
Bauhaus Marcel Breuer "Wassily" chair, 1925, chrome-plated steel, canvas upholstery Wilhelm Wagenfeld, Kubus stacking containers, ca
2nd German Expressionism movement
The Utopian Styles “abstract art represents a new society free from past associations” Suprematism Constructivism, De Stijl, Bauhaus – School of Art, Architecture,
Art and Revolution William V. Ganis, PhD. Kasimir Malevich Tea Service 1923 porcelain.
AP Art History PowerPoint Project by Jake Schrass zzzm_malevich_black square_1915_schr.
Kazimir Malevich Kazimir Malevich ( ) was a Russian avantgarde artist, philosopher, theorist of art and teacher, the founder of Suprematism. Malevich.
Photomontage Technique by which a composite photographic image is formed by combining images from separate photographic sources. The term was coined by.
HIST 2509 A History of Germany Lecture W3-2 The 1920s.
Chapter 32 The Modernist Assault.
Suprematism Suprematism was a Russian art movement which focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in.
Stravinsky, Rite of Spring (1913) (choreographer Serge Diaghilev, Ballets Russes)
Building Bridges, Moscow and Berlin The Golden Twenties Thomas Beyer Middlebury College.
Bauhaus ( 1919 – 1933 ). THE BAUHAUS MOVEMENT, GERMANY :  The German word Bauhaus essentially means “House of Building or Building School”.  A movement.
A. Rodchenko & Other Artists / Early and Mid. 20 th century /
Early 20th Century Modern Art Part III.
Expressionism Abstract Expressionism and Color Field Painting next week:
St. Petersburg Kazimir Severinovich Malevich was born 23 February 1879 in Kiev. The avant-garde artist was born into a family of a factory manager.
0303 IAT 102 Graphic Design Design Basics Art Nouveau Modernism and New Typography.
FAUVISM.
Compare the form and content of Expressionism, Cubism, Futurism, and Russian Constructivism.
Bauhaus: Weimar, Dessau, Berlin, Chicago.
ABSTRACTION PIET MONDRIAN KASIMIR MALEVICH.
Art History: Dada to Pop (AHIS 216-Winter)
Constructivism Modernist movement.
達達與杜象︰ 反美學與現代性 劉瑞琪. Dada, /1923 Dada 的 字義︰ Tristan Tzara 所取,木馬或嬰兒的一種語聲 反戰、反美學、反布爾喬亞 Avant-garde (前衛派)︰ 追求藝術與生活的結合.
Suprematism.
1. 2 P/S: German Expressionism GEORGE GROSZ, Fit for Active Service, 1916–1917. MAX BECKMANN, Night, 1918–1919.
The Russian Avant-garde: Experiments in Abstraction.
What is non- objective design?. Kandinsky and Non-Objective Design Wassily Kandinsky- –Non objective artist –One of the most influential artists of the.
Cubism: Dutch & Russian ART HISTORY 132. De Stijl Piet Mondrian ( ) –early work: naturalistic –context: TheosophyTheosophy a type of philosophical.
後現代主義藝術 I : 對藝術機制的批判 ─ 觀念、地景與表演藝術 劉瑞琪 本著作除另有註明外,採取創用 CC 「姓名標示-非 商業性-相同方式分享」台灣 2.5 版授權釋出創用 CC 「姓名標示-非 商業性-相同方式分享」台灣 2.5 版.
風格派: 抽象的知覺經驗與現代性 劉瑞琪 本著作除另有註明外,採取創用 CC 「姓名標示- 非商業性-相同方式分享」台灣 2.5 版授權釋出創用 CC 「姓名標示- 非商業性-相同方式分享」台灣 2.5 版.
What is non- objective design?. -Nonobjective art is another way to refer to Abstract art or nonrepresentational art. -Essentially, the artwork does not.
Art History: Impressionism to Early Modernism (AHIS 206- Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan
A British cartoon of 1919 What is it showing?.
Utopian Visions: The Soviet Experience through the Arts
Utopian Visions: Week 6 Outline:
MODERN MOVEMENT. BAUHAUS
Alexis Copeland 7th period
Utopian Visions: The Soviet Experience through the Arts
Fractions 1/2 1/8 1/3 6/8 3/4.
Cubism, Futurism, Supremativism, Constructivism, De Stijl
Guiding Question Analyze major changes and continuities in the economic and social experiences of Soviet Citizens in the USSR in the period following WWII.
*Pablo Picasso, Portrait of Gertrude Stein,
Russian Constructivist Photography
Shapes.
Presentation transcript:

第一次世界大戰之後的德國: 現代啟示錄 劉瑞琪

The Weimar Republic (1919-29) The New Objectivity(新客觀) Tendenzkunst (宣傳性的藝術)

George Grosz, Self-Portrait, Warning (1927)

George Grosz, Dedication to Oskar Panizza (1918) vs George Grosz, Dedication to Oskar Panizza (1918) vs. George Grosz, Metropolis (1916-17)

George Grosz, Germany, A Winter’s Tale (1917-19) vs George Grosz, Germany, A Winter’s Tale (1917-19) vs. George Grosz, People in the Street (1915-16)

George Grosz, After It Was Over, They Played vs George Grosz, After It Was Over, They Played vs. George Grosz, Murder on Acker Street Cards (1917) (1916)

George Grosz, John the Woman Killer (1918) vs George Grosz, John the Woman Killer (1918) vs. Heinrich Maria Dorringhausen, The Sex Murderer (1917)

Otto Dix, Sex Murderer: Self-Portrait (1920) vs Otto Dix, Sex Murderer: Self-Portrait (1920) vs. Otto Dix, Sexual Murder (1922)

Otto Dix, Sexual Murder (1922) vs. Otto Dix and His Wife Martha (1925)

Otto Dix, Self Portrait as a Soldier (1914) vs Otto Dix, Self Portrait as a Soldier (1914) vs. Hugo Erfurth, Otto Dix (1925)

Otto Dix, The Match Vendor Ⅰ (1920) vs Otto Dix, The Match Vendor Ⅰ (1920) vs. Otto Dix, The Skat Players (1920)

Pablo Picasso, Three Women at the Spring (1921) vs Pablo Picasso, Three Women at the Spring (1921) vs. Otto Dix, The Skat Players (1920)

俄國的前衛派與德國的包浩斯: 現代主義與社會烏托邦 劉瑞琪

俄國 蘇聯(1917,十月革命之後) Suprematism(絕對主義), 1915- Russian Constructivism(蘇聯構成主義), 或稱 Russian Avant-Garde(蘇聯前衛派)

Kazimir Malevich, Suprematism: Painterly vs Kazimir Malevich, Suprematism: Painterly vs. Kazimir Malevich, Suprematist Composition: Realism of a Player Football (1915) Flying Airplane (1915)

Kazimir Malevich, Black Square (1914-15) vs Kazimir Malevich, Black Square (1914-15) vs. Kazimir Malevich, Suprematist Composition: White on White (1918-19)

Photograph of Kazimir Malevich’s rave vs Photograph of Kazimir Malevich’s rave vs. Photograph of Kazimir Malevich’s funeral procession at Moscow Station, Leningrad.

Aleksandr Rodchenko, Pure Red Color, Pure Yellow Color, Pure Blue Color (1921)

Aleksandr Rodchenko, Oval Hanging Construction vs Aleksandr Rodchenko, Oval Hanging Construction vs. Mikhad Kaufman, Photograph (1920) of Rodchenko with Folded Constructions (1921)

Aleksandr Rodchenko, Oval Hanging Construction vs Aleksandr Rodchenko, Oval Hanging Construction vs. Installation of the third (1920) OBMOKHO exhibition (1921)

VladimirTatlin, Monument to the Third International (1919-20)

Lyubov Popova, Spatial Force Construction (1920-21) vs Lyubov Popova, Spatial Force Construction (1920-21) vs. Lyubov Popova, Constructivist Composition (1931)

Lyubov Popova, Spatial Force Construction (1920-21) vs Lyubov Popova, Spatial Force Construction (1920-21) vs. “Curves” from The Encyclopeadia Slovar (1902)

Lyubov Popova, Spatial Force Construction (1920-21) vs Lyubov Popova, Spatial Force Construction (1920-21) vs. “Geometric Solids” from The Encyclopeadia Slovar (1902)

Varvara Stepanova, Five Figures on a White Background (1920) vs Varvara Stepanova, Five Figures on a White Background (1920) vs. Varvara Stepanova, Designs for Sports Clothing (1923)

Varvara Stepanova, Designs for Sports Clothing (1923) vs Varvara Stepanova, Designs for Sports Clothing (1923) vs. Students of the Academy of Social Education (1923)

Lyubov Popova, The Magnanimous (1922)

Lyubov Popova, Dress design (1923-24)

Lyubov Popova, Dress design (1923-24) vs Lyubov Popova, Dress design (1923-24) vs. Nadezhda Lamanova, Custome Based on Folk-design (1923)

Lyubov Popova, Textile designs (1923-24) vs Lyubov Popova, Textile designs (1923-24) vs. Lyubov Popova, Textile designs: red triangles in circles, watercolour on paper.

Gustav Klutsis, Dynamic City (1919) vs Gustav Klutsis, Dynamic City (1919) vs. Gustav Klutsis, Electrification of the Whole Country (1920)

Gustav Klutsis, Study for a poster “Workers, Everyone Must Vote in the Election of Soviets!” (1930)

El Lissitzky, The Constructor (Self-Portrait) (1924) vs El Lissitzky, The Constructor (Self-Portrait) (1924) vs. Aleksandr Rodchenko, Photograph of Varvara Stepanova at Her Desk (1924)

Aleksandr Rodchenko, Photograph of Varvara vs Aleksandr Rodchenko, Photograph of Varvara vs. Aleksandr Rodchenko, Photograph of working on a textile design (1924) Osip Brik (1924)

Aleksandr Rodchenko, Poster for Battleship Potemkin (1925) vs Aleksandr Rodchenko, Poster for Battleship Potemkin (1925) vs. Aleksandr Rodchenko, Poster for The Cinema-Eye (1923)

Aleksandr Rodchenko, Chauffeur (1933)

Aleksandr Rodchenko, Pioneer with a Horn (1930) vs Aleksandr Rodchenko, Pioneer with a Horn (1930) vs. Aleksandr Rodchenko, Moculea (1927)

Aleksandr Rodchenko, One page from the magazine USSR in Construction, 12, Dec. 1933.

Aleksander Gerasimov, Stalin at the Sixteenth Party Congress of the Russian Communist Party (1929-30)

德國的 Bauhaus(包浩斯) 1919: Weimar 1925: Dessau 1932: Berlin 郊區 1933: Closed

Masters on the roof of the Bauhaus building (1925/26)

Walter Gropius, The Dessau Bauhaus building (1925/26)

Walter Gropius, The Dessau Bauhaus building (1925/26)

Walter Gropius, The Dessau Bauhaus building (1925/26)

Theodor Bogler, Teapots (1923)

Anonymous, Aluminium desk lamp vs Anonymous, Aluminium desk lamp vs. Theodor Bogler, The table lamp with adjustable shade of metal and glass (1925)

Anni Albers, Design for wall-hanging (1926) vs Anni Albers, Design for wall-hanging (1926) vs. Anni Albers, Design for wall-hanging (1927)

Gustav Hassenpflug, Folding table in three different positions (1928) vs. Anonymous, Folding chair in three different positions (1929)

Laszlo Moholy-Nagy, From the Radio Tower, vs Laszlo Moholy-Nagy, From the Radio Tower, vs. Laszlo Moholy-Nagy, View of the Radio Berlin (1928) Tower, Berlin (1925)

Iwao Yamawaki, The Attack on the Bauhaus (1932)