Baroque Instrumental Music Higher. Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord.

Slides:



Advertisements
Similar presentations
Chapter 9 Baroque Instrumental Music
Advertisements

Sonata – Concerto – Concerto Grosso Chorale Prelude – Passacaglia - Chaconne.
S3 Listening Unit 2 Baroque Music.
Music History An Abbreviated History of Western Classical Music An Abbreviated History of Western Classical Music.
Piano Concerto no 23 in A Major
Music of the Baroque Period
Classical Music Higher Music.
 A less complicated texture than Baroque times (less Polyphonic/more homophonic)  More use of Dynamics.  Elegant  Question & Answer phrases  Clear.
The Baroque Period Baroque architecture: try/Baroque_Architecture.
Lesson 1 – An Introduction.  Learn about the Baroque era of music  Discover one of the most famous Baroque composers  Listen to some music from the.
Chapter 9 Baroque Instrumental Music
Chapter 8 Prelude: The Late Baroque Period
Chapter 10: The Late Baroque: Bach. Johann Sebastian Bach ( ) Career: – Weimer ( ), organist – Cöthen ( ), court composer, conductor.
Classical Music
The Classical Era ( ) Year 10 IGCSE October 2009.
Piano Concerto no 23 in A Major
Music of the Baroque Period
S5.  Learn about the Classical era.  Listen to some music from the classical period.  Discover famous classical composers.
Chapter 9: Toward Late Baroque Instrumental Music.
Baroque Instrumental Music
___________________________________________________ Start – Tutti – All play together Joyful – Spring Theme (A) Theme in E Major (F, C, G, D sharps)
Piano Concerto no 23 in A Major
MUSIC THROUGH THE AGES. MEDIEVAL MUSIC ( ) Church Music (Religious) Church Music (Religious) PLAINCHANT/SONG – Single line melody sung in latin.
HOW MUSICAL LINES INTERACT Musical Texture, Form, and Style.
© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 10: Music.
The World of Music 6 th edition Part 4 Listening to Western Classical Music Chapter 10: Music of the Baroque Period ( )
Baroque Music. Sonata A work for solo piano, or a solo instrument accompanied by harpsichord. Often the basso continuo would also be played by a cello/Viola.
Baroque Terms. General Form Terms  Chorale – Movement for choir with slow steady tempo – often moves in crotchets.  Pasacaglia – slow stately dance.
SCALES and ORNAMENTS ~ Higher Level~ Moffat Academy ~ Music Department.
Music in the Baroque Period. LOs: To develop my knowledge and understanding of music history; to identify characteristics aurally; to expand my knowledge.
  What is going on during this time?  Western Art Music – Europe  At the time, baroque translates to “oddly pear shappen”  Now, just a.
Higher Listening Baroque Unit. Standard Grade Concepts to remember: Oratorio Passion Opera Chorale Recitative Tierce de Picardie Aria Overture Homophonic.
M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. Welcome! Please sign the attendance at the front of the room.
Baroque Instrumental Music. 6 Features of Baroque Music 1. terraced dynamics – dynamics change suddenly 2. unity of mood – a movement will stay.
Baroque Period Start of the Baroque Period Start of the Common Practice Period End of the Renaissance Period.
BAROQUE. Orchestral Instruments (Basso) Continuo A accompaniment style with an improvised, chordal part on harpsichord or organ, supported by a low-sounding.
Important form in the late Baroque period Concerto Grosso – a small group of soloists is set against a larger group of players Anywhere from 2-4 soloists.
 Most popular work  From The Four Seasons  Violin, string orchestra, and basso continuo  Descriptive effects  Based on four sonnets.
Get books again today…. CHAPTER 3: CONCERTO GROSSO AND RITORNELLO FORM Basic principles of Baroque music: Basic principles of Baroque music: Contrasts.
CLASSICAL.
Baroque Music The Concerto Comes from concertare (to contend with) –the opposition of two dissimilar bodies of sound Two types of Baroque Concerto.
Analysis.  Four seasons published in 1725 (late Baroque).  Three Movements  Solo Concerto – for solo violin and orchestra (strings and harpsichord/continuo)
PERIODS OF MUSIC Advanced Higher Understanding Music Baroque Period.
 Greatest Composers  Wolfgang Amadeus Mozart – GCSE Bitesize Wolfgang Amadeus MozartGCSE Bitesize  Joseph Hayden Joseph Hayden  Ludwig.
Begins on page 121 Chapter 14 Baroque Instrumental Music: Concerto and Fugue.
HOW MUSICAL LINES INTERACT Musical Texture (Harmony), Form, and Style.
Area of Study 1, Ground Bass A ground bass is a repeated bass part (also known as an ostinato) that is four or eight bars long. A ground bass is a repeated.
BAROQUE AND CLASSICAL CHAMBER MUSIC – AOS2. This lesson… All of you will be able to name some features of Baroque and Classical Chamber music. All of.
Music of the Baroque Period ( ) Baroque Historical Highlights Age of Absolutism; Kings and Queens are all- powerful Known for extreme decadence.
The Baroque: The Age of Musical Extravagance and Control.
“Ornate style of Architecture” “Ornamentation” Baroque “Irregular shaped Jewellery” or.
Chapter 17 Part 2.   Divided into two sub-periods:  Early Baroque  Late Baroque.
©2009, The McGraw-Hill Companies, Inc. All Rights Reserved. 1.
Purcell 1. Learning Objectives  To study the background of the baroque solo concerto and place the Purcell trumpet sonata in context.
Classical Music Higher Music.
Classical Music HIGHER.
Baroque Unit
The World of Music 6th edition
The Baroque Period.
Classical Music S5.
Lesson 1 – An Introduction
Baroque Instrumental Music
The Classical Era ( ) Year 10 IGCSE October 2009.
Baroque Era
Gigue Describe what you see & hear.
Classical Music Higher Music.
Concerto Grosso & Ritornello Fugue
Chapter 8 Prelude: The Late Baroque Period
Higher Harmonic and Melodic concepts
Brandenburg Concerto No.5, 3rd movement
Presentation transcript:

Baroque Instrumental Music Higher

Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord playing instrument – harpsichord, organ or lute Improvise chords Filling out Harmonies

Concerto Grosso Italian for big concert Musical material is passed between 2 sections Concertino (soloist group) Ripieno(full orchestra) This contrast of small group to large group and one thematic group against another is very characteristic of Baroque ideology — similar to terraced dynamics where the idea is significant contrast

Concerto Grosso Trumpet Recorder Violin Violin Oboe StringsContinuo Concertino Ripieno

Ritornello A recurring passage Always played by tutti (full orchestra) Often heard in different keys Most common in solo concerto  Tutti  Solo  Tutti  Solo  Tutti

Suite A collection of pieces of music – dances Instrumental or Orchestral Usually in the same key

Fugue Contrapuntal piece Based on a theme (Subject) Subject is imitated throughout piece Exposition exposes Subject Subject is played in Dominant (Answer) Episode is music between playings of Subject To fully understand Fugue we will need to do more work on this.

Passacaglia Based on variations over a ground bass 3/4 time Usually in a minor key

Chaconne Based on variations over a short chord progression Usually in a major key

Chorale Prelude Based on a Chorale melody Organ May contain Theme and Variation Homophonic

Chorale Prelude Continued… Example: Look at A, this is the melody of the Chorale ‘Wachet Auf’ Now look at B, this is built up from the idea given in the original Chorale and is now a piece for organ – A Chorale Prelude.

Overture Signalled opening of Opera and Oratorio Orchestral work

Ornaments Listen

Acciaccatura A crushed dissonant note of the shortest possible duration played before or after the main note or chord and immediately released.

Appoggiatura A musical ornament (chiefly from the 18 century) of an auxiliary note falling or rising to a harmonised note. There are two possible ways of writing this as you can see from the examples below.

Trill Rapid and repeated movement between two adjacent notes

Turn Four notes which turn round the main note with the note itself, the note above the note itself, the note below.

Mordent An ornament or grace note consisting of a single rapid alternation of the principal note, a note a semitone lower and the note itself. There is also an inverted mordent. The principal note, a note a semitone higher and the note itself.

Texture Contrapuntal – is the term used to describe the texture of much Baroque music. ‘contra’ means against, and you will find the various parts of the music moving ‘against’ each other. Contrapuntal music has two or more melodies played at the same time. They will however, still harmonise. Polyphonic – means many sounds and is another way of describing music which has more than one melody which fit together. Homophonic – is the opposite of polyphonic. Homophonic music has one main tune, which is accompanied by bass and harmony parts.