Background ¬ Late Renaissance [Pre-Baroque]. ¬ Art was at an impasse after the perfection and harmony of the Renaissance. ¬ Antithetical to the principles.

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Presentation transcript:

Background ¬ Late Renaissance [Pre-Baroque]. ¬ Art was at an impasse after the perfection and harmony of the Renaissance. ¬ Antithetical to the principles of the High Renaissance. ¬ From the Italian de maneria. ´ A work of art done in the artist’s characteristic “touch” or recognizable “manner.” ¬ First used by the German art historian, Heinrich Wölfflin in the early 20c. ¬ Influenced by Michelangelo’s later works.

Michelangelo ¬ “Sistine Chapel” ¬

Sistine Chapel: Last Judgment

Characteristics ¬ Replace…  Harmony with dissonance & discord.  Reason with emotion.  Reality with imagination. ¬ Create instability instead of equilibrium. ¬ Bodies are distorted. ¬ Colors are lurid. ¬ Pictoral space is crowded. ¬ A void in the center. ¬ Hanging figures.

Titian, Venus of Urbino, 1538 ? ?

Parmigianino ¬ “Madonna with the Long Neck” ¬

Details: Madonna w/the Long Neck

El Greco ¬ “The Resurrection” ¬ c ¬ An attempt to express the religious tensions of the times.

¬ “Burial of Count Orgaz” ¬ 1586 El Greco

Giorgione ¬ “The Tempest” ¬ 1510

Tintoretto ¬ “The Last Supper” (1594)

The Last Supper: Mannerism vs. High Renaissance

Characteristics of Mannerist Architecture ¬ Stylishness in design could be applied to a building as well as to a painting. ¬ Showed extensive knowledge of Roman architectural style. ¬ Complex, out of step style  taking “liberties” with classical architecture. ¬ Architecture, sculpture, and walled gardens were seen as a complex, but not necessary unified whole.

¬ Villa Capra [or Villa Rotunda] ¬ By Andrea Palladio ¬ ¬ “Palladian” architectural style [popular in England]

¬ Entrance to the Villa Farnese at Caprarola ¬ By Giacomo Vignola ¬ 1560

The Fontainebleau School ¬ French Mannerism  flourished from 1531 to the early 17c. ¬ Characteristics: ´ Extensive use of stucco in moldings & picture frames. ´ Frescoes. ´ An elaborate [often mysterious] system of allegories and mythical iconography. ¬ Centered around the Royal Chateau of Fontainebleau.

The Royal Chateau at Fontainebleau ¬ Gallery [right] by Rosso Fiorentino & Francesco Primaticcio ¬