1 Cameras,Videotape & Formats. 2 Objectives Describe three classifications of video equipment Describe camera classifications Identify the types of videotape.

Slides:



Advertisements
Similar presentations
SETTING UP A PROJECT Adobe Premiere Pro CS6. Getting started… Adobe Premiere Pro project file stores links to all the video and sound files-aka…clips.
Advertisements

Digital Arts and Video Production. Video Editing Tutorials Introduction to Video Editing A basic overview of editing concepts and methods. Linear (Tape.
Preservation of Video in the Conservation Laboratory Tim Vitale Preservation Associates 1500 Park Ave., Suite 132 Emeryville, CA 94608
Video Basics A practical guide to videography for Football Coaches By Kenny Mead.
Chapter 10 Digital Imaging: Capture. Digital imaging – electronically producing, viewing, or reproducing an image Pixel – a square with a uniform brightness.
DV 25 info. DV 25 Specs Common Features  DV25 formats include: Consumer DV, DVCPro, and DVCAM, plus DVCPro50 and DVCPro-P.  All DV25 formats record.
Multimedia for the Web: Creating Digital Excitement Multimedia Element — Video.
Introduction to Videoblogging Val Kelly Educational Technologies & Distributed Learning Kent State University
Videotape Component RGB--true component 1.5 times bandwidth of Y/Cr/Cb Y/Cr/Cb Luminance and 2 color difference signals S-Video (Y/C) Chroma more limited.
Standards, Devices, and Software Applications B.Sc. (Hons) Multimedia ComputingMedia Technologies Video Capture and Editing.
Val Kelly School of Library & Information Science Kent State University
Streaming Audio / Video / Internet 101 The Basic Equipment… Ernest Staats Master Science Information Assurance, (CISSP)®, CEH, MCSE,
DIGITAL IMAGES AND VIDEO: A SHORT INTRODUCTION San-Ho Correwyn A SHORT INTRODUCTION San-Ho Correwyn.
Video Basics – Chapter 4 The Video Camera.
DIGITAL VIDEO EQUIPMENT Pn Nor Azura Bt Fandi Kolej Kemahiran Tinggi MARA Rembau.
Types of Production From live multi-camera to single-camera film style.
Multimedia for the Music Teacher: Tips for Desktop Movie Making Stefani Langol Director of Music Technology Saint Ann’s School Brooklyn, NY 11201
Video Recording Analog Video Video Recording Color space.
Hardware and Software Basics. Computer Hardware  Central Processing Unit - also called “The Chip”, a CPU, a processor, or a microprocessor  Memory (RAM)
                      Digital Video 1.
Copyright © Texas Education Agency, All rights reserved.1 Introduction to Digital Cameras Principles of Information Technology.
Agnieszka Grant Yvonne. Camera used by T.V. reporters This is the best quality picture of all the cameras looked at.
Digital Video An Introduction to the Digital Signal File Formats Acquisition IEEE 1394.
Camera How to shoot like a professional Pocket Camera `Cellular Phone / FLIP Camera Pro- Consumer Camera Palm / Handy Camera ‘NEW” I-PAD 2 / Laptops.
“There’s a big difference between shooting video and making something that somebody else will want to watch.” ~Colin Barrett.
School of Computer Science & Information Technology G6DPMM - Lecture 10 Analogue Video.
Developing Web-based Multimedia Projects Bill Huitt Joe Newton.
Videography John Mac cc Sydney Purpose Work tool Work tool – videography and digital photography is an ACRRM on-line teaching module. Telemedicine.
Digital Video Basics CPSC 120 Principles of Computer Science April 16, 2012.
Unit 30 P1 – Hardware & Software Required For Use In Digital Graphics
Chapter 12 Sound and Video Recording. Motion Picture Film Recording Today, most television programs are shot, edited, and saved to tape/film/disk before.
Camera How to shoot like a professional Pocket Camera `Cellular Phone / FLIP Camera Pro- Consumer Camera Palm / Handy Camera ‘NEW” I-PAD 2 / Laptops.
Camera How to shoot like a professional Pocket Camera `Cellular Phone / FLIP Camera Pro- Consumer Camera Palm / Handy Camera ‘NEW” I-PAD 2 / Laptops.
Introduction to Interactive Media 11: Video in Interactive Digital Media.
Unit 8 – Multimedia Element: Video
David E. Pitts Digital Cameras 101 Digital Cameras by David E. Pitts March 27, 2012 Copyright 2012.
© 2011 The McGraw-Hill Companies, Inc. All rights reserved Chapter 6: Video.
Glencoe Introduction to Multimedia Chapter 9 Video 1 Chapter Video 9  Section 9.1 Video in Multimedia  Section 9.2 Work with Video Contents.
 VIDEO CAPTURE USING FIREWIRE  VIDEO CAPTURE USING A VIDEO CARD  CAPTURING VIDEO CONNECTING EQUIPMENT AND CAPTURING DIGITAL VIDEO.
Chapter 16 Creating Desktop Video and Animation. Getting Started FAQs: – What is digital video? – How do I transfer video footage to my computer? – How.
Digital Media Dr. Jim Rowan ITEC 2110 Video. Roll call Sanchez-Casas, Jon F. Simson, Davis Sinnock, Grant A. Swaim, Mark S. Tran, Dung Q. Vyas, Anand.
Desktop Video. Basics Desktop Video Desktop Video Frame Rate Frame Rate.
Digital Darkroom I Theresa L. Ford. Objectives Basic Digital Image Terminology Screen Display of Pictures –Why are pictures too big for the screen? –Why.
XP Practical PC, 3e Chapter 15 1 Creating Desktop Video and Animation.
MULTIMEDIA Hardware 4/24/2017.
1 Because there is such a wide variety of hardware available, you have to make sure you’re set up with the right hardware.
COMPUTER HARDWARE Made By Anila Bhatti DA Public School (O&A Levels) - Seaview 1.
Why purchase an editing suite? Give students experience on modern video equipment Professional-quality editing studio have come within reach of schools.
AGENDA, Aug 12, 2004 Preserving 8mm film How to Begin: Creating a home movie on DVD, VCD, or tape Advanced: Pinnacle Liquid Edition.
Industry workflow:  Scripting: Movie is conceived or written  Production: Where you create your footage, capturing performances using video or film cameras,
ACE Media Technical Overview. Input Edit Output & Store Digital Camera - still and video Scanner - print or transparency Computer Adobe Photoshop iMovie/iDVD.
IT2002 ATI Naiwala 1 By ATI Naiwala. IT2002 ATI Naiwala Combination of time Variant Image and Sound – Most realistic media Dynamic Huge data size(Very.
Videotaping Your Family History A Presentation by Jennifer Sias.
Chapter 10. The Role of Video in Multimedia  Any presentation or application that uses sound and graphics qualifies as multimedia  Clip A segment of.
Digital vs. Analog What’s the difference? Analog is VHS/NTSC Digital is DV/HDTV.
Pre Digital Camcorder Formats Analog -Used Scan lines (like old Tube TV’s the h ighest possible pre-digital was 525 lines or 480i) None of these Cameras.
HOW SCANNERS WORK A scanner is a device that uses a light source to electronically convert an image into binary data (0s and 1s). This binary data can.
1 Linking Audio and Video Clips Inserting Audio CD’s MP3’s.wav,.au, other formats Inserting Video Hardware and Software Capturing Encoding and Codec's.
B E L L W O R K WRITE DOWN FIVE PARTS OF A CAMERA THAT YOU KNOW. PUT THEM IN ORDER OF MOST-TO-LEAST IMPORTANT.
Types of Production From live multi-camera to single- camera film style.
Digital Cameras in the Classroom Day One Basics Ann Howden UEN Professional Development
Nonlinear Editing Television Production: A Classroom Approach, 2 nd edition.
Basic Multimedia Equipment
Videography John Mac cc Sydney
VUMC Soil Worm Activity Monitor
VUMC Soil Worm Activity Monitor
Creating Desktop Video and Animation
Video.
Chapter 6: Video.
Chapter 12 Post Production: Linear and Non Linear Editing.
Presentation transcript:

1 Cameras,Videotape & Formats

2 Objectives Describe three classifications of video equipment Describe camera classifications Identify the types of videotape and videotape formats Discuss acquisition strategies

3 Classifications Professional Pro-sumer Consumer

4 Professional Cameras Higher resolution images –Typically in the lines range Usually a 3-chip imaging device Interchangeable parts

5 Professional Cameras Bigger! More expensive Interchangeable parts – –Lens –Record deck –Peripherals

6 Professional Cameras Professional tape formats –BetaSP –DVPro, DVCam –D1, D2 Usually component signal

7 Prosumer Cameras Mid-range image resolution –Typically in the lines range May have interchangeable parts

8 Prosumer Cameras Smaller size Less expensive than professional Usually single chip imaging

9 Prosumer Cameras Tape formats –MiniDV –Digital 8 & Hi8 –SVHS Usually component signal

10 Consumer Cameras Somewhat low resolution- –Typically less than 300 lines Single chip image Very inexpensive

11 Consumer Cameras Formats –VHS –Standard 8mm –VHS-C Composite signal

12 Signal Types to Tape Composite – Video info saved as “grouped” – Color & brightness together

13 Signal Types to Tape Component – Video info split – Color & brightness separate signals

14 Signal Types to Tape Digital – Use transfer protocol –Current is IEEE 1394

15 Videotape Physical Attributes 2 Basic Types: Open ReelCassette

16 Analog Tape Tape format often is described by width of tape- –I inch –¾ inch cassette –8 mm –½ inch VHS

17 Digital Tape Tape format is described by the signal type- –miniDV –Digital 8** –DVPro –DVCam

18 Professional Tape Open Reel – 2 inch four video heads –1 inch helical scan Cassette –Beta SP –¾ inch –D1 & D2

19 Prosumer Tapes ¾ inch cassette S-VHS – s format Hi8 – s format Digital 8 miniDV

20 Consumer Tapes VHS – composite format Standard 8mm – composite format Digital 8 miniDV

21 Digital Editing Systems & Software Professional “Turnkey Systems” Includes all hardware, software and peripherals –Avid System –Media 100 –MAC-based

22 Digital Editing Systems & Software Prosumer More specialized cards for video Desktop computer orientation Software such as Adobe Premiere or Final Cut Pro

23 Digital Editing Systems & Software Consumer Simple IEEE 1394 cards Desktop computer orientation Software such as Avid Cinema, Videowave, iMovie

24 Tripods Strong enough to hold weight of camera Stable Fluid head

25 Tripods The least stable tripod!!

26 Acquisition Decisions Needs of the project Funding User skills Trends