Reading Film Comparing Literary Elements to Cinematic Elements Based on John Golden’s Reading in the Dark Reading Film
Cinematic Elements Reading Film
Cinematic Elements Shot type/framing Camera angles Lighting Sound Editing Key question: what are the effects of the director’s cinematic choices on the viewer?
Framing Close up: image takes up 80% of screen (face only) Long shot: image filmed from some distance (full body) Medium shot: between the two (waist up)
Framing close up long shot medium shot
Close-up
Close-up
Medium shot
Long shot
Long shot
Angles Low angle: camera is below subject High angle: camera is above the subject Eye level: even with subject
Low Angle
Low angle
Low angle
High angle
High angle
Lighting High key: bright Low key: dark, shadows Side/bottom: light on one side or below Front lighting: direct and even lighting
High-key lighting
Low-key lighting
Side lighting
Side lighting
Front lighting
Mixed lighting
Sound Diegetic: sound that logically could be heard by characters within the film environment Non-Diegetic: sound that cannot be heard by characters; it is for audience only
Editing Fade: fade to black, white, or color Cut: simple/common move between shots Fade: fade to black, white, or color Dissolve: image fades into another image Parallel editing/cross cutting: cut away to action that is happening simultaneously Eye-line match: person looking, cut to what is seen, return to person’s reaction
Eye-line match 1
Eye-line match 2
Eye-line match 3
Eye-line match 4
Cinematic: Putting it together Framing Angles Lighting Sound Editing Response
Theatrical: Putting it together Costumes Props Sets Acting Cinematic Response
Literary Elements Reading Film
Literary Elements Characterization Setting Conflict Theme Tone Irony Key question: how does the director use cinematic and theatrical elements to illustrate literary elements?
Acting Choices Gestures Movements Voice/Delivery
Sets
Putting it all together Cinematic Theatrical Shot type/framing Camera angles Lighting Sound Editing Costumes Props Sets Acting Choices Literary Response
Teaching a complete film Previewing: setting context, preparing students for themes, identifying terms During viewing: notetaking, reviewing of key scenes, discussing in pairs and groups After viewing: analysis of director choices, connection to theme/print text, application of ideas in another medium
Using film as a tool Students will practice reading strategies with a film or visual text and transfer those skills to print texts: Predicting Questioning Visualizing
Predicting What do you think will happen? Plot, character, theme, etc. Why do you make this prediction?
Questioning Level One: literal (what did the third pig use to build his house?) Level Two: interpretative (what are the qualities that allow the third pig to survive?) Level Three: universal (why is advanced planning often so difficult for us?)
(Let’s watch some film!) Thank-You!