Constructivism  Dada  Surrealism HANNAH HOCH

Russian Constructivism Surrealism. Dada Not Photography movements, but movements happening in the Art World that heavily relied on the camera.

Other Art Movements that Influenced Constructivism, Surrealism, and Dada Cubism Expressionism Futurism

Cubism was one of the most influential visual art styles of the early twentieth century. Created by Pablo Picasso (Spanish, 1881–1973) and Georges Braque (French, 1882– 1963) in Paris between 1907 and Art critic described the work of this time as being made up of "cubes." Cubism (France) 1907 – 1914 Picasso Georges Braque

Avant-garde Movement - new and experimental ideas and methods in art, music, or literature The key concept underlying Cubism is that the essence of an object can only be captured by showing it from multiple points of view simultaneously Avant-garde Movement - new and experimental ideas and methods in art, music, or literature The key concept underlying Cubism is that the essence of an object can only be captured by showing it from multiple points of view simultaneously The Cubist painters rejected the concept that art should copy nature, or that they should adopt the traditional techniques of perspective, modelling, and foreshortening.

Wassily Kandinsky, 1923 An artistic style Depict subjective emotions and responses that objects and events arouse in him Personal, spontaneous self- expression Use of distortion and exaggeration for emotional effect Exaggeration, primitivism (basic/simple), and fantasy Use of intense colour, agitated brushstrokes, and disjointed space Seen in dance, cinema, literature and the theatre Expressionism 1905 – 1930 Germany

Edvard Munch, 1893 August Macke, 1913

Ernst Ludwig Kirchner, 1912 Erich Heckel, 1919 The artists vision of the object or scene Not representing the real world, but rather an impression They wanted instead to emphasize the two-dimensionality of the canvas. They reduced and fractured objects into geometric forms

The Futurists rejected anything old and looked towards a new Italy. Past culture in Italy was felt as particularly oppressive. It emphasized and glorified themes of the future, speed, technology, youth and violence, and objects such as the car, the aeroplane and the industrial city. Futurists proposed instead was an art that celebrated the modern world of industry and technology The Futurists rejected anything old and looked towards a new Italy. Past culture in Italy was felt as particularly oppressive. It emphasized and glorified themes of the future, speed, technology, youth and violence, and objects such as the car, the aeroplane and the industrial city. Futurists proposed instead was an art that celebrated the modern world of industry and technology Futurism 1909 – 1916, Italy Umberto Boccioni

painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture The Futurists practiced in every medium of art, including: Umberto Boccioni

Giacomo Balla

Dada was born out of a pool of avant-garde painters, poets and filmmakers who flocked to neutral Switzerland before and during WWI. Dada sounded the same in every language, and it didn’t make any sense Dadaists were always opposed to authoritarianism, and to any form of group leadership or guiding ideology. Rebelled against what they saw as cultural snobbery, bourgeois convention, and political support for the war. Held events, spontaneous readings, performances, and exhibitions. Dada 1916 – 1924 George Grosz Raoul Hausmann Marcel Duchamp

Hugo BallMax Ernst Influenced by ideas and innovations from Cubism, Futurism, Constructivism, and Expressionism

John Heartfield Medium/methods was wildly diverse

Kurt SchwittersFrancis Picabia

Ranging from performance art to poetry, photography, sculpture, painting and collage Dada's aesthetic, marked by its mockery of materialistic and nationalistic attitudes, proved a powerful influence on artists in many cities, including Berlin, Hanover, Paris, New York and Cologne, all of which generated their own groups. After the war, many of the artists who had participated in the Dada movement began to practice in a Surrealist mode. Similar to Dada, Surrealism was characterized by a profound disillusionment with and condemnation of the Western emphasis on logic and reason.

“We had lost confidence in our culture. Everything had to be demolished. At the Cabaret Voltaire we began by shocking common sense, public opinion, education, institutions, museums, good taste, in short, the prevailing order.” - Marcel Janco

René Magritte André Masson Joan Miró László Moholy-Nagy Meret Oppenheim Francis Picabia Man Ray Hans Richter Kurt Schwitters Yves Tanguy Tristan Tzara Hans Arp Hugo Ball André Breton Salvador Dalí Giorgio De Chirico Marcel Duchamp Max Ernst Sigmund Freud George Grosz Raoul Hausmann John Heartfield Hannah Höch Well known Dadaists/Surrealists:

Most of these artists were very young and had “opted out” of the war, seeking refuge in New York, Zurich and Barcelona Word was spread by publications/manifestos rather than organized exhibitions Used all forms of expression – cabaret performances, meetings, visual art, writing and riots Avant-garde, rebels More focused on political and social concerns Migrated also to New York, where it was more theoretical, less political

 Collage: Pasting cut pieces of objects together such as train tickets, maps, rubbish – found objects  Photomontage: similar to collage, but using actual photographs from the media  Readymades: manufactured objects as “art” – turning into sculpture  Assemblage: 3D versions of collage A movement where we saw artists using photography and the camera in their work. They were not trained photographers, they had no allegiance to photography. They didn’t care if photography was art or not. They recognized the camera as a symbol of progress and industrialization. A movement where we saw artists using photography and the camera in their work. They were not trained photographers, they had no allegiance to photography. They didn’t care if photography was art or not. They recognized the camera as a symbol of progress and industrialization. Why is this important to photography? DADAISTS HEAVILY USED THE CAMERA: WE SEE THE FIRST INSTANCE OF COLLAGE!

Outspoken Dadaist List to stir up controversy Question, what is art? Break down barriers of high art! Redefining art “To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.” Marcel Duchamp Created a personal brand of Cubism combining earthy colours, mechanical and visceral forms, and a depiction of movement which owes as much to Futurism as to Cubism.

Duchamp did very little painting after 1912, creating the first of his 'readymades' in 1913.

These were ordinary objects of everyday use, sometimes slightly altered, and designated works of art by the artist. The concept of the readymade became associated with an assault on the conventional understanding of the nature and status of art.

Hannah Hoch

Known for her incisively political collage and photomontage works Hannah Höch appropriated and rearranged images and text from the mass media to critique the failings of the Weimar German Government. She rejected the German government, but often focused her criticism more narrowly on gender issues, and is recognized as a pioneering feminist artist.

Höch drew inspiration from the collage work of Pablo Picasso and fellow Dada exponent Kurt Schwitters, and her own compositions share with those artists a similarly dynamic and layered style. Höch preferred metaphoric imagery to the more direct, text-based confrontational approach.

John Heartfield, German 1891 –1968 A pioneer of modern photomontage. Worked in Germany and Czechoslovakia between WWI – WWII. He developed a unique method of appropriating and reusing photographs to powerful political effect. A pioneer of modern photomontage. Worked in Germany and Czechoslovakia between WWI – WWII. He developed a unique method of appropriating and reusing photographs to powerful political effect. Heartfield's images forecasted and reflected the chaos Germany experienced in the 1920s and '30s as it slipped toward social and political catastrophe. The impact of Heartfield's images was so great that they helped transform photomontage into a powerful form of mass communication.

Heartfield devised photo-based symbols for the Communist Party of Germany, allowing the organization to compete with the Nazis' swastika. His images of clenched fists, open palms, and raised arms all implied bold action and determination.

He chose recognizable press photographs of politicians or events from the mainstream illustrated press. He then disassembled and rearranged these images to radically alter their meaning.

Raoul Hausmann 1886–1971 German Dada artist, poet, photographer and polemicist.

Influenced by the Cubists Co-founder of the Berlin Dada movement 1917 Greatly interested in photography and made photograms, rayograms and pictograms.

Consistently blurring the boundaries between visual art, poetry, music, and dance.

Branched out of Dadaism Started in Paris, 1924 by Andre Breton Surrealism became an international intellectual and political movement. Drew upon the private world of the mind, traditionally restricted by reason and societal limitations, to produce surprising, unexpected imagery. Influenced by dream studies of Freud and political ideas of Marx Surrealism – Early 1920’s Joan Miró Picasso

The surrealist movement originated in Paris in the 1920s, drawing its members from many countries in Europe and beyond. … desire, the sole motivating principle of the world, the only master humans must recognise. - André Breton Although it began as a literary movement, it soon developed to encompass the visual arts, engaging with ideas from psychoanalysis, philosophy and politics as well. The surrealists opposed what they saw as the stultifying and oppressive aspects of society, and celebrated a vision of the world in which men’s imaginations and desires were set free. Although it began as a literary movement, it soon developed to encompass the visual arts, engaging with ideas from psychoanalysis, philosophy and politics as well. The surrealists opposed what they saw as the stultifying and oppressive aspects of society, and celebrated a vision of the world in which men’s imaginations and desires were set free.

Surrealism: Pure psychic automation by which one intends to express verbally, in writing or by other method, the real functioning of the mind. Dictation by thought or in the absence of any other control exercised by reason, and beyond any aesthetic or moral preoccupation. “Surrealism is based on the belief … in the omnipotence of dreams, in the undirect play of thoughts.” Manifesto of Surrealism

Photography came to occupy a central role in Surrealist activity. In the works of Man Ray and Maurice Tabard. The use of such procedures as double exposure, combination printing, montage, and solarization dramatically evoked the union of dream and reality. Photography and Surrealism Maurice Tabard Man Ray

Other photographers used techniques such as rotation or distortion to render their images uncanny. Hans Bellmer obsessively photographed the mechanical dolls he fabricated himself, creating strangely sexualized images Other photographers used techniques such as rotation or distortion to render their images uncanny. Hans Bellmer obsessively photographed the mechanical dolls he fabricated himself, creating strangely sexualized images Umbo André Kertész Hans Bellmer

Solarization: image is reversed (negative) when exposed to white light in darkroom Uses of Photography Techniques within Surrealism Distortion: used mirrors and lenses to distort the human form Photograms: camera-less images Assemblage: 3D versions of collage

Man Ray Rayograph – said he invented it. Surrealism – had a range. Some was realistic, some was pure fantasy Photograms Solarization The photograph was taken with a two-hour-long exposure that beautifully captures the complex texture and diversity of materials that lay atop the glass surface.

Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. “I do not photograph nature. I photograph my visions.” –Man Ray