TF-MSP, Paris, Claudio Allocchio Music, Dance & GARR New Users’ approach to Advanced Network Services
Claudio Allocchio 2 TF-MSP, Paris, “New” Network users Music education, performance, composition,... Theater dance, drama,... Architecture, History teleimmersion, rendering,... Cultural Heritage, Museums interaction, databases,... Health Science remote dignosis, surgery, enhanced reality,... ...
Claudio Allocchio 3 TF-MSP, Paris, Approaching Users GARR does not differentiate among its users same services availalbe to all phycists, medical doctors, musicians, computer scientist, biologists, sociologists, librarians, dancers,... are all “GARR users”, with the same rights, same duties, same services, same support
Claudio Allocchio 4 TF-MSP, Paris, Handling Users some GARR staff follows more closely ceratins users groups users “groups” know a GARR staff reference person which they know better than others and supports them GARR staff supporting a certains users group “translates” into their common terminology and understading the GARR services meaning, and collects from users their requirements
Claudio Allocchio 5 TF-MSP, Paris, Offering Users Services “tell us how you work” approach GARR offers the whole set of services to all users, but tries also to generate new services from users’ requirements Services generated for one users’ group, become common services, adapted and adopted by other users The same service is translated into specific users’ group “language” for adoptions and understanding
Claudio Allocchio 6 TF-MSP, Paris, main GARR “Users visible” Services Security (GARR-CERT) alerts, guidelines and best practices Domain Names (GARR-NIC) handling procedures for “it” and “eu” registrations Certification Authority (GARR-CA) issuing users’ personal certificates EduRoam mobility AAI Federation (GARR-IDEM) services unified access
Claudio Allocchio 7 TF-MSP, Paris, main GARR “Users visible” Services (cont.) Mirror (GARR-Mirror) packages distribution Usenet News (GARR-News) news feeds and news uploads Vconf, and audio/video services (H)DVTS,... Virtual Congress Centre, high end interactive services GARR.TV R&E broadcasting channel
Claudio Allocchio 8 TF-MSP, Paris, main GARR “Users invisible” Services Dedicated circuits/VPNs Guarteed Bandwidth (QoS) Multicast ...
Claudio Allocchio 9 TF-MSP, Paris, Users’ perspective of audio/video service Music MasterClasses, remote performances, distributed performances Theater distributed performances, enhanced playspace Architecture, History virtual presence Cultural Heritage, Museums virtual close-up interactions Health Science remote real-time surgery and enhanced reality,...
Claudio Allocchio 10 TF-MSP, Paris, Some History - How it all started 2001: WIDE releases DVTS GARR adopts it as a nice tool for network performance testing/loading 2002: at Jokoyama IETF DVTS is used to broadcast sessions on the LAN to the meeting foyer ... impressive quality for a set of bad looking speakers! 2003: Internet2 and GARR starts experiments with it over “domestic” WAN it works, but for which users? 2005: GARR and Internet2 try a transatlantic DVTS demo at GARR 05 Users’ Conference boost interest in italian music education community
Claudio Allocchio 11 TF-MSP, Paris, Examples from the past 2005 / 2006: GARR-Internet2-New World Symphony MasterClasses
Claudio Allocchio 12 TF-MSP, Paris, Examples from the past 2006 and 2007: “Italian Spring in Japan”
Claudio Allocchio 13 TF-MSP, Paris, Examples from the past 2007: UbiquiLab
Claudio Allocchio 14 TF-MSP, Paris, Examples from the past 2007: Distributed e-music composition
Claudio Allocchio 15 TF-MSP, Paris, Examples from the past 2007 and 2008: telesurgery at IRCCS workshop
Claudio Allocchio 16 TF-MSP, Paris, Examples from the past 2008: Ancient Instruments reconstruction via Grids
Claudio Allocchio 17 TF-MSP, Paris, Conclusions GARR does not operate a “strict” users’ segmentations and does not have specific groups portfolios. GARR adapts services and their understanding to users environment. GARR tries to create new services crossing users’ groups boundaries, and drawing from users’ common practices in their “traditional” enrironment.
Claudio Allocchio 18 TF-MSP, Paris, Questions? Thank you!