Rogine’s General Orders For Analyzing Chord Progressions Homework #11.

Slides:

Advertisements

Similar presentations

How to check close-to-the-line arrows F E D E R A T I O N I T N E R N A T I O N A L E D E T I R A L ' A R C a b TOP VIEW FRONT VIEW a b c d e c d e.

Advertisements

Secondary dominants are chords that are altered to sound like dominants (which are the fifth scale degrees of diatonic scales). This means changing minor.

PART ONE: Working with KEYS. Where do I start? There are two ways most songwriters begin a song: Begin with a riff, bass line or melody Begin with a chord.

Major Scale Notes & Intervals A half step (H) is the “distance” between frets or between any two adjacent keys on a piano. A whole step (W) is the “distance”

11/04/2015PPMTA Harmony AMHiggins1 Major keys I Ib Ic ii iib iii iiib IV IVb V Vb V7 V7b vi Minor keys i ib ic ii°b iv ivb V Vb V7 V7b VI.

Chords By Carla Piper Dominant Seventh Chords Inversions Chord Progression in G Chord Progression in C Chord Progression in D Major Chords Triads.

AP MUSIC THEORY MR. JACKSON UNIT 11: SECONDARY DOMINANTS.

There are four basic chord qualities: Major Minor Diminished Augmented.

I.1 ii.2 iii.3 iv.4 1+1=. i.1 ii.2 iii.3 iv.4 1+1=

I 6 and V 6. BrainTeasers 1. Spell Incomplete V7 using scale degrees (bass first). 2. Spell Complete V7 using scale degrees (bass first). 3. With normal.

I.1 ii.2 iii.3 iv.4 1+1=. i.1 ii.2 iii.3 iv.4 1+1=

Thursday, October 13,  Music Sharing: Mitchell & Hunter K. (CHS)  Let’s review… Triads (and inversions) 7 th Chords (and inversions) Figured Bass.

Baroque-Era Algorithmic Composition Kevin Deisz. 1st Step – Keys Number all of the keys on the piano Everything is in the key of C.

Ear Training Part 3 Within a Key. Review your theory It is important to review your theory first.

 Music Sharing!  Review: Common Harmonies: MAJOR  Review: Common Harmonies: MINOR  Review: Broken Chords & Arpeggios  Review: Cadences  New: Passing.

Name:________________________________________________________________________________Date:_____/_____/__________ Spiral Back: Evaluate: Evaluate the following.

Chapter 15 Modulation Modulation Modulation is the process that results in the shift of the tonal center. In other words, a key change. Modulation is.

Start of Presentation September 27, st Homework Problem We wish to analyze the following electrical circuit.

ADVANCED PLACEMENT MUSIC THEORY Adding Harmony to a Melody.

 Music Sharing!  Review: Common Harmonies: MAJOR  Review: Broken Chords & Arpeggios  New: Common Harmonies: MINOR  New: Cadences  New: Passing Tones.

Unit 4: Conventional signs, sketch maps and plans A. What are conventional signs? Conventional signs  Represent different features on a map  Designed.

Secondary Dominants and Leading-Tone Chords

Thursday, October 11, 2012 (10–11–12!).  Music Sharing: Haley & Joey (XHS)  Let’s review (and make sure we really know this stuff!) Figured Bass vs.

Journal  Highland Cathedral – Mass band, Breman 2008 

Harmonizing a Melody AP MUSIC THEORY Remember… Utilize Harmonies Harmonic Progression Cadences Counterpoint There is more than one correct answer!

Chapter 8 Diatonic Harmony

Points, Lines, and Planes Lesson 2a C  B  A  l  R  S Next.

Tuesday, September 14 Fill in Planner –Practice 1-9 –Enrichment 1-9 (Extra Credit) Agenda –Guided Notes –Group Practice Graph Mole Name the Quadrant –Assignment.

Starter: Multiplication grid x

An outline is useful to organize your information You put this information in categories You use various symbols to organize your information For main.

Dominant seventh chords are diatonic seven chords of the fifth scale degree or V 7 chords. Has a distinct sound from the tritone that forms between the.

Copyright 2013, 2010, 2007, Pearson, Education, Inc. Section 2.4 Venn Diagrams with Three Sets and Verification of Equality of Sets.

Trigonometric Functions: The Unit Circle Section 4.2.

Cadences. Why we need Cadences A cadence is where the music reaches some kind of goal – often accompanied by a rhythmic pause. The music between cadences.

The 45 mark question.  Key C – nothing  G – has F#  D – has F# C#  F – has Bb  Bb – has Bb Eb  BbAD FOOD CAN GIVE DIARRHOEA!!! 2b 1b 0 1# 2#

Volume II Chapter 4. Borrowed Chords Chords that are borrowed from the parallel minor key Adds color and variety ii° ii ø ⁷ iv b VI vii°⁷ Progression.

LECTURE 34 Reading Assignment: 1.) Wed. 04/25: Sections ) Friday 04/27: Sections ) Mon. 04/30: Sections Reading Assignment: 1.)

Triad Brain Teasers 1. Do all triads contain three notes? 2. A Triad can be simplified to a stack of __?___( name interval ). Name all the intervals.

Nondominant Seventh Chords Chapter 13. Nondominant Seventh Chords Any chord that does not have dominant function Quality is determined by: Quality of.

Before We Begin... Any questions on the homework? (Please put the example number AND chord number.)

INTRODUCTION TO CHORDS Hello. Today we will look at chords. By the end of today you will be able to aurally identify different species of chord. We will.

Chord Systems. Types of chords There are five different types of chords with 3 of the types being the most used. You should get to the point where you.

English for Engineering Management （ 1 ） Detail 1-1 Fill out the missing words on the drawing (5 are missing) Where is the detail located on the building?

Nursing homework help BEST ASSIGNMENT.

AP Music Theory Mr. Silvagni

AP Music Theory Mr. Silvagni

Chords Review & Progressions I

Chapter 19 Notes Intensifying the Dominant

HIGHER MUSIC Chords.

Secondary Dominants Chapter 20.

Harmonic Progressions

Flow diagrams (i) (ii) (iii) x – Example

3. Old Brain I III II V IV VII VI VIII IX X XII XI

ОПШТИНА КУРШУМЛИЈА.

Section 2.1 Angles in Standard Position

Skelton System: Written Activity

Label Name Label Name Label Name Label Name Label Name Label Name

Major Scales at the nut C F G C Box A G C D G VII D G A D F Bb C F X A

Objective - To graph ordered pairs on the coordinate plane.

What number is the arrow pointing at?

Index Notation Sunday, 24 February 2019.

Power Point бағдарламасында презентация құрастыру

Exam Strategy Time allocation for the full composing paper 40 marks for Melody and 60 marks for Harmony (25 to 30 minutes for Melody and 50 to 55 minutes.

Global Winds Foldable.

To Start: Simplify the following: -5(2)(-4) -4(-3)(6) -6(2)(-1) = 40

Bass Lines and Harmonic Structure

8 Core Steps of success: I.Step:1 : DREAM SETTING: II. Step: 2 : LIST MAKING : IV. Step: 4 : SHOW THE PLAN: III. Step: 3 : INVITATION: V. Step: 5 : FOLLOW.

Presentation transcript:

Rogine’s General Orders For Analyzing Chord Progressions Homework #11

Original Assignment:

Step 1: Analyze from back to front

Step 2: Label all IM7 Chords D: IM7 IM6 IM7 IM7

Step 3: Label all V7 Chords of the key and draw arrows D: IM7 V7 IM6 V7 IM7 V7 IM7

Step 4: Label all II-7 Chords D: IM7 II-7 V7 IM6 II-7 V7 IM7 V7 IM7

Step 5: Bracket all II-7 → V7 UNDER chord symbols D: IM7 II-7 V7 IM6 II-7 V7 IM7 V7 IM7

D: IM7 #I° II-7 V7 IM6 II-7 V7 IM7 V7 IM7 Step 6: Label all diminished chords You are in a chord pattern, BABY!!

Step 7: All Chord Patterns with 4 chords MUST have a bracket ABOVE the chord symbols D: IM7 #I° II-7 V7 IM6 II-7 V7 IM7 V7 IM7

Step 8: Label all secondary dominants with arrows D: IM7 #I° II-7 V7 IM6 II-7 V7 IM7 V7/II V7/V V7 IM7 V7/IV IV IM7 V7 IM7

Fill in the missing chords D: IM7 #I° II-7 V7 IM6 VI-7 II-7 V7 IM7 V7/II V7/V V7 IM7 V7/IV IV IV-7 IM7 V7 IM7