Set Works Live! 2013 Mozart – Piano Sonata in Bb K333 Miss E Oliver Head of Music, Bristol Cathedral Choir School Piano: Alex Tchernakova.

Slides:



Advertisements
Similar presentations
AoS 1: Classical Music The Classical Era (c – 1830) Set work 2: W.A. Mozart: 1 st movement from Symphony No. 40 in G minor.
Advertisements

Area of Study 1: Mozart Symphony No.40 In G minor Mov 1
Classical Music Sonata Form.
Mozart: “Symphony No. 40 in G minor Area of Study 1
Van Morrison Tupelo Honey By. Context Soft rock - Ballad Much of it improvised! 1971 Over 7 minutes long Influenced by R&B, Rock, Soul, Irish folk and.
Analysis Section by section
Chopin Analysis.
The Development Section Bars Based entirely on the opening figure from the first subject. That’s this bit, here!
Piano Concerto no 23 in A Major
Classical Music Higher Music.
General Characteristics of Classical Music Balance and proportion Clarity and accessibility Simple, logical and clear harmonies Shorter phrases “Simpler”
Chapter 12: The Symphony Rondo Form. Key Terms Rondo form Rondo Episodes Sonata rondos Finale.
I 6 and V 6. BrainTeasers 1. Spell Incomplete V7 using scale degrees (bass first). 2. Spell Complete V7 using scale degrees (bass first). 3. With normal.
Cadential or Harmonic Prolongation via expansion 2 Basic Phrase Shapes: I-V (half cadence) I-V (7) -I (authentic/full) I- IV- V-
Classical Music
This piece is arranged for Solo Piano, so the piano is the only instrumental resource.
Piano Concerto no 23 in A Major
Thursday, October 13,  Music Sharing: Mitchell & Hunter K. (CHS)  Let’s review… Triads (and inversions) 7 th Chords (and inversions) Figured Bass.
S5.  Learn about the Classical era.  Listen to some music from the classical period.  Discover famous classical composers.
Piano Concerto no 23 in A Major
Writing A Calypso.
GCSE Composition 1 Task. Task Candidates should compose a short piece called contrasts to be played in class. It should play with the contrast of the.
Baroque-Era Algorithmic Composition Kevin Deisz. 1st Step – Keys Number all of the keys on the piano Everything is in the key of C.
Mozart Symphony No 40 in G minor. The essay question - melody Well proportioned/balanced melody lines Regular 4 bar phrases Contrasting melodies in the.
Music in the Classical Period
Modulation Chapter 15. Modulation Process that results in a shift of tonal center Commonly called a key change.
Area of Study 1: Setwork 3 Chopin Piano Prelude in Db Major (Raindrop)
Mozart: “Symphony No. 40 in G minor Revision. Learning Objective By the end of the lesson, you: Will be able to define the three sections of a Sonata.
Unit 4: Classical
STANDARD GRADE MUSIC Composition. What do I have to write? An introduction Section A Develop section A A modulation which has a sequence (section B) Return.
 Harmony – the way chords are constructed and follow each other.  Chord – combination of three or more tones sounded at once.  Progression – a specific.
CLASSICAL.
Classical
LC Mozart Test You are about to answer 30 questions about the vocabulary you need to know for the LEAVING CERT EXAM. You will see a key word or a definition.
Other Aspects of Musical Sound pp Texture  Texture describes the number of things that are going on at once in a piece of music.  Monophony-
Cultural movement modeled after Classical Antiquity Classical Antiquity- emphasis on Greece during the time of Homer and the decline of the.
NGfL CYMRU GCaD Chord Progressions Music Advanced Subsidiary.
CHORD PROGRESSIONS What are they and how will they help you?
Cadences. Why we need Cadences A cadence is where the music reaches some kind of goal – often accompanied by a rhythmic pause. The music between cadences.
Beethoven / Kant Time and Space Thomas Mastroianni December 14, 2010.
The Classical Period c The Rococo Transition from late Baroque to early Classical period. Characterized by highly ornamented melody with.
Sonata Form Classical Period. Sonata form The sonata is broken up into the following sections: –1 st movement: Allegro –2 nd movement: Slow –3rd movement:
Tippett Tonality. Sometimes the piece has an ambiguous tonality which depends on modes and pentatonic scales. This is a way of arranging chords around.
BEETHOVEN 1 On the Classical-Romantic border…. LEARNING OBJECTIVES To revise the background and instrumentation of the Septet To revise the background.
Haydn Symphony No. 26, 1 st movement. L.O  To understand features of Classical Music  To begin to analyse the musical characteristics of Haydn’s symphony.
HAYDN 4 Symphony No. 26 in D minor, Lamentatione: movement i.
Partita no. 4 in D: Sarabande and Gigue J.S. Bach.
Chapter 3 The Structures of Music Harmony. Key Terms Chords Harmonized Harmony Consonance Dissonance Resolution Resolved.
HAYDN 3 Symphony No. 26 in D minor, Lamentatione: movement i.
Classical Music Higher Music.
Classical Music Higher Music.
Classical Music HIGHER.
Mozart – Symphony no.40 in G minor
By Angel and Farah Music 2 Year
00:00 Exposition Th. I.1 G major. The first theme has three elements: this little fanfare,
Mozart WHAT A LONG NAME! Mozart's full name was really long. It was: Johannes Chrysostomus Wolfgangus Theophillus Amadeus Gottlieb Sigismundus Mozart.
Melodic and harmonic devices
An introduction to music history
AP Music Theory Mr. Silvagni
Classical Music S5.
Music’s Horizontal Dimension:
Classical Period 1750 – 1810.
Classical Music Higher Music.
Harmonic Expansions G. DeBenedetti
Harmonic Expansions G. DeBenedetti
Mozart: Piano Concerto no 23
Composition Techniques
Harmonic Expansions G. DeBenedetti
Bass Lines and Harmonic Structure
Piano Sonata No.8 in C Minor, 1st movement ‘Sonata Pathetique’
Presentation transcript:

Set Works Live! 2013 Mozart – Piano Sonata in Bb K333 Miss E Oliver Head of Music, Bristol Cathedral Choir School Piano: Alex Tchernakova

Understanding the Context Use of the forte piano Simple melody dominated homophony Broken chord accompaniment Alberti bass Periodic phrasing Common structures Functional harmonic progressions and cadences Set Works Live! 2013

Functional Chord Progressions I VIb II V7 I Cadential 64 in bars 57 Ic V I

ExpositionDevelopmentRecapitulation 1 st subject (tonic)2 nd subject (dominant) Ideas from exposition are developed 1 st subject (tonic)2 nd subject (tonic) Bridge Codetta Bridge Coda 1 st and 2 nd subject contrast Simplicity and clarity of form Set Works Live! 2013 Sonata Form

Characteristics of the subjects Set Works Live! 2013

Examples of Developing Set Works Live! 2013 Then exciting dark chords add drama! Bar 1 > 66, 67, 69, 79

More Examples of Developing... Set Works Live! 2013 Bar 30 > 72, 77, 81, 83

Any other questions you would like to ask? Bits you would like to hear again? PowerPoint and notes... Set Works Live! 2013