1 RUSSIAN CIVIL CODE & IPTV CONTENT. 2 Presentation by Project Manager of “Independent Copyright Management Consulting” Aleksey Sergeevich Kondrin Presentation.

Slides:



Advertisements
Similar presentations
Intellectual Property and IPTV Content IPTV Forum Russia
Advertisements

Relevance of Copyright & Related Rights for SMEs Copyright industries SMEs as user and/or owner/creator Basics and role of copyright Digital age.
COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
23rd of April 2009 IS IT VERY IPPORTANT FOR RUSSIA TO HAVE OWN DIGITAL CONTENT DEVELOPMENT STRATEGY? © Ilya Kondrin, 2009.
Copyright & PR Presented by John MacPhail Partner.
>>0 >>1 >> 2 >> 3 >> 4 >> “PROPERTY CONCEPTS REVISITED”
Page  1http:// MONEY FROM RUSSIAN RADIO & TV? PERFORMERS & RECORD LABELS WHO WILL BE COLLECT & DISTRIBUTE FROM RUSSIA WITHOUT MONEY? PLEASE.
1 Information Online 2009 Rights management – does copyright still matter in the 21st century? 20 January, 2009 Caroline Morgan General Manager, Corporate.
What is it and why should I care?
EDT 347 Education Technology Copyright and Fair Use.
UFCEXR-20-1Multimedia Sound Production Multimedia Sound Production and Copyright.
Chapter 14 Legal Aspects of Sport Marketing
IPR-INSIGHTS CONSULTING AND RESEARCH 1116 BUDAPEST, KONDORFA U. 10. TEL.: (+36-1) FAX: (+36-1)
For Teachers & Students By: Terri Hall. The Copyright Law (U.S. Code, Title 17) was established to balance the rights of authors, composers, performers.
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,
© Olav Torvund - NORWEGIAN RESEARCH CENTER FOR COMPUTERS AND LAW UNIVERSITY OF OSLO Intellectual property Overview of International Instruments.
General principles in Copyright Law LICCS
Right to use copyright protected research and other materials Pirjo Kontkanen NUAS seminar Forskning – Arkiv - Forskning Legal Counsel / Research.
Copyright Law Fair Use. First let’s see how much you know. 30/copyright/quiz.htmhttp://
Copyright. US Constitution Article I – Section 8 Congress shall have the power to promote the Progress of Science and useful Arts, by securing for limited.
Future Ready Schools BMA-IBT DEMONSTRATE ETHICAL AND LEGAL ACTIONS WITH REGARDS TO PLAGIARISM, FAIR USE, AND COPYRIGHT LAWS.
By Collin Henry. Copyright is a protection that covers published and unpublished literary, scientific and artistic works, and other forms of expression.
G. Randall Watts, M.Div., MS Assistant Director for Resource Management MUSC Library.
1 INVENTORS, INNOVATORS AND CREATORS - THE INTELLECTUAL CAPITAL OF NATIONS Document prepared by Mrs. Tarja Koskinen-Olsson, Chief Executive.
YOUR RELIABLE PARTNER. “Taxation of intellectual property, research & development in Russian Federation”
MAKING AVAILABLE RIGHT AS PROVIDED BY RUSSIAN CIVIL LAW State educational institution of higher professional education “Russian academy of justice” Ilya.
COPYRIGH T LAW of the PHILIPPINE S. a legal concept, enacted by most governments, giving the creator of an original work exclusive rights to it, usually.
COPYRIGHT ESSENTIALS Module 1 Retrieved from:
Intellectual Property and Copyright Ethics Atif Imran Toor Computer Science with Artificial Intelligence Profile
 Copyright is the right of the creator of a work to control how that work is used.  The copyright holder may grant licences to certain people to use.
© Olav Torvund - NORWEGIAN RESEARCH CENTER FOR COMPUTERS AND LAW UNIVERSITY OF OSLO Intellectual property Overview of International Instruments.
Principles of Arts, Audio/Video Production Copyright Law ©
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
LEGAL ASPECTS OF DIGITAL LIBRARIES By TALWANT SINGH ADDL DISTT. & SESSIONS JUDGE; DELHI.
The Quest for Copyright Understanding Miguel Guhlin
COPYRIGHT RULES AND REGULATIONS -- What do they permit?
Ethics and Copyright Issues CTMU 7560 Digital Media Production for Music Education Kimberly C. Walls
Axmedis Int’l Conference 2005 The role of collecting societies in the digital era Florence 1 December 2005 A.F.I Italian Association of Phonographic Producers.
Mobile County Public School System Copyright Policy.
Copyright and You. Copyright A work is copyrighted when that work has been created in some type of tangible form like writing or recording. A work is.
(c) Ilya & Aleksey Kondrin, Digital Defence of Mobile Content.
Independent Copyright Management Consulting Due Diligence in Intellectual Property Transactions Legal regulation of intellectual property In Multi-service.
BY KAYLA WEIDENBACH COPYRIGHT AND FAIR USE WHAT IS COPYRIGHT? Copyright- Exclusive rights granted by law to copyright owners for protection of their.
Haley Gayden. Copyright is a law of protection given to the authors or creators of “original works of authorship,” only allowing people with permission.
What Teachers Need to Know.  “Foster the creation and dissemination of literary and artistic works”  “Promote the Progress of Science and the useful.
Johnny FIANDEIRO BSc Eng (Elec) LLB Afrika/Nuus/Oos-Randse-inwoners-vas-oor- dwelm-fabriek IP ASPECTS OF LOCAL.
Tom Adam Copyright Advisor to the Provost all images:
STANDARD COPYRIGHT RULES AND RELATED TERMS ACA Certification Preparation for Video Communication.
Intellectual Property and Public Policy: Application of Flexibilities in the International IP and Trade system --Limitation and Exceptions for Education.
Korean Association of Phonogram Producers November 2007.
Jakub Slovák Permanent Mission of the Slovak Republic in Geneva/ Copyright Unit Media, Audiovisual and Copyright Department Ministry of Culture of the.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
Community buildings in a changing landscape Chapter 4.
A GUIDE TO COPYRIGHT & PLAGIARISM Key Terms. ATTRIBUTION Identifying the source of a work. For example, a Creative Commons "BY" or attribution license.
Benefitting from your COPYRIGHT and Using Copyright Works of Others in Your Business Carol Simpson Head, Caribbean Section, Regional Bureau for Latin America.
Part 2: Songwriting, Publishing, Copyright, and Licensing.
Intro to Intellectual Property 3.0
Mobile County Public School System Copyright Policy
Copyright Notes MUM 2700 Professor Calle 11/16/2018 Copyrights.
L.O. – How might copyright law affect our new media text?
COPYRIGHT.
Mobile County Public School System Copyright Policy
Mobile County Public School System Copyright Policy
Computer ethics in computer science curriculum
Mobile County Public School System Copyright Policy
The Ethical Use of Electronic Media.
AXMEDIS Conference Florence, 1 December 2005.
Copyright Laws.
Mobile County Public School System Copyright Policy
Presentation transcript:

1 RUSSIAN CIVIL CODE & IPTV CONTENT

2 Presentation by Project Manager of “Independent Copyright Management Consulting” Aleksey Sergeevich Kondrin Presentation was prepared in co-authorship with postgraduate student at Russian Academy of Justice of Supreme Court of Russian Federation and Supreme Court of Arbitration of Russian Federation Ilya Kondrin

3 Contents: §1. Cardinal changes in a “Performance Right” system - «Blanket» or «One-off» licences §2. Cardinal changes in a system of copyrights and neighbouring rights collective management (Performing Rights Societies) - Who, when and for what kinds of IPTV content can legally grant “Blanket” licences - Who, when and for what kinds of IPTV content can legally grant “One-off” licences - New requirements to “Performing Rights Societies” - Situation with state accreditation of “Performing Rights Societies” in Russia - Intensification of competition between “Performing Rights Societies” in field of neighbouring rights (performers rights and producers rights) - What effect will have a competition between “Performing Rights Societies” in a field of neighbouring rights on players of IPTV market

4 §1. Cardinal changes in a “Performance Right” system

5 1 2 composer poet song 3 phonogram performance 4 in a record studio 5 phonogram 6 copies 8 “live” performance of a song 7 Complex of “Performance Right”

6 Consumers of IPTV content IPTV content New “players” Mobile broadcasting operator Telco operator Operator of broadcasting over satellite Broadcasting operator Cable casting operator С Р copyrights neighbouring rights Main reason of changes in a “Performance Right” system is new “players” and new services New services

7 Only accredited societies Blanket licences from 1 st of January 2008 Annotation: Blanket licence – the licence in the name of all right holders both which transferred rights to collecting society and which did not. National repertoire International repertoire International repertoire National repertoire Collecting copyright management society Collecting neighbouring rights management society Broadcasters (on-air, cable, satellite) С Р

8 Objects of copyright for which accredited collective copyright management society can issue blanket licences after the 1st of January 2008: Excerpts from dramatico-musical works Musical works with text or without par. 1 of art of Civil Code of RF

9 Objects of copyright for which issuance of blanket licences after the 1st of January 2008 is impossible Objects of copyright for which issuance of blanket licences after the 1st of January 2008 is impossible: 1.Literary works (including computer programs); 2.Dramatic and dramatico-musical works, scenarios); 3.Choreographic works and entertainments in dumb show; 4.Audiovisual works; 5.Works of painting, sculpture, drawing, design, graphic stories, comics and other works of art; 6.Works of decorative and applied and scenographic arts; 7.Works of architecture, town building and landscape art, including in the form of projects, drafts, images and models; 8.Photographic works, to which are assimilated works expressed by a process analogous to photography; 9.Geographical, geological and other maps, plans, sketches and plastic works relating to geography, topography and other sciences. Broadcaster can obtain rights only on the ground “One-off” licences Annotation: “One-off” licence – the licence on behalf of any right holder for one strictly specified object of copyright

10 Who can issue “ONE-OFF” licences after the 1st of January 2008? Collective management organizations operating under written agreement with right holder authorizing to manage the rights. par. 3 of art of CC of RF

11 §2. Cardinal changes in a system of copyrights and neighbouring rights collective management (Performing Rights Societies)

12 System of collecting of “Royalties” for the “Performance Right” before the 1st of January 2008 Р С copyrights neighbouring rights royalties allocation Collecting societies “blanket” licences royalties

13 Система сбора «Роялти» за «Performance Right» в Великобритании Р С copyrights ISWC neighbouring rights ISRC distribution of royalties according to information collecting societies MCPS PRS PPL VPL information about rights is communicated directly or through CatCo licence fee and report of repertoire exploitation licences “BLANKET” And “ONE-OFF” Licences to exploit a repertoire Annotation: ISWC – International Standard Musical Work Code ISRC – International Standard Recording Code CatCO – digital system of accounting and distribution of royalties invented by British Recording Industry (Tracking System) Accumulation of royalties for “Performance Right” in Great Britain is stably increasing

14 New requirements of russian legislator to “Performing Rights Societies” after the 1st of January 2008 It has to be founded in form of non-profit organization Organizational form has to provide a “membership” of copyright and neighbouring rights owners in that organization The ground for authorities of non-profit organization is written agreement with each of owners of copyright and neighbouring rights authorizing to manage the rights

15 Organizational forms of non-profit organizations which are not regarded as “Performing Rights Societies” after the 1st of January 2008 Funds State corporations Private institutions Autonomous non-profit organizations

16 How have reacted some non-profit organizations to new requirements of russian legislator to “Performing Rights Societies” ? They have made a request to the state institutions to keep in suspense statutory provisions of IV part of CC of RF in relation to collective management societies.

17 Situation with state accreditation of “Performing Rights Societies” in Russia It is not ruled out that the state accreditation will not occur in 2008 At best accredited collecting societies will be only in 2009

18 Organizations that consider themselves as “Performing Rights Societies” in a field of neighbouring rights

19 Cut-throat competition between “Performing Rights Societies” in a field of neighbouring rights (performers’ rights and producers’ rights) for the status of “ACCREDITED SOCIETY” and issuance of “BLANKET LICENCES” V.

20 “WEAK” SIDES OF “RUSSIAN PHONOGRAPHIC ASSOCIATION” Organizational form of RPA – Autonomous non-profit organization (does not provide a “membership”) Russian existing legislation does not provide to RPA the real possibility to re-register itself in another acceptable organizational form providing a “membership”

21 “Strong” sides of “Russian Phonographic Association” Was found under the patronage of International Federation of Phonographic Industry (IFPI) Enjoys encouragement of mostly russian members of International Federation of Phonographic Industry (IFPI)

22 “Weak” sides of “ROSP” and “ROUPI” Don’t have the patronage of International Federation of Phonographic Industry (IFPI) Don’t have encouragement of mostly russian members of International Federation of Phonographic Industry (IFPI)

23 “Strong” sides of “ROSP” and “ROUPI” Organizational form of ROSP ROUPI – Non-profit partnership (provide a “membership”)

24 What effect will have a competition between “Performing Rights Societies” in a field of neighbouring rights on players of IPTV market? Ineffective search of owner of neighbouring rights on a certain performance or phonogram Unpredictable increase of documents circulation Unpredictable increase of costs on a neighbouring rights “clearance” Increase the number of proceedings in which will be involved involuntarily the players of IPTV market

25 Your questions you can put to us by mail :