LITERARY TERMS HOW TO SHOW NOT TELL. *Allegory a work in which the characters and events are to be understood as representing other things and symbolically.

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LITERARY TERMS HOW TO SHOW NOT TELL

*Allegory a work in which the characters and events are to be understood as representing other things and symbolically expressing a deeper, often spiritual, moral, or political meaning. Ex. The Lion the Witch and the Wardrobe

*Alliteration is the repetition of initial sounds in neighboring words generally more than 2 words ex. “We wink when widows wince...”

*Allusion is a brief reference to a person, event, or place, real or fictitious, or to a work of art. ex. I am not the type to say, “To infinity and beyond.” Rather, I am an awkward dinosaur or a three-eyed alien.

*Analogy is the comparison of two pairs that have the same relationship. ex. Teachers are the bourgeoisie as students are the proletariat.

Characterization is the method used by a writer to develop a character. o (1) showing the character's appearance o (2) displaying the character's actions o (3) revealing the character's thoughts o (4) letting the character speak o (5) getting the reactions of others.

Conflict is the opposition between or among characters or forces in a literary work that shapes or motivates the action of the plot. Conflict may be internal or external.

*Conflict Cont. (1) Man in conflict with another Man (300, Rocky) (2) Man in conflict in Nature (Titanic) (3) Man in conflict with Self (Fight Club, Beautiful Mind) (4) Man in conflict with Machine (Matrix, Terminator)

Foreshadowing is a literary device in which an author drops subtle hints about plot developments to come later in the story.

*FIGURATIVE LANGUAGE TO DESCRIBE SOMETHING BY COMPARING IT TO SOMETHING ELSE. o Simile o Analogy o Metaphor

*Hyperbole is a deliberate and obvious exaggeration used for effect ex. I called you a billion times and you never picked up! ex. I worked a shift that seemed to last forever.

Imagery is writing or language that evokes one or all of the five senses.

*Irony incongruity between what actually happens and what might be expected to happen. ex. The fireman’s house burnt down.

LITERAL LANGUAGE TO DESCRIBE SOMETHING AS IT IS.

*Metaphor is a comparison of two unlike things using the verb "to be" (am, are, was, were, etc.) instead of using ‘like’ or ‘as’. ex. Her words are butterflies. ex. I am an old abandoned house.

Mood is the atmosphere or state of mind of a work.

*Oxymoron is putting two contradictory words together. ex. Jumbo shrimp

*Paradox is a statement, proposition, or situation that seems to be absurd or contradictory, but in fact is or may be true. ex. ‘Everything begins where it ends.’ ex. ‘The first shall be last.’

*Parody is a piece of writing that deliberately copies another work in order to comment or critique it. ex. Tina Fey parodies Sarah Palin on SNL.

Personification is giving human qualities to inanimate objects. ex. The sun smiled down on us. ex. The gate squawked closed.

Point of View is the perspective on events of the narrator or a particular character in a story. 1st person: __________________________ 2nd person: __________________________ 3rd person: __________________________

Satire is the use of wit, especially irony, sarcasm, and ridicule, to critique politics and society. ex. South Park ex. The Simpsons

Setting is the time and location in which a story takes place.

*Simile is a comparison between two different things using ‘like’ or ‘as’. ex. “You spin a story like a spider spins her web.” - The Format ex. He jumped as if his feet were on fire.

Symbolism is the use of symbols to represent something abstract by something concrete. ex. The color white often symbolizes purity.

Theme is a broad idea in a story, or a message or lesson conveyed by a work. How to find the theme in a work: o 1. Ask yourself, “What is the work about?” ___________ o 2. Ask yourself, “What about __________?” Theme is NEVER just one word. “Love” isn’t a theme / “Love endures all things” is a theme

Tone is the attitude toward the subject and/or toward the audience implied in a literary work.