German Opera
Background No Established Tradition l Singspiel Only (French Opera) Other Important Music Outlets l More open to Experimentation Nationalism l Simple folk-like melodies Plots from history, legend, or fairy tale l Village or Country Life Supernatural l Conflict of Good and Evil Deliverance from sin through suffering, conversion or revelation Increasingly Chromatic Harmony Importance of the Orchestra
Carl Maria von Weber ( ) Education l Michael Haydn Three-Fold Career l Kapellmeister at 17 l Concert Pianist ( ) Composed Concert Works l Opera Director Prague 1813 Dresden 1817 Der Freischütz (1821) l Established German Romantic Opera Systematic Use of Recurrent Themes l Leitmotif Coined by Weber’s biographer/cataloger F. W. Jähns
Richard Wagner ( ) Theatrical Interest by14 Private Music Lessons (Leipzig) 1833 Chorus Master 1834 Began Producing Operas 1836 Married Minna Planer 1839 Paris l Rienzi ( ) l The Flying Dutchman ( ) 1842 Dresden l Tannhäuser ( ) l Lohengrin ( ) 1849 Weimar/Zurich Published Writer ( ) l Art and Revolution l The Artwork of the Future l Opera and Drama l Jewry in Music Began work on the “Ring” l Tristan und Isolde ( ) l Die Meistersinger von Nürnberg ( ) 1866 Minna Dies l Cosima Liszt von Bülow Bayreuth l “Ring” Performed in entirety l Parsifal ( )
Contributions The Verdi of Germany Music only for Dramatic Expression Music Drama l Gesamtkunstwerk Total, Complete, Joint Artwork Inner: Orchestra Outer: Sung Words l Leitmotif Association with a particular person, thing, emotion or idea Accumulates Significance l Infinite Melody Dissolution of Tonality