Copyright and CopyLeft. Art and Ownership 1710: Statute of Anne ‘A bill for the encouragement of learning and for securing the property of copies.

Slides:



Advertisements
Similar presentations
12. Common Errors, a few Puzzles. © O. Nierstrasz P2 — Common Errors, a few Puzzles 12.2 Common Errors, a few Puzzles Sources  Cay Horstmann, Computing.
Advertisements

Creative Commons
Creative Commons: Have your Copyright and Share it Too Chuck Miller Missouri Botanical Garden TDWG 2008 Fremantle October 24, 2008.
Report on the Rio Summit Andrés Guadamuz AHRC Research Centre for Studies in Intellectual Property and Technology Law.
Object-Oriented Reengineering Patterns and Techniques Prof. O. Nierstrasz Prof. S. Ducasse T.
ESE Einführung in Software Engineering N. XXX Prof. O. Nierstrasz Fall Semester 2009.
© Oscar Nierstrasz ST — Smalltalk Basics 2.1 Change sets  Make sure your changes are logged to a new change set.
The Software Composition Group Prof. O. Nierstrasz
13. Summary, Trends, Research. © O. Nierstrasz PS — Summary, Trends, Research Summary, Trends, Research...  Summary: functional, logic and object-oriented.
ESE Einführung in Software Engineering X. CHAPTER Prof. O. Nierstrasz Wintersemester 2005 / 2006.
Metamodeling Seminar X. CHAPTER Prof. O. Nierstrasz Spring Semester 2008.
© Oscar Nierstrasz ST — Smalltalk Basics 2.1 Change sets  Make sure your changes are logged to a new change set.
ESE Einführung in Software Engineering X. CHAPTER Prof. O. Nierstrasz Wintersemester 2005 / 2006.
N. XXX Prof. O. Nierstrasz Thanks to Jens Palsberg and Tony Hosking for their kind permission to reuse and adapt the CS132 and CS502 lecture notes.
12. Summary, Trends, Research. © O. Nierstrasz PS — Summary, Trends, Research Roadmap  Summary: —Trends in programming paradigms  Research:...
© S. Demeyer, S. Ducasse, O. Nierstrasz Chapter.1 MakeMoney Corp. C*O of MakeMoney Corp. Our Vision  We invest in software  We do not know software 
OORPT Object-Oriented Reengineering Patterns and Techniques X. CHAPTER Prof. O. Nierstrasz.
CP — Concurrent Programming X. CHAPTER Prof. O. Nierstrasz Wintersemester 2005 / 2006.
12. eToys. © O. Nierstrasz PS — eToys 12.2 Denotational Semantics Overview:  … References:  …
SWOT Analysis Strengths Weaknesses SWOT Opportunities Threats.
Photo By: Marco Cortesi Altered By: Neeru Paharia Attribution-Noncommercial ShareAlike A.
Collecting Images & Clippings Chapter 2.3 in Sketching User Experiences: The Workbook.
 Copyright is a form of protection given to authors/creators of original works.  This property right can be sold or transferred to others.
STATE UNIVERSITY FOR LIBRARY STUDIES AND INFORMATION TECHNOLOGIES INTELLECTUAL PROPERTY OF INFORMATION RESOURCES ON THE INTERNET. Assist.Prof. Tereza Trencheva.
© Copyright Showeet.com I NSERT YOUR TITLE HERE. © Copyright Showeet.com Insert Your Title Here 2 Master text styles –Second level Third level –Fourth.
Copyright Basics. Intellectual Property Intellectual Property is a unique product or idea created by an individual or organization. Common types of protection.
The Animated Sequence Chapter 5.1 in Sketching User Experiences: The Workbook.
The PHEA Educational Technology Initiative. Project Partners PHEA Foundations – Ford, Carnegie, Kresge, MacArthur South African Institute for Distance.
Copyright for Book Artists Ariadni Athanassiadis Kyma Professional Corporation CBBAG, Ottawa December 11, 2013.
Creative Commons Creative Commons Wanna Work TogetherWanna Work Together Video What is Creative Commons? An alternative to.
Get Creative: Get Connected Tippi Clayborne EDUC 7102 Walden University.
On your piece of paper, write down 5 things you already know about copyright. Then write why you care or don't care about copyright.
© © © All rights reserved © (and then some) © All rights reserved (and then some)
1 OER Sensitization Workshop Open University of Sudan November, 2011 OER Africa Open Educational Resources.
The PHEA Educational Technology Initiative. Project Partners PHEA Foundations – Ford, Carnegie, Kresge, MacArthur South African Institute for Distance.
Win8 on Intel Programming Course Paul Guermonprez Intel Software
What does IP mean for educators? Teaching with technology.
State of the Ward in 2007 Version 1.0 A Fifth Sunday Lesson Given in the Sterling Park Ward, Ashburn, VA Stake by D. Calvin Andrus, Bishop
Design of Everyday Things Part 2: Useful Designs? Lecture /slide deck produced by Saul Greenberg, University of Calgary, Canada Images from:
Creative Commons License Karel Janecka Department of Mathematics, Faculty of applied Sciences University of West Bohemia Pilsen, Czech Republic
The Basics of Copyright Joy Kirchner & Amy Buckland Auburn, ALMay 8, 2015 ACRL Scholarly Communications Roadshow INTELLECTUAL PROPERTY: ©
About the Author A Lifetime of Software Development Started Writing Code at Age 11 Programming Summer Camp at Age 12 Writing Code Ever Since At Age 25,
Institutional Repositories July 2007 Intellectual property management : the DISA experience Dr D Peters DISA: Digital Innovation South Africa.
Overcoming the global knowledge divide Open Access scholarly publications in South Africa and lessons for an Open Access approach to data Eve Gray 27 September.
Open Access and Institutional Repositories. Accra, June 2007 Institutional repositories in SA research institutions: the DISA experience Dr D Peters.
Launching the Dean digitally : the Jonathan Jansen Collection in UPSpace eIFL.net in co-operation with the Research Library Consortium Institutional repositories.
Images of pesticides By: Leslie London, University of Cape Town This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 2.5.
Digital Ecosystems supporting growth and SMEs 1st cluster meeting Results and commitments 1st cluster meeting Results and commitments.
How to Use The Creative Commons Licenses. [formats]
COPYRIGHT TERMS BROADCAST LAW. AUTHOR/ARTIST The creator of a work.
Open Access and Institutional Repositories, 10 July 2007, UKZN, Durban,,South Africa Metadata for institutional repositories: an introduction Pat Liebetrau.
Creative Commons terms and definitions By Chelsey Maton.
June 2013 Copyright, Content Creation and Creative Commons Ian Watson © 2013 Institute for Research and Innovation in Social Services. This work is licensed.
Copyright Uppsala 12/ Katarzyna Płaneta-Björnskär Department of Informatics and Media.
Intellectual Property “The gift that keeps on giving.” Paul Royster, Coordinator of Scholarly Communications University of Nebraska-Lincoln Libraries June.
OverviewCopyright Legal Solution Structural Solution ProjectsAdoption.
Copyright material does not permit reproducing the material, publicly displaying or performing it, or engaging in any of the acts reserved for the copyright.
e-content thoughts on copyright
Sketching Vocabulary Chapter 3.4 in Sketching User Experiences: The Workbook Drawing objects, people, and their activities.
License to Share: Adapting, Developing, and Distributing OER

U. S. Copyright Basics.
CREATIVE COMMONS FOR CULTURAL HERITAGE
Keeping yourself right with copyright
BROADCAST LAW COPYRIGHT TERMS.
FOTW Worksheet Slides Christopher Penn, Financial Aid Podcast Student Loan Network.
BROADCAST LAW COPYRIGHT TERMS.
Creative commons licenses 101
©. © © © All rights reserved © All rights reserved (and then some)
Marion Kelt Copyright and images, or how not to be a pirate!
Presentation transcript:

Copyright and CopyLeft

Art and Ownership

1710: Statute of Anne ‘A bill for the encouragement of learning and for securing the property of copies of books to the rightful owners thereof ’

14 years

copyright patent trademark

Species of Intellectual Property copyright patent trademark automatic protection life + 50 register 20 non renewable register renewable (immortal) ‏

all rights reserved

hardcopy rules in a softcopy world no registration “all rights reserved” is the default setting “orphan” works the point of publishing is to share millions of authors, millions of users are ALL wrong?

Commoditisation Mass production Original/Copy 'Professionalisation' Ownership Contract

Simulacra

Creative Commons

Every Creative Commons licenses allows the world to distribute, display, perform, or webcast a work. In addition one may apply the following conditions: Attribution No Commercial Use No Derivative Works Share Alike

CC licences: 3 layers; Commons Deed Lawyer Readable Licence Machine Readable Licence 3

collaborative culture

some rights reserved

goals of CC pool of collaborative work searchable facilitateeducation creativity sharing

55 million linkbacks May 2006

iCommons 70+ countries 3 years volunteer projects

every Artist is a Cannibal every poet is a thief

bricolage

CAVEAT SUBSCRIPTOR

Surreptitious CheckList Originals? Licence or Derivative Works? Drafts and Preparation? Originals? Proof? Performance?

questions?

Creative Commons Licence This presentation is the work of Andrew Rens, and available under an Attribution Share Alike South African Creative Commons licence 2.5 If you use it you must have my name, this license and a link to For photos see Attribution Page

Creative Commons This page is available in the following languages: български Català Dansk Deutsch English English (CA) English (GB) Castellano Castellano (AR) Español (CL) Castellano (MX) Euskara Suomeksi français français (CA) Galego עברית hrvatski Magyar Italiano 日本語 한국어 Melayu Nederlands polski Português Português (PT) svenska slovenski jezik 简体中文 華語 ( 台灣 ) българскиCatalàDanskDeutschEnglishEnglish (CA)English (GB)CastellanoCastellano (AR)Español (CL)Castellano (MX)Euskara Suomeksifrançaisfrançais (CA)GalegoעבריתhrvatskiMagyarItaliano 日本語 한국어MelayuNederlandspolskiPortuguês (PT)svenskaslovenski jezik 简体中文 華語 ( 台灣 ) Creative Commons License Deed Attribution-ShareAlike 2.5 South Africa You are free: to Share -- to copy, distribute, display, and perform the work to Remix -- to make derivative works Under the following conditions: Attribution. You must attribute the work in the manner specified by the author or licensor. Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Disclaimer Your fair use and other rights are in no way affected by the above. This is a human-readable summary of the Legal Code (the full license).Legal Code (the full license)

Attributions David 2, under Creative Commons Attribution-Noncommercial-No Derivative Works 2.0 Generic, Uploaded on October 27, 2006 by Noah Colvin aka noll, Guttenberg 2 Creative Commons Attribution Non Commerical No Derivatives 2.0 Generic Attribution Andrew Plumb / ClothBot" must link to VinylFetish under Creative Commons Attribution-NonCommercial 2.0 Generic by Thomas Hawk Binary Finary under Creative Commons Attribution NonCommerical Share Alike 2.0 By CloCkWeRX / Daniel O'Connor