1 Professional HDTV& Beyond Image Formats Interfaces Compression.

Slides:



Advertisements
Similar presentations
Exercises and Solutions Lecture 1
Advertisements

OTM 1000.
Computer Networks20-1 Chapter 20. Network Layer: Internet Protocol 20.1 Internetworking 20.2 IPv IPv6.
Why to learn OSI reference Model? The answer is too simple that It tells us that how communication takes place between computers on internet but how??
Analog-to-Digital Converter (ADC) And
Chapter 6 Review.
Q G NETA QG Workshop January 13, Implementing AFD at PBS member station WSIU Terry Harvey WSIU/ Southern Illinois University, Carbondale Illinois.
Motivation Application driven -- VoD, Information on Demand (WWW), education, telemedicine, videoconference, videophone Storage capacity Large capacity.
Transitioning From NTSC to SDI Digital Video Copyright ITS 2013 Sheet Business Center Drive Northridge, CA October 24,2013.
ATM Frame Last Update Copyright 2011 Kenneth M. Chipps Ph.D. 1.
Paper Delivery n I want a Hard Copy... n...but will be ‘happy’ to print it here n If you submit Electronically... u Word Perfect (V9.0 or earlier) u Word.
CCNA 1 v3.1 Module 7 Review. 2 Which of the following has limited the bandwidth of fiber based Ethernet? (Choose three.) emitter technology absolute fiber.
Department of Computer Engineering University of California at Santa Cruz Networking Systems (1) Hai Tao.
SuperPad 3 Full-Function Mobile GIS Software. Overview  SuperPad, full-function mobile GIS software, is designed for field survey and data collection.
SRW File Transfer Featuring SRW-5800 w/HKSR-5804.
Fiber-Optic Communications
Review on Networking Technologies Linda Wu (CMPT )
TDC 461 Basic Communications Systems 8 May, 2001.
Active Components Ron Logan Ramzi Sawires.
A Pixel is a Pixel is a Pixel…
(Very)Basic Video Terminology Not exciting….but good to know.
A 10Gbps SMPTE 292M compatible optical interface July Sony Corporation.
1 Metadata for Formatting with Multiple Aspect Ratios Graham Jones National Association of Broadcasters Chair – SMPTE S22 Image Formatting AHG HPA Technology.
Digital Video An Introduction to the Digital Signal File Formats Acquisition IEEE 1394.
AP900 Automated Programming System System General Corp. Introduction of System General AP900 Desktop Automated Programming System.
Coding techniques for digital cinema Andreja Samčović University of Belgrade Faculty of Transport and Traffic Engineering.
Hollywood Post Alliance Technology Retreat 2013 Ethernet ® AVB and Video.
CS 1308 Computer Literacy and the Internet. Creating Digital Pictures  A traditional photograph is an analog representation of an image.  Digitizing.
Performance Monitoring in Photonic Networks John Drake Chromisys.
1 Image Basics Hao Jiang Computer Science Department Sept. 4, 2014.
THOMSON Broadcast & Media Solutions 1 Digital Cinema Standards Dave Bancroft Thomson Broadcast & Media Solutions IBC 2003 THOMSON Broadcast & Media Solutions.
© Ciena Corporation The Path to 100 G Ethernet Martin Nuss VP & Chief Technologist.
Echo Cancellation Chapter 4. Echo : Echo is the repetition of a signal back to the transmitter; either due to a coupling between the loudspeaker and microphone.
1 University of Canberra Advanced Communications Topics Television Broadcasting into the Digital Era by: Neil Pickford Lecture 2 Digital Video Formats,
© Agilent Technologies Copyright 2000 H7211A+212, Rev. 2.0 Review of WAN Protocol Basics.
HDTV Video and AC-3 Payload Formats Ladan Gharai Allison Mankin USC/ISI.
Chapter 14 Connection-Oriented Networking and ATM
25-Oct-15Network Layer Connecting Devices Networks do not normally operate in isolation.They are connected to one another using connecting devices. The.
Networks. Common Xmit Media Shared Media Networks are a shared communication resource Only one user can access at a time.
MULTIMEDIA INPUT / OUTPUT TECHNOLOGIES
14 MAR 01 © norpak corporation 2001 DTV CAPTION SUMMIT 14 MARCH 01 SESSION ON NEXT STEPS norpak corporation.
Graphics: Conceptual Model Real Object Human Eye Display Device Graphics System Synthetic Model Synthetic Camera Real Light Synthetic Light Source.
Building Products and Production Systems With MXF Bob Edge April 15 th.
Industry workflow:  Scripting: Movie is conceived or written  Production: Where you create your footage, capturing performances using video or film cameras,
Department of Computer and IT Engineering University of Kurdistan
DQDB Network Security.
Data and Computer Communications Eighth Edition by William Stallings Chapter 15 – Local Area Network Overview.
HD-CCTV. What’s a Pixel? Pix-el is a picture element Analog or digital Pictures composed of dots More Dots = better clarity.
2 к DV- порту Digital video  Digital video cameras allow you to shoot movies in digital format directly.  Digital video is a sequence of frames with.
Tutorial 1 Description of a Weather Station using SensorML Alexandre Robin
Quick Overview of Mira  Four independent HD/SD SDI Digital Video I/O Channels 2-Track AES Digital Audio on each video channel 8-Track Embedded Digital.
Or, how to make it all fit! DIGITAL VIDEO FILES AND COMPRESSION STANDARDS.
Chapter 10 Telemetry Downlink
Consultation with CE manufacturers re new DTV technologies
Industrial HiVision Network Management Software Version 7.0
IP Speed Dome Solution 2006-Feb-22.
Network Architecture Layered system with alternative abstractions available at a given layer.
RMON.
DIP 9 65 Original 210 Eye Zoomed.
High Bandwidth Interface for Cameras and Digital Cinema
Network Administration CNET-443
Lec 5 Layers Computer Networks Al-Mustansiryah University
Encapsulation/Decapsulation
OPTICAL PACKET SWITCHING
Overview of Digital Video Standards
University of Canberra Advanced Communications Topics
Network Architecture for Cyberspace
University of Canberra Advanced Communications Topics
Requirements Definition
Lec 11 Data and Signals Computer Networks Al-Mustansiryah University
Presentation transcript:

1 Professional HDTV& Beyond Image Formats Interfaces Compression

2 Professional HDTV& Beyond 1280x 720x50/60 (P) 2048x1566,24/25/30/50/60 (P) 1920x1080x24/25/30/50/60 (I & P) 2048x1080x24/25/30/48/50/60 (P) 3840x2160x24/25/30/50/60 (P) 4096x2160x24/25/30/48/50/60 (P) 7680x 4320x24/25/30/50/60 (P) Pixel Arrays

3 Professional HDTV& Beyond Bit Depth / Sampling Strategy/ Colorimetry Bits- 8/ 10/ 12/ 16 Sampling- 4:4:4:4, 4:2:2, 4:2:0, 4:1:1 R,G,B, Y C B C R, Y U V Colorimetry- ITU-R BT.709, X’Y’Z’, FS (Free Scale Log), R.G.B,

4 Professional HDTV& Beyond 1960 ABCTV Professional HDTV& Beyond Aspect Ratio- HDTV- 16x9 UHDTV- 16x9 SDTV – 16x9 4x3 D-Cinema 1.85x1 2.29x1 Custom

Sony Pre Umatic Professional HDTV& Beyond Image Format Conversions Aspect Ratio Conversions Colorimetry conversion Bit Depth Conversions Frame Rate Conversion

6 Professional HDTV& Beyond 1967 Interfaces All HDTV real time interfaces use the 1>5Gb/s Serial Interface- Typical payload 900Mb/s Error Rate 10e12 Mostly coaxial physical layer

7 Professional HDTV& Beyond- HDSDI EAV SAV Payload label HANC- Audio 16 channels, Timecode, etc VANC, CC, Colorimetry, AFD,Teletext, Station Automation, etc

8 Professional HDTV& Beyond- HDSDI 1.5Gb/s Extensions to 10Gb/s 1920x1080 Transport Up to 8x 1.5 serial links NHK demonstrated a live relay of Super Hi-Vision (UHDV) program over a distance of 260 km by a fiberoptic network. 24 gigabit speed was achieved using DWDM (dense wavelength division multiplex) method with a total of 16 different wavelength signagigabitDWDM

$ $750 Professional HDTV& Beyond- HDSDI Operational issues 1/HANC/ VANC Metadata gets dropped at many interfaces. 2/ No priority rules, Metadata may be stepped on. 3/ Reclocking is a MUST at every interface point.

10 Professional HDTV -Production food chain System router Typically 400x400 Production Switched inputs, 8-12 Buses It is not unusual for there to be up to 4-8trips thru a switcher to add layers of effects.

11 Professional HDTV -American Idol food chain Shoot 1920x1080x60P. 900Mb/s Edit 1920x1080x60i. 10 Bits/4:2:400Mb/s Air Master 1280x720x60P 8 Bits/150Mb/s Shoot 1920x1080x60P. 10 Bits 4:2:2/900Mb/s Network Playback NY Viewers 1280x720P 4:2:0/ 14Mb/s Affiliate/Local1280x 720x60p 4:2:2/8bits/40Mb/s Local Viewers 1280x720x60P4:2:0/8 bits/14 Mb/s

12 Professional HDTV& Beyond- Error Monitoring CRC Monitoring of the Serial Interface SNMP/MIB Monitoring Items Included in Trap Product Index No. Device ID Manufacturer Model Name Destination Serial Number Product Category Product Version Model Name Suffix Product Version Suffix Error Index No. Error Level Error Code Error Description Product ID Information Table Product Index No. Device ID Manufacturer Model Name Destination Serial Number Product Category Product Version Model Name Suffix Product Version Suffix

1.H H JPEG Dirac 5.DV Based 6.Custom-Proprietary 13 Professional HDTV -Compression Engines

H.262- Contribution- 4:2:2/8 bits/40+ Mb/s Distribution-4:2:2/8 Bits/ 40+ Mb/s Emission- 4:2:0/ 8 Bits/ 20Mb/s ENG/SNG- 4:2:0/8 Bits/ 20-30Mb/s 14 Professional HDTV -Compression Engines

H.264- Production 4:4:4/10 Bits/900Mbs 4:2:2/10 bits/400Mb/s 4:2:2/10 Bits/150 Mb/s Contribution- 4:2:2/10bits/40+ Mb/s Distribution-4:2:2/10 Bits/ 40/20+ Mb/s Emission- 4:2:0/ 8/10 Bits/ 12Mb/s ENG/SNG- 4:2:0/10 Bits/ 10Mb/s 15 Professional HDTV -Compression Engines

JPEG D-Cinema DCP 4:4:4/12 bits/ 300+Mb/s Limited Archive 300Mb/s DIRAC- Production 4:2:2/10 Bits/ 900 Mb/s Production 4:2:2/ 10 Bits/150Mb/s DV Eng 4:2:2 8 Bits/ 100Mb/s Custom- From 100Mb/s-300Mb/s, Block based, mostly 8/10 Bits 16 Professional HDTV -Compression Engines

17 Professional HDTV - The Future? 3D Sony Camera UHDTV LCD OLED 3D

Thank You 18