Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY.

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Presentation transcript:

Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY

The Changing Role of the Artist ¬ The artist was an equal in the courts of Europe with scholars, poets, and humanists.

Background ¬ Late Renaissance [Pre-Baroque]. ¬ From the Italian de maneria. ´ A work of art done in the artist’s characteristic “touch” or recognizable “manner.”

Michelangelo’s “Last Judgment” (Sistine Chapel)

Michelangelo’s “Last Judgment” (Sistine Chapel – left side)

Michelangelo’s “Last Judgment” (Sistine Chapel – right side)

1. Replace Harmony With Dissonance & Discord ¬ Twisted bodies or “weight shift” [contrapposto]

2. Replace Reason with Emotion ¬ “Pietà” by Rosso Fiorentino ¬

¬ “Pietà” by El Greco ¬

3. Replace Reality with Imagination ¬ “The Mystic Marriage of St. Catherine” ¬ Parmigianino ¬

¬ “Charity” ¬ Andrea del Sarto ¬ 1518 ¬ An allegory of the French royal family.

4. Create Instability Instead of Equilibrium ¬ “The Rape of Helene” ¬ Francesco Primaticcio ¬

5. Bodies Are Distorted ¬ “Christ in Agony on the Cross” ¬ El Greco ¬ 1600s. ¬ An attempt to express the religious tensions of the times.

¬ “Adoration of the Name of Jesus” ¬ El Greco ¬

¬ “Adoration of the Name of Jesus” (details) ¬ Philip II of Spain ¬ El Greco ¬

¬ “The Baptism of Christ” ¬ El Greco ¬

¬ “Portrait of a Cardinal” ¬ El Greco ¬ 1600

¬ “St. Jerome” by El Greco ¬

6. Colors are Lurid ¬ “The Tempest” ¬ Giorgione ¬ 1510

¬ “The Calling of St. Matthew” ¬ Caravaggio

¬ “The View from Toledo” ¬ El Greco ¬ 1597

7. Pictoral Space is Crowded ¬ “Madonna with the Long Neck” ¬ Parmagianino ¬

¬ “Joseph in Egypt” ¬ Jacomo Pontormo

¬ “The Last Supper” ¬ Tintoretto ¬ 1594

8. A Void in the Center ¬ “Bacchus & Ariadne” ¬ Titian ¬ ? ?

¬ “Pastoral Concert” ¬ Giorgione ¬ ? ?

9. Hanging Figures ¬ “The Annunciation” ¬ Jacopo Tintoretto ¬

¬ “Moses Drawing Water form the Rock” ¬ Jacopo Tintoretto ¬ 1577

Characteristics of Mannerist Architecture ¬ Stylishness in design could be applied to a building as well as to a painting. ¬ Showed extensive knowledge of Roman architectural style. ¬ Complex, out of step style  taking “liberties” with classical architecture. ¬ Architecture, sculpture, and walled gardens were seen as a complex, but not necessary unified whole.

¬ Villa Capra [or Villa Rotunda] ¬ By Andrea Palladio ¬ ¬ “Palladian” architectural style [popular in England]

¬ Entrance to the Villa Farnese at Caprarola ¬ By Giacomo Vignola ¬ 1560