Axmedis Int’l Conference 2005 The role of collecting societies in the digital era Florence 1 December 2005 A.F.I Italian Association of Phonographic Producers.

Slides:



Advertisements
Similar presentations
Rightsrouter and DOI Presentation to IDF Members Meeting 22nd June 2004 Gordon Rintoul - Director of Operations.
Advertisements

Orphan works and the cultural sector. A governmental organisation perspective Rossella Caffo Ministero per i Beni e le Attività Culturali – Italy Coordinator.
Oxford Media Convention 2006 Rights and revenue models: what IP model for public service communications?
Conference xxx - August 2003 Fabrizio Gagliardi EDG Project Leader and EGEE designated Project Director Position paper Delivery of industrial-strength.
Relevance of Copyright & Related Rights for SMEs Copyright industries SMEs as user and/or owner/creator Basics and role of copyright Digital age.
Key Elements of a Rights Management System MODELS 10 1st-2nd November, 1999.
Cultural Content and Digital Heritage Bernard Smith European Commission INFSO/D2.
Artists’ rights management: from SIREX project to DRM Maila Sansaini General Manager IMAIE (Italy) INSTITUTE FOR THE PROTECTION OF PERFORMING ARTISTS’
The European Commission's proposal for a draft directive on the collective management of rights Towards the reform of collective rights management and.
EU initiatives in the digital archive area: achieving the Information Society IASSIST 2001 Concha Fernández de la Puente European Commission.
1 Information Online 2009 Rights management – does copyright still matter in the 21st century? 20 January, 2009 Caroline Morgan General Manager, Corporate.
The Copyright Levies Reform Alliance Formed to push for urgent legislative action to freeze and phase out EU copyright levies.
Neil McKenzie, Dedicon Multimedia training Packages by EUAIN.
1 Electronic Resource Management: copyright and licensing context Dr. Alicia Wise, Publishers Licensing Society.
WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,
Boosting the creative sectors
- Sustaining creative diversity through cultural goods and services - A UNESCO Pilot Project
BROADCASTING INDUSTRY: ROYALTY AND COLLECTING SOCIETIES
General Panorama of Indicators regarding the Contribution of Culture to the Economy Presentation to the V Inter-American Meeting of Ministers of Culture.
Local authorities’ role in implementing European Employment Strategy - case Finland Mr. Lauri Lamminmäki, Senior Adviser Association of Finnish Local and.
Building Capacities for Management of IPRs in Countries in Transition. WIPO Tools. Tbilisi, November 12, 2012 Mr. Michal Svantner, Director, Division for.
1 The Public Awareness of Intellectual Property Rights in Lithuania: experience and future perspectives Media Literacy Conference Prague, 18/20 March 2009.
INTERNATIONAL COOPERATION PUBLIC CONSULTATION FIRST OVERVIEW EXPORTIC 27 March 2008 JF SOUPIZET HEAD OF INTERNATIONAL RELATIONS DG INFSO These view are.
NOIP: Challenges and Strategies IPRTA forum Mexico City, July 9-11, 2008 Pham Phi Anh Deputy Director General National Office of Intellectual Property.
EU budget for culture: consultation on the European Culture Programme Pearle conference Frankfurt – november 2010 Agenda point 10.
Standards and innovation What is a standard? How do standards promote innovation? What is the role of governments and the UN?
The FastTrack network: Overview and Aims Antonio Brunetti Fabrizio Zavagli AXMEDIS –Conference Florence 1 December 2005.
Dimiter Gantchev, Deputy Director, Culture an Creative Industries Sector, WIPO An Intellectual property Based Approach to Surveying the Economic Contribution.
European Commission Competitiveness and Innovation Framework Programme (CIP)
Consolidating the European Library Space Luxembourg November 1999.
Second meeting of the Coordination Committee 29° November Palermo Main issues of the National Research Council CNR is a scientific institution and.
MAKING AVAILABLE RIGHT AS PROVIDED BY RUSSIAN CIVIL LAW State educational institution of higher professional education “Russian academy of justice” Ilya.
JOHN F. SMITH PRESIDENT, INTERNATIONAL FEDERATION OF MUSICIANS (FIM) & GENERAL SECRETARY, BRITISH MUSICIANS’ UNION.
ER-0317/2/99 G R U P O S G A E Connecting People The Collective Business Approach EdReNe December 2007 Paul Sire Knowledge Mng. Sociedad Digital de Autores.
IFRRO Legal Issues Forum Brussels – 9 June 2011 Martin Delaney Legal Director.
EU perspective on occupational health and safety - role and place of unions Károly György Kiev, December December Károly György, MSZOSZ.
1 Automating Production of Cross Media Content for Multichannel Distribution Eng. Ivan Bruno (DSI – Univ. of Florence, Italy) 9 th November,
1 SMEs – a priority for FP6 Barend Verachtert DG Research Unit B3 - Research and SMEs.
IST Automating Production of Cross Media Content for Multi-channel Distribution Paolo Nesi, February AXMEDIS.
| Collaboration at Rural Business Approach.
STATUS OF THE ARTIST John F Smith President, International Federation of Musicians (FIM) General Secretary, British Musicians’ Union ©British Musicians’
How to stimulate development of the mobile service and application market in New Member States especially in a context of SME developers and suppliers?
The industrial relations in the Commerce sector EU Social dialogue: education, training and skill needs Ilaria Savoini Riga, 9 May 2012.
Sociedad Digital de autores y editores Digital Media Project (DMP) Value Chain Functions, Requirements And Architecture Marc Gauvin Requirements.
Bureau for International Research and Technology Cooperation Herlitschka 1 Warsaw FP6 Launch Conference - 26 Nov Small and Medium Enterprises -
China July 2004 The European Union Programmes for EU-China Cooperation in ICT.
Implementing Copyright Collective Management: A Comparison of Malaysia and Thailand Supatchara Distabanjong สุพัชรา ดิษฐบรรจง.
Enterprise Directorate General European Commission Kurt König Head of Unit “Communication and Awareness” Innovation Directorate
Collection of Pan-European Terminology Resources through Cooperation of Terminology Institutions EUROTERMBANK Andrejs Vasiļjevs, Tilde, Latvia.
Media Industry Structure: Oligopoly The “few” selling to the many: Dominant firm oligopoly: One firm holds 50-90% of the market Tight oligopoly: Four firms.
Cultural Heritage, Copyright and Code: Europeana Space as a case study Professor Charlotte Waelde University of Exeter.
1 Framework Programme 7 Overview. 2 The Programmes within FP7 IDEAS European Research Counsel ERC PEOPLE Marie Curie Measures Initial Training Life-long.
Accessible and Inclusive ICT European Commission, DG Information Society and Media ICT for Inclusion Unit (H3) Challenge 7 ICT Call 2 Information day Brussels,
2001 Copyright Amendment Bill Presentation by: 10 October 2001 to The Southern African Music Rights Organisation The Parliamentary Trade and Industry Portfolio.
Artec new media literacy Frank Boyd arts technology centre BBC future development
A Comment on the Exceptions and Limitations in Copyright Law for Educational Purposes Prashant Reddy T.
Project Manager – MCESD Project Partner - MEUSAC “ Closer to Europe ” Operational Programme 2 Cohesion Policy Empowering People for More Jobs.
ERASMUS PROGRAMME- INTELLECTUAL PROEPRTY LAW COPYRIGHT LAW – NEIGHBOURING RIGHTS, OTHER RELATED RIGHTS AND COLLECTIVE MANAGEMENT JUDr. Pavel Tůma, LL.M.
Free Energy Market Association (ASEP) Who we are? Non – governmental, non-profit organization registered in 2014 Founded by electricity traders and open.
©Ofcom REGULATING THE MEDIA: WHAT ROLE FOR THE EU? European Parliament 17 October 2006 Chris Banatvala Director of Standards Ofcom.
Section 3- Service Companies and Agencies
NatRisk WP-6: Dissemination
MANAGEMENT OF RIGHTS IN MUSICAL WORKS - HOW TO BUILD IT FROM BOTTOM UP
IPR’s: new challenges and opportunities
The Value Gap and the new EU Copyright Directive proposal Xenia Iwaszko, LLM Director of International Trade, IFPI Ciudad de México, 13 de Noviembre.
The Strategic Content Alliance
Perspective of an International Research Center
2003 eEurope Awards for General Information Christine Leitner
AXMEDIS Conference Florence, 1 December 2005.
Apprenticeship Overview
Presentation transcript:

Axmedis Int’l Conference 2005 The role of collecting societies in the digital era Florence 1 December 2005 A.F.I Italian Association of Phonographic Producers

2 Axmedis Int’l Conference 2005 AFI Italian Association of Phonographic Proeucers Founded in 1948, A.F.I is a non-profit association representing almost 170 SMEs of producers of music contents AFI collects and distributes to its members incomes of neighbouring rights (use of recorded music in public performances, TV and radio broadcasting and new interactive multimedia channels) AFI is the founding member of EMCA - European Music Copyright Alliance - involving European collecting societies with the aim of promoting in junior schools awareness campaigns on the “Respect of Creativity” Association of SMEs of Music content owners Collecting Society of their neighboring rights

3 Axmedis Int’l Conference 2005 AFI role in AXMEDIS Analysis of IP and legal issues European legal framework - IPR management issues Analysis of standard contracts Contractual provisions and terms to be considered for their formalization into licensing models Provider of music content Digital music contents for testing and validating the AXMEDIS tools and for the demonstration phase Involvement of SMEs Support training and dissemination activities specifically targeted to SMEs of music industry

4 Axmedis Int’l Conference 2005 AFI interests in AXMEDIS Axmedis impact on AFI members (content owners) Axmedis represents a unique occasion for AFI members and for SMEs of content owners to significantly enhance their competitiveness and market opportunities enabling them to exploit on a global scale their music content in a legal environment Axmedis impact on AFI institutional role (collecting society) Stimulate the innovation in rights management process (.i.e. digital music licensing, reciprocal agreement etc) and contribute to the harmonization of the EU legal framework on collective management

5 Axmedis Int’l Conference 2005 CMS act as representative of right holders on whose behalf they manage various type of rights CMS role in the digital era is becoming much more crucial AFI Panel: the role of collecting societies in the digital era DRM systems cannot assume CMS functions CMS role is far broader that collection and distribution of royalties….. Individual rights management can lock out of the market SMEs of record companies, publishers and artists

6 Axmedis Int’l Conference 2005 DRMs are not an alternative to CMS but will facilitate and enhance the management, administration and enforcement of the rights that CMS represent. AXMEDIS supports the interaction between the proposed DRM systems and CMS tools or networks. CMS are themselves active in developing DRM components and in participating in international fora ( i.e. MPEG 21) AFI Panel: the role of collecting societies in the digital era

7 Axmedis Int’l Conference 2005 Marc Gauvin, SDAE International Relations - Spain DRM approach from the Authors' Collecting Societies Maila Sansaini General Manager IMAIE - Italy Artists rights management: from SIREX project to the DRM Dominic McGonigal Director, Government Relations PPL - UK Producers rights collective management perspective Antonio Brunetti Director of Information System Dep. SIAE – Italy The FastTrack network : overview and aims AFI Panel: the role of collecting societies in the digital era