Bee Technologies Inc. 20AUG2012 1.  Equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which the human.

Slides:



Advertisements
Similar presentations
SOUND PRESSURE, POWER AND LOUDNESS MUSICAL ACOUSTICS Science of Sound Chapter 6.
Advertisements

Chapter 12 Sound. What is sound? Sound is a compressional wave which travels through the air through a series of compressions and rarefactions.
WEEK 11 Revision class 1. Assignment Two – 20% Sound Measurements and Observations Due: Week 11 via electronic submission Weighting: 30% Learning.
SWE 423: Multimedia Systems Chapter 3: Audio Technology (1)
Structure of human ear Understanding the processes of human auditory system are key for posting requirements for architectural acoustics. This gives us.
Digital audio recording Kimmo Tukiainen. My background playing music since I was five first time in a studio at fourteen recording on my own for six months.
Chapter 16: Sound 16-3 Intensity of Sound: Decibels
SUBJECTIVE ATTRIBUTES OF SOUND Acoustics of Concert Halls and Rooms Science of Sound, Chapters 5,6,7 Loudness, Timbre.
1© Manhattan Press (H.K.) Ltd. Loudness, pitch and quality Intensity level and loudness Intensity level and loudness 11.2 Properties of sound.
The maximum current flows when |X C |
CSc 461/561 CSc 461/561 Multimedia Systems Part A: 1. Audio.
Signal processing and Audio storage Equalization Effect processors Recording and playback.
ANSI Overview Hearing Aid Testing and Verification What is ANSI?
C H A P T E R 1 Signals and Amplifiers Microelectronic Circuits, Sixth Edition Sedra/Smith Copyright © 2010 by Oxford University Press, Inc. Figure P1.14.
Acoustics Seminary 3. Problem 3.1 Getting acquainted with Fletcher curves The 10 kHz sinusoidal signal of a wave generator is connected to a loudspeaker.
1 Live Sound Reinforcement Audio measurements. 2 Live Sound Reinforcement One of the most common terms you will come across when handling any type of.
© 2010 Pearson Education, Inc. Conceptual Physics 11 th Edition Chapter 21: MUSICAL SOUNDS Noise and Music Musical Sounds Pitch Sound Intensity and Loudness.
Decibel Gain Power Gain The power gain G of an amplifier is the ratio of output power to the input power If the output power is 15W and input power is.
Introduction to Sound Sounds are vibrations that travel though the air or some other medium A sound wave is an audible vibration that travels through.
Modernising Children’s Hearing Aid Services Sound Field Testing MCHAS TEAM Wave 4 SFR 17/05/04.
Tone Control (Filters).
Figures for Chapter 6 Compression
Acoustics/Psychoacoustics Huber Ch. 2 Sound and Hearing.
Dynamic Range and Dynamic Range Processors
COSC 1P02 Introduction to Computer Science 4.1 Cosc 1P02 Week 4 Lecture slides “Programs are meant to be read by humans and only incidentally for computers.
Rumsey Chapter 16 Day 3. Overview  Stereo = 2.0 (two discreet channels)  THREE-DIMENSIONAL, even though only two channels  Stereo listening is affected.
Introduction to SOUND.
Physics Acoustics for Musicians
Sound Vibration and Motion.
Sound in everyday life Pitch: related to frequency. Audible range: about 20 Hz to 20,000 Hz; Ultrasound: above 20,000 Hz; Infrasound: below 20 Hz Loudness:
1 Loudness and Pitch Be sure to complete the loudness and pitch interactive tutorial at … chophysics/pitch/loudnesspitch.html.
Sound and Intensity Transverse vs. Longitudinal Waves Sound Frequency
Chapter 7: Loudness and Pitch. Loudness (1) Auditory Sensitivity: Minimum audible pressure (MAP) and Minimum audible field (MAF) Equal loudness contours.
Submitted By: Santosh Kumar Yadav (111432) M.E. Modular(2011) Under the Supervision of: Mrs. Shano Solanki Assistant Professor, C.S.E NITTTR, Chandigarh.
The human auditory system
SOUND PRESSURE, POWER AND LOUDNESS MUSICAL ACOUSTICS Science of Sound Chapter 6.
Sound Pressure, Power, and Intensity Chapter 6. Sound Pressure/Power/Intensity All three terms describe physical sensations. All three are perceived on.
Applied Psychoacoustics Lecture 2: Basic Measurement Methods, Signal Detection Theory Jonas Braasch.
Loudness level (phon) An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a.
Audio Systems. Introduction Audio systems are designed to give an output frequency within the audible range for a human being (20 Hz to 20KHz). Below.
1) depends on the speed of sound in the pipe 2) you hear the same frequency 3) you hear a higher frequency 4) you hear a lower frequency You blow into.
1 Hearing Sound is created by vibrations from a source and is transmitted through a media (such as the atmosphere) to the ear. Sound has two main attributes:
Sound “A sound man…”. Frequency The frequency of a sound wave is perceived as the pitch (note) –High frequency → high pitch → high note –“Middle C” has.
1/27/2016Tech I Lighting Unit1 Sound: Properties and Functions Technical Theatre I.
AUDIOMETRY An Audiometer is a machine, which is used to determine the hearing loss in an individual.
Multimedia Sound. What is Sound? Sound, sound wave, acoustics Sound is a continuous wave that travels through a medium Sound wave: energy causes disturbance.
Chapter 16: Sound 16-1 Characteristics of Sound 16-3 Intensity of Sound: Decibels 16-4 Sources of Sound: Vibrating Strings and Air Columns.
Digital Audio I. Acknowledgement Some part of this lecture note has been taken from multimedia course made by Asst.Prof.Dr. William Bares and from Paul.
SOUND PRESSURE, POWER AND LOUDNESS
Copyright © 2005 Heathkit Company, Inc. All Rights Reserved Automating and Integrating Residential Systems Presentation 4 – Control of Entertainment Equipment.
SOUND FUNDAMENTALS Prepared by:SHUBHAM UMAKANT GUPTA En no
SPATIAL HEARING Ability to locate the direction of a sound. Ability to locate the direction of a sound. Localization: In free field Localization: In free.
© 2015, Cornell Bioacoustics Research Program Are Raven’s dB measurements SPL? By default, Raven’s dB measurements are relative to an arbitrary reference.
Auditory demonstration : sound level and frequency Yang-Hann Kim.
Loudness level (phon) An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a.
Loudness level (phon) An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a.
Loudness level (phon) An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a.
Signal Detection and How to Build an Audio Amplifier
Introduction to Digital Audio
"Digital Media Primer" Yue-Ling Wong, Copyright (c)2013 by Pearson Education, Inc. All rights reserved.
EE Audio Signals and Systems
Introduction to Digital Audio
Introduction to Digital Audio
Sound Intensity = Power / Area (Watts / Meter2)
Introduction to Digital Audio
Fundamentals of Sensation and Perception
Fundamentals of Sensation and Perception
Musical Notes and Sine Waves
Introduction to Digital Audio
Recap In previous lessons we have looked at how numbers can be stored as binary. We have also seen how images are stored as binary. This lesson we are.
Presentation transcript:

Bee Technologies Inc. 20AUG2012 1

 Equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which the human ear perceive the same loudness when presented with pure steady tones (unit is the phon). For more info... Loudness level (phon) Contours of equal loudness (from the Radiotron Designers Handbook). 2

 A loudness control is used as an attempt to restore extreme low and high frequencies. As the sound level decreases, the ear becomes less sensitive to both extreme low and high frequencies. Thus, when listening at reduced levels, if the frequency response of your system is maintained flat, you will not hear those extremes as well. A loudness control and its frequency response (example) 3

Frequency response of the loudness control (simulation) is compared to the equal-loudness contour. 4

LOUDNESS CONTROLFLAT VOLUME The High-Pass circuit is disconnected, the Low-Pass circuit is short to ground 5

LOUDNESS CONTROL RESPONSEFLAT VOLUME RESPONSE 6

Loudness Control with.WAV input and output Simulation result: input and output signal Low to high swept audible signal (Input) -30 dB level down with the loudness control (Output) 7

Flat Volume with.WAV input and output Simulation result: input and output signal Low to high swept audible signal (Input) -30 dB level down with the flat volume (Output) 8

An input file Output files created by LTSpice 9

Using audio signal (WAVE file) as an input voltage for LTSpice could be done by replace the voltage expression of the voltage source with a WAVE-file expression: wavefile=“ file location " chan=0 (as seen in the example below) “ chan ” refers to the respective channel in the WAVE file used for the simulation, can be a number between 1 and  although usually channel 0 refer to the left channel and channel 1 refers to the right channel A loudness control and its frequency response (example) 10

Exporting an output signal as an audio signal (WAVE file) could be done by adding SPICE directive as:. wave=“ file location " Output (as seen in the example below) “ 16 ” refers to the bitrate, is the sampling frequency and Output is referring to a label in circuit. A loudness control and its frequency response (example) 11

Loudness Control with music01.WAV input and output Simulation result: input and output signal music01.wav audio signal (Input) -30 dB level down with the loudness control (Output) 12

Low to high swept audible signal (Input) -30 dB level down with the flat volume (Output) Flat Volume with music01.WAV input and output Simulation result: input and output signal 13

An input file Output files created by LTSpice 14

15