Sculpture Casting Unit

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Presentation transcript:

Sculpture Casting Unit People have been making sculptures as far back as we know. We are going to look at a very brief timeline of sculptures and how they were influenced by their society. Also, while looking at these images, I want you to think about how art and specifically sculptures can be seen as a visual record of cultural, political, scientific and religious history. At the end, I am going to ask for some reasons why you think that they could be considered visual records of history. Throughout time artists have had a major influence coming from the society in which they live. Because of this, when looking at different works of art and sculptures, they almost take on the role of being a visual record of cultural, political, scientific, and religious history.

George Segal George Segal was born and grew up in the Bronx in November 1924. He realized that he wanted to be an artist when he was in grammar school. For the most part he started off painting and sculpting. While teaching, one of his student’s who was the wife of a chemist at the nearby Johnson and Johnson Laboratories, brought some recently perfected medical bandages to one of his classes. This discovery propelled Segal into the phase of his career that has brought him world fame. At that moment, George Segal became a sculptor, at first he was a painter who did some sculptures, now it was the opposite. These cast sculptures started off lacking detail but gradually started to become more concerned with replicating reality.

George Segal is a sculptor who mainly works with the casting of bodies and objects. Casting is a method of reproducing a three dimensional object by pouring a hardening liquid into a mold bearing it’s best impression. In the past most casting was done with bronze, but there are also many other materials that you can cast with. All castings require a mold, a release agent, and casting material. For Segal’s work, he uses a real person for his mold, Nivea cream for the release agent, and Johnson and Johnson medical bandages that are treated with plaster. To cast his “objects”, he does it one section at a time and just wets the pretreated bandages and wraps the object or person. When finished, he cuts them out of it and uses the same pretreated bandages to reconnect the seems.

Here he is reconnecting the parts to make the whole body

Stadtisches Museum Abteiberg Monchengladbach, West Germany Man at a Table 1961 Plaster, wood and glass 53 x 48 x 48in Stadtisches Museum Abteiberg Monchengladbach, West Germany This was the first casted body that Segal had done. This is actually a cast form of himself, he wrapped himself in the bandages and had his wife apply the plaster. He said that it was extreemly hard to remove the dried plaster and reconnect the pieces together.

Plaster, wood, chrome, Formica, Masonite, and fluorescent light The Diner 1964-66 Plaster, wood, chrome, Formica, Masonite, and fluorescent light 102 x 108 x 87 in Walker Art Center, Minneapolis

Painted plaster and painted wood 96 x 95 x 52 in Street Meeting 1977 Painted plaster and painted wood 96 x 95 x 52 in Bruce and Judith Eissner

Portrait of Meyer Schapiro 1977 Painted plaster 37 7/8 x 26 x 12 in The Metropolitan Museum of Art, New York

Dancers 72 x 144 1971-73 Plaster

Woman on White Wicker Rocker 1989 Bronze with Whte patina 42 x 33

Mark Jenkins Tape castor

Babies 2006

Skull 2006

Embed Street Installations Date: 6/06 Location: DC

Date: 6/20/05 Location: Fairfax, VA Nature Installations Date: 6/20/05 Location: Fairfax, VA

Cling wrap 53x14x14 in. Packing Tape 2005

Street Installations Date: 2/06 Baltimore, MD

Date: 10/1/06 Location: Fairfax, VA Nature Installations Date: 10/1/06 Location: Fairfax, VA

Date: 6/20/05 Location: Fairfax, VA Nature Installations Date: 6/20/05 Location: Fairfax, VA

  Shoes to Fill 9x12x42 in. Tape 2003

New Kids Height 41in. (each) Packing Tape 2005

Street Installations Date: 4/06 Washington, DC

Date: 8/05 Location: 16th St, DC Street Installations Date: 8/05 Location: 16th St, DC

Street Installations Date: 6/05 Location: 16th, DC

References segalfoundation.org witcombe.sbc.edu/.../images/willendorf-large.jpg http://www.artlex.com/ArtLex/s/stoneage.html http://www.metmuseum.org/toah/ho/05/wai/hob_65.126.htm ist-socrates.berkeley.edu/.../tetrarchs.jpg http://www.metmuseum.org/toah/hd/loui/hob_1999.208.htm www.andriaroberto.com/D.htm http://www.bc.edu/bc_org/avp/cas/fnart/art/degas_sculp.html http://www.corrosion-doctors.org/Landmarks/statue-history.htm http://library.thinkquest.org/20619/Sthist.html http://www.statueofliberty.org/Statue_History.html http://www.nga.gov/exhibitions/2001/moore/fig06.htm http://www.henry-moore.ac.uk/matrix_engine/content.php?page_id=31 segalfoundation.org http://www.xmarkjenkinsx.com http://www.oldenburgvanbruggen.com/cocosbon.htm

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