Opening Sequence Exercise: What the audience understands from these different shots 1SJ 2009 HOW DIRECTORS CREATE MEANING.

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Presentation transcript:

Opening Sequence Exercise: What the audience understands from these different shots 1SJ 2009 HOW DIRECTORS CREATE MEANING

SFX – Plane engine noise 2SJ 2009

Plane landing – orange tone SJ

Hand grips armrest & shows wedding ring SJ

Slow pan up to passenger & into a ‘2 shot’ SJ

Reverse shot – CU on Bruce Willis SJ

Passenger continues advice SJ

Reverse shot again - CU SJ

Wide shot of cabin SJ

CU through Willis’ jacket – Passenger sees something SJ

Insert (reverse & POV shot) SJ

CU – Passenger’s eyes travel up to meet Willis’ SJ

Reverse low angle from passenger’s POV SJ

CU – Reaction to Willis’: ‘Trust me, I’m a cop’ 14SJ 2009

Reverse POV shot – ‘...I’ve been doin’ it for 11 years’ 15SJ 2009

MCU – Willis removes teddy SJ

Reframes showing female attendant SJ

Over Willis’ shoulder showing her eyes meet Willis’s... 18SJ 2009

CU Willis passes her 19SJ 2009

‘DIE’ & ‘HARD’ travel from either side of screen. Music changes SJ

LS – Willis lights cig & walks to camera SJ

Takagi, emerges from office. Music changes to string orchestra SJ

He greets employees 23SJ 2009

He moves to balcony 24SJ 2009

Holly Gennero McClane leaves 25SJ 2009

Steadicam shot – tracking behind her SJ

Harry Ellis talks to her... 27SJ 2009

...the ‘chat up’ continues... 28SJ 2009

...he’s still trying hard 29SJ 2009

LS of Holly’s office 30SJ 2009

She sits at her desk & swivels away from Harry & camera SJ

MLS – Kitchen at McLane house SJ

Lucy answers the phone 33SJ 2009

Slow track of Holly’s back – revealing family photos SJ

Closer shot of Lucy on phone SJ

MCU of Holly continuing phone call SJ

MCU on Paulina (housekeeper) SJ

Closer shot on Holly SJ

CU on Paulina SJ

CU on Holly zooms into photo frame SJ

Holly pulls photo forcefully down. SJ