Cara Dunhill
Started at 3 years old 1987, switched to a large format camera Heavy equipment = Able to focus more Started with landscapes, slowly decreasing size of focus Showing at nationally recognized art festivals
Published: “Black and White Magazine” “View Camera” “Two Monographs “ “Qualities of Light” “The Essence of Form” Shoots in all black and white Focus more on shapes, textures lighting Mostly nature, landscapes, architecture
Chris Honeysett Contrast Placement Repetition of vertical lines Texture Focusing Subject
Chris Honeysett Subject Shadows Contrast Background Solid vs. Grated More simple
Chris Honeysett Subject Placement Reflection Background Clouds
Chris Honeysett Focusing Subject Dark vs. Light Lighting Lines Slope Placement Simplicity
Chris Honeysett Composition Placement Simplicity Waves - Uniform Boat Color
Chris Honeysett Subject Crop Receding Contrast Background
Chris Honeysett Subject Mirror Composition Lighting Type of car Simplicity vs. not
Chris Honeysett Contrast Snow Angular vs. Round Shadows Repetition Receding Illusion Depth
Chris Honeysett Round Uniform Space Subject Lighting Contrast
Chris Honeysett Color Lighting Simplicity Texture Flat vs. Curved Lines
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