Lesson 3: Versions 2 and 3 of Rag Desh

Slides:

Advertisements

Similar presentations

Musical Terms Instead of the usual handheld flashcards, I projected these from my computer. Easier to use, always stayed nice, and all students could see.

Advertisements

Music Education IN POLISH SCHOOL based on contemporary methods of music education.

Music: Third, Fourth, and Fifth Grades. Who teaches 3 rd, 4 th, and 5th Grade Music at GW Elementary School? Ms. Gruber-general music / Mr. Mastalinski-general.

Music GCSE Set Works And the glory Symphony No. 40 The Raindrop Prelude Peripetie Something’s Coming Electric Counterpoint All Blues Grace Why does my.

Music is what feelings sound like. ~Author Unknown

NATIONAL 5 PRELIM REVISION

Indian Music A long history, over 2000 years Closely linked to Hinduism and religious beliefs Hindu Gods are worshiped through Raga, both instrumental.

Chapter Seven Instrumental Melody.

Chapter 13 Other Classical Genres Global Perspectives: Musical Form.

Melody: The rag is the melody on which the music is improvised. Like a western scale it ascends and descends. Unlike a western scale the number of notes.

World Music Spider Charts. Indian Music Harmony Drone TimbreHarmonium (keyboard) Tambura (string) Sitar (string) Tabla (Drum) Melody Raga (Scale) Improvisation.

Rag Desh Indian Music Rag Desh. A Rag Desh is... A scale from the North Indian classical music system.

Odin Tito.  There are two main sub genres of Indian music, Hindustani and Carnatic.  These are the two classical music of India  Hindustani music is.

INDIA PART 2.  Define terms:  Sam: the point where the instrumentalist and the table player meet together at the end of the phrase (and also the beginning.

Rag Desh Area of Study 4.

South Asia Music with a Spiritual Dimension India (North & South) Pakistan © Taylor & Francis.

Scottish Music Revision. Scottish Dances  March  Reel  Strathspey  Waltz  Jig.

Version 3: Benjy Wertheimer (esraj and tabla) and Steve Gorn (bansuri)

In the study of this set work you will learn about: the importance of improvising music as part of the oral tradition the rag as a form of Indian melody.

Remember Music by Marian Ingoldsby Poem by Christina Rosetti Copyright PDST and Anne Barry.

Lesson 2: Rag Desh Version 1: Anoushka Shankar

Musical Terms Mrs. Keating.

MUSIC OF INDIA.

Area of Study 4 Indian Raga!.

Indian Music Instruments.

Classical Music of India Musical traditions date back over 3,000 years –Hindustani: secular, court music from Northern India (including Pakistan) –Karnatak:

Music by Music by THE BEATLES Tabla Sitar Tambura Sitar begins with a brief introduction of the notes of the raga -like scale in unmeasured time.

The Band  Tim McIlrath  Joe Principe  Zach Blair  Brandon Barnes.

North Indian Classical Music Like Chinese music Indian Classical music has a long-established tradition going back hundreds of years Like Chinese music.

WALT – to identify the key musical features of three different recordings of the Rag Desh. WILF – good understanding of what each key feature is about.

RAG DESH AOS 4   You have to listen to 3 different versions of this RAGA. Here are the basic facts about each.

A year 1 musicianA year 2 musicianA year 3 musician I can use my voice to speak, sing and chant. I can use instruments to perform. I can clap short rhythmic.

The Elements of Music.

Yiri Analysis. Overview In the set work there are 3 clear strands or ideas. 1. The balaphone ostinati. (When layered together form a complex polyphonic.

Music of Asia China, Japan, and India.

INDIAN RAGA Music of India. ABOUT INDIA INDIA THREE COMPONENTS  The melody – made up on the spot using notes of a particular rag (similar to a scale.

Musical Terms Mrs. Keating Fine Arts 9. Rhythm Beat is like your pulse! Your heart keeps the beat for the rest for your body! Beat is like your pulse!

MUL Terminology Quiz Quizzes will be returned at end of class. Patience…..

Hindustani : Indian Classical Music. Hindustani music comes from Northern India Southern India has a different tradition, called Carnatic music.

Musical Instruments of India Indian music has countless musical instruments including those used in classical, folk and tribal music. A. Indian Stringed.

Understanding Primary Music Session 2: Listening and responding to music Teaching singing.

What makes a song…?.

AFRICAN MUSIC Area of Study 4. Learning Objectives  By the end of the lesson you will be able to:  Understand the structure of the Yiri  Have a broader.

Area of Study 4. Indian Music Has a long history of over 2,000 years Closely linked to Hinduism and religious philosophy. Hindu Gods are worshipped through.

RAG DESH AOS 4   You have to listen to 3 different versions of this RAGA. Here are the basic facts about each.

GCSE MUSIC MOCK EXAM Steps to success. This exam is a LISTENING EXAM However success in this paper ( 40% of the total grade) depends on:- Sound revision.

AOS 4 RAG DESH Know your instruments!

Indian Classical Performance

GCSE Music Revision 2014 Area of Study 4: Rag Desh.

Roles of the Performers Veena (south) or Sitar (north) – leader/soloist Tambura – drone (primary pitches) Tabla (north) or Mridangam (south) – rhythm and.

The Music of India Brief History of Indian Music Oldest surviving form of music is Vedic chant Hinduism was dominant religion until 13th C. Music.

HINDUSTANI CLASSICAL MUSIC. Hindustani Classical Music – What is it? One of the two main traditions in Indian traditional / classical music Hindustani.

JAZZ – AOS2 – SHARED MUSIC L.O - To understand the musical features found in Jazz music. To be able to learn and use the correct musical vocabulary.

 L.O – To understand the musical features found in Indian Classical music.  To be able to learn and use the correct musical vocabulary in a listening.

1. Where is this music from? 2. What instruments can you hear? 3. Does the music sound like it is in a major or minor key? 4. Does the music change key?

Indian Music. What is a Rag? Rag- singular Raga- Plural Rag is not a melody or scale, or key, but a combination of all three. Each rag has – an ascending.

Indian Classical Music

Indian Classical Music – AOS2 L.O – to understand the musical characteristics of Indian Classical music.

 Rag Desh 1  Sitar  Drums  Rag Desh 2  Voice  Sarangi  Sarod  Various drums  Rag Desh 3a  Bansuri  Esraj  Tambura  Drums.

Rag Desh Aos 4.

Rag Bhairav 2 Texture and Melody.

INDIAN MUSIC BY LAURA.

Indian Music By florrie.

National Curriculum Requirements of Music at Key Stage 1

Weaving Music Knowledge, Skills and Understanding into the new National Curriculum Key Stage 1: Music Forest Academy.

Esperanza Spalding – ‘Samba Em Preludio’

Presentation transcript:

Lesson 3: Versions 2 and 3 of Rag Desh AOS:4 Indian Music Lesson 3: Versions 2 and 3 of Rag Desh

STARTER ACTIVITY – Matching terms and definitions Match each of the Indian Music key terms on the left with its correct definition (or definitions!) from the right. Write the correct letter in the answer column. Discuss answers

Learning objectives Grade E (working towards) All Pupils : Learning Outcomes Grade E (working towards) All Pupils : Know the meanings of the terms Grade C (working at) Most Pupils Identify some musical features from set work in a listening task Show some awareness of the differences in performance between different performances of Rag Desh Grade A (working beyond/GAT) Some Pupils : Answer most questions correctly in a listening task from set work Learning objectives Revise terminology Analyse versions 2 and 3 of Rag Desh, in terms of musical features and the elements of music. To answer a GCSE-style “Section A” listening question based on Rag Desh

Recap of Rag Desh: Quick fire questions When is this Rag normally played? What does Rag Desh mean? What is the word for “mood”? What are the moods expresses by this Rag? What is the meaning of “thumri”? What is rasa? What is meend? What is tan?

What is the Structure of a raga performance Section 1- Section 2- Section 3- Section 4- Slow - Free time (no pulse or rhythm Exploring the notes of the rag asc & desc Improvised -Ornamentation SITAR & TAMBURA Alap Improvised music becomes more rhythmic Music becomes more elaborate Tempo increases - sense of pulse SITAR & TAMBURA Jhor High point in piece - Gradually gets faster and faster Virtuoso display using advanced playing techniques SITAR & TAMBURA Jhalla Gat Fixed composition - Moderate to fast Tabla enters, introduces the rhythmic cycle- tala SITAR,TAMBURA & TABLA Bandish if it’s a Song

Recap: Notes used in Rag desh The notes used in rag desh are based on the Indian system known as sargam in which the notes are named: Sa Re Ga Ma Pa Dha Ni Sa The tonic note is C (Sa) and this forms the principal drone note. The notes in Rag Desh are: C D F G B C Bb A G F E D C Sa Re Ma Pa Ni Sa Ni Dha Pa Ma Ga Re Sa 5 notes in ascending part: pentatonic

Version 2: Mhara janam maran performed by Chiranji Tanwar (voice) Instruments: voice, sarangi, pakhawaj, cymbals and tabla The Pakhavaj, also called Mardal, Pakhawaj, Pakuaj, Pakhvaj, Pakavaj or Mardala, is an Indian barrel-shaped, two-headed drum, the North Indian equivalent to the Southern mridangam. It is the standard percussion instrument and is widely used as an accompaniment for various forms of music and dance performances. The pakhavaj has a low, mellow tone, very rich in harmonics.

Version 2 : Mhara janam maran This song is a Hindu devotional song from Rajasthan and is known as a bhajan. The song tells of tender waiting in longing anticipation of the arrival of Lord Krishna in the morning. The words in translation from the Hindu are: You are my companion through life and death and I cannot forget you night and day. My heart pines for you and I feel totally restless when I am not able to see you. Structure: Two movements- alap, bhajan (song) Lord Krishna

Version 2 : Mhara janam maran Keherwa tal (eight beats): (2 + 2 + 2 + 2) 1 2 3 4 5 6 7 8 Clap clap wave clap

Listening and Understanding Version 2: Mhara janam maran performed by Chiranji Tanwar (voice) Watch the video of V2 and annotate your score or make notes in your green book http://www.youtube.com/watch?v=ZBDr5Rpqm0Q&feature=related

Version 2: Mhara janam maran Features Time Section Features 0.00 – 0.50 Alap Short introduction as the sarod player, then the singer, vocalises a melody in free time based on the notes of the rag. This is a version of the chorus from the song. 0.50- end Bhajan Fixed composition- song in verse form. The tabla joins in at 0.50. Short sarod solo at 1.10. Short sarangi solo at 1.22. The dynamics and tempo increase and the music becomes fast and exciting. The pattern established is a verse (heard at 1.32/3.04 and 4.50) followed by the first line used as a refrain (chorus), followed by more solos for sarod and sarangai.