Figure 2.13. Example of a later painting being influenced by an earlier one. (a)Paul Cezanne, Portrait of Ambroise Vollard 1899. Oil on canvas, 100.3 x.

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Figure Example of a later painting being influenced by an earlier one. (a)Paul Cezanne, Portrait of Ambroise Vollard Oil on canvas, x 81.3 cm. Musee du Petit Palais, Paris. (b)Pablo Picasso, Portrait of Ambroise Vollard, Oil on canvas. 93 cm x 66 cm. Pushkin Museum, Moscow. a b

Figure 2.14 (a). Horses from Chauvet Cave (Ardèche) drawn by prehistoric artist, years BCE.

Figure An artwork created from memory or imagination by M.C. Escher, Belvedere, Lithograph print. 46 cm x 30 cm.

Figure Henri Matisse, Self-Portrait, Oil on

Figure (a) Drawing (on left) copied by a visual agnosic patient of St Paul's cathedral. (b) Pissarros snow scene.

Figure Two-dimensional figures used by Shepard and Metzger to represent three-dimensional solids. Participants indicated whether each pair of figures was the same except for rotation. The first two are examples of same pairs, and the third pair is a different pair (Shepard & Metzler, 1971).