WIPO Information Meeting November 3, 2003 COPYRIGHT AND THE VISUALLY IMPAIRED PEOPLE: THE DANISH EXPERIENCE Peter Schønning, Ministry of Culture, Denmark.

Slides:

Advertisements

Similar presentations

Do the anti-circumvention provisions of the Digital Millennium Copyright (DMCA) Act further or harm public interests?

Advertisements

What do publishers do? Balancing interests in copyright Lynette Owen, Copyright Director, Pearson Education Ltd, United Kingdom Vilnius May 13 th 2010.

PROSPECTUS AND COMMENCEMENT OF BUSINESS

"Disability: Access to and Engagement in the Arts. What Can Law Do?“ Professor Charlotte Waelde, University of Exeter Dr Abbe Brown, University of Aberdeen.

Copyright and Alternatives to Copyright Why now? Rita S. Heimes Director, Technology Law Center University of Maine School of Law Rita S. Heimes Director,

Intellectual Property Boston College Law School January 25, 2008 Copyright – Rights – Other.

Copyright Law Boston College Law School March 13, 2003 Rights - Digital Rights.

Week 3: File sharing.

Intellectual Property Boston College Law School January 28, 2008 Copyright – Rights – Fair Use.

Intellectual Property Boston College Law School February 2, 2009 Copyright – Rights – Fair Use.

The Marrakesh Treaty: a webinar for libraries EIFL webinar, 14 January 2015.

Copyright Law Boston College Law School March 4, 2003 Rights – Public Distribution & Performance.

Intellectual Property Boston College Law School January 26, 2007 Copyright – Rights – Fair Use.

Copyright vs. trademark

Class 12 Copyright, Winter, 2010 Distribution and First-Sale Doctrine Randal C. Picker Leffmann Professor of Commercial Law The Law School The University.

For Teachers & Students By: Terri Hall. The Copyright Law (U.S. Code, Title 17) was established to balance the rights of authors, composers, performers.

1 Report Registration and Deposit Systems in Vietnam.

CS155b: E-Commerce Lecture 7: Jan. 30, 2001 A Computer Scientist’s View of Copyright Law.

+ Licensing the use of music in school. + Basic Copyright 1 Copyright protects the owners of: original literary, dramatic, musical or artistic works,

1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.

Accessible Instructional Materials. 8/28/ IDEA 2004 Section Accessible Instructional Materials Provisions within IDEA 2004 require that.

WIPO Copyright Sector 1.  Fundamental or constitutional rights or public interest: freedom of speech, access to information, right for education, enjoyment.

Digital Publishing in Africa: Lessons from the PALM project Charles BatambuzeCharles Batambuze, Executive Secretary, National Book Trust of Uganda (NABOTU)National.

CptS 401 Adam Carter Section 4.3.

COPYRIGHT LAW 2004 Professor Fischer CLASS of April : TECHNOLOGICAL PROTECTION MEASURES.

Accessibility and Copyright: The Chafee Amendment Allan Adler VP for Legal & Government Affairs Association of American Publishers RPAC Annual Conference.

Computer Ethics Christina McCorkle.

Intellectual Property Department, Hong Kong SAR Government1 Public Discussion Forum on Review of Certain Provisions of the Copyright Ordinance Session.

Contract Models for Virtual Teaching Helsinki University Porthania III 24 October 2001 Kristiina Harenko Attorneys at Law Borenius & Kemppinen Oy.

1 SIMPSONS SOLICITORS Get it on Google: Google Book Search A review of the US actions against Google Inc. and the implications in Australia.

Contract Law and Copyright Exceptions: What’s at stake? Benjamin White Head of Intellectual Property British Library.

G. Randall Watts, M.Div., MS Assistant Director for Resource Management MUSC Library.

Internet Governance Forum 15 to 18 November 2009 Access to Knowledge in Egypt : A Case Study by the ACA2K Presented by Dr. Perihan Abou Zeid Lecturer at.

Exhausted yet? A 15-minute crash course in the First Sale Doctrine Eric Harbeson Music Library Association 26 February, 2015.

Licensing, DRM, and the use by libraries and educational institutions Senior Legal Adviser WIPO / IPD Meetings on 15/16 March 2004.

COPYRIGHT LAW FALL 2008: CLASS 2 Professor Fischer Introduction to Copyright 2: Historical Background AUGUST 20, 2008.

Licensing and Digital Exhaustion 1 Software Copyright Oren Bracha, Summer 2015.

IP LibCMASS, 5th September 2011 Librarians and cultural professionals as protectors of copyright and users’ rights Aleksandra Horvat University of Zagreb,

T HE D ISTRIBUTION R IGHT The distribution right is the exclusive right “to distribute copies or phonorecords of the copyrighted work to the public by.

RESOURCE SHARING AMONG TURKISH ACADEMIC LIBRARIES WITHIN THE CONTEXT OF COPYRIGHT LAW AND LICENSE AGREEMENTS SAMI ÇUKADAR KEREM.

Becky Albitz Electronic Resources Librarian

Can I use that? An introduction to using Creative Commons and copyrighted material in your courses Kathleen DeLaurenti, Digital Scholarship and Music Librarian.

E-book Licensing and Interlibrary Loan Janice T. Pilch Copyright and Licensing Librarian, Rutgers University Libraries VALE/NJ ACRL/NJLA CUS Thirteenth.

Digital Rights Management / DMCA Anti-Circumvention Edward W. Felten Dept. of Computer Science Princeton University.

The Section 1201 Rulemaking Jonathan Band Jonathan Band PLLC

Creative Commons terms and definitions By Chelsey Maton.

It’s All (just) Bits 1) Numbers are bits 2) Text is bits 3) Formatted text is bits 4) Pictures are bits 5) Sound is bits 6) Programs (instructions on how.

Jakub Slovák Permanent Mission of the Slovak Republic in Geneva/ Copyright Unit Media, Audiovisual and Copyright Department Ministry of Culture of the.

COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING OPEN EDUCATION CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST.

Benefitting from your COPYRIGHT and Using Copyright Works of Others in Your Business Carol Simpson Head, Caribbean Section, Regional Bureau for Latin America.

COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.

Legal aspects of copying audiovisual work onto portable media devices

Accessible Books Consortium Implementing the objectives of the Marrakesh Treaty at a practical level Presentation to Sub-Regional Meeting for ASEAN Countries.

TORTS RELATING TO INCORPOREAL PROPERTIES

Thank you for your purchase!

Sub-Regional Meeting for ASEAN Countries on the Marrakesh Treaty and the Production and Exchange of Accessible Books by the World Intellectual Property.

Thank you for your purchase!

Thank you for your purchase!

Copyright law 101 Nicole Finkbeiner

Caroline Morgan, CEO of IFRRO Malaysian National Seminar

The Promotion and the Implementation of the Marrakesh Treaty into National Legislation Thailand.

International Copyright Legal Framework

Thank you for your purchase!

Accessible Books Consortium Implementing the objectives of the Marrakesh Treaty at a practical level Presentation to Sub-Regional Meeting for ASEAN Countries.

The Marrakesh Treaty in a Nutshell

Books Beyond Our Boarders

TRADEMARKS, SERVICE MARKS and COPYRIGHTS LEGAL PROTECTIONS AND USE AS ASSETS FOR CONSULTANTS AND EARLY STAGE BUSINESS By Robert A. Adelson, Esq. Partner,

Copyright Exceptions for Archives: A Typology Analysis

Intellectual Property

Presentation transcript:

WIPO Information Meeting November 3, 2003 COPYRIGHT AND THE VISUALLY IMPAIRED PEOPLE: THE DANISH EXPERIENCE Peter Schønning, Ministry of Culture, Denmark

17.  (1) It is permitted to use and distribute copies of published works if the use and the distributed copies are specifically intended for the blind, visually impaired, the deaf and sufferers from speech impediments, and besides persons who on account of a handicap are unable to read printed text. The provision of the first sentence shall not apply to the use or distribution of copies for commercial purposes.

17.-(4) For the purpose of lending to the blind, the visually impaired, dyslectic persons, backward readers and others unable to read ordinary books, it is permitted to make sound recordings of published literary works if this is not done for commercial purposes. The author shall be entitled to remuneration for such recordings.

75 c.  (1) It is not permitted to circumvent effective technological measures without the consent of the rightholder. (2) It is not permitted to produce, import, distribute, sell, rent, advertise for sale or rental, or to possess for commercial purposes devices, products or components that (i)are promoted, advertised or marketed for the purpose of circumvention of effective technological measures; (ii)have only a limited commercially significant purpose or use other than to circumvent effective technological measures; or (iii)are primarily designed, produced, adapted or performed for the purpose of enabling or facilitating the circumvention of effective technological measures.

75 d.  (1) The Copyright License Tribunal, established under section 47(1), may, upon request, order a rightholder who has used the effective technological measures mentioned in section 75 c(1) to make such means available to a user which are necessary for the latter to benefit from the provisions of […] section 17(1)-(4) […]. If the rightholder does not comply with the order within 4 weeks from the decision of the Tribunal, the user may circumvent the effective technological measure, notwithstanding the provision of section 75 c(1). The provisions of the first and second sentences shall apply only to users with legal access to the work or the performance or the production, etc.