Strategies for Answering Multiple-Choice Questions The College of Saint Rose Lee Geiselmann Amber O’Sullivan.

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Presentation transcript:

Strategies for Answering Multiple-Choice Questions The College of Saint Rose Lee Geiselmann Amber O’Sullivan

Reading Tips  Focus on what is in the text  Try to set aside any previous knowledge you may have about the subject  Inferences not assumptions  Identify thesis/main idea  Identify central themes  Pay attention to word choice/tone  Ex: The effects of such a decision on food prices, however, could be nothing short of disastrous.  Consider purpose and audience  Notice construction

Reading Strategies  Skim the text  Read the questions  Read the sections of text relevant to specific questions

Questions Focus on:  Main idea  Purpose  Point of view or attitude  Vocabulary  Meaning of word or phrase  Organization  Details  Supporting or missing details  Focus on only what is in the text

Example (Detail) Which of the following is a physical description of the calculator as described in the passage?  The color of the screen  The size and shape of the calculator  Why calculators are better than pencils  The calculator was a direct descendant of the abacus

Multiple-Choice Tips  Pay attention to the title  Keywords  “Which of the following passages best shows an opposing view to a prior statement?”  “Signpost words (explain, analyze, demonstrates, conveys, describes, etc.)”  “In Paragraph 1, the repetition of the phrase "well- rounded, prosperous" emphasizes:”  Italics or bold text

Multiple-Choice Tips (Cont’d)  If you don’t know  Eliminate wrong answers  Make an educated guess  Follow your gut

Narrow versus Broad Answers  Eliminating answers that are either too broad or too narrow in focus

Too Narrow… “The sentence below appears in Paragraph 4: ‘The composition of this war,’ Stein wrote, ‘was not a composition in which there was one man in the center surrounded by many others but a composition that had neither a beginning nor an end, a composition in which one corner was as important as another corner, in fact the composition of Cubism.’ In this sentence, Stein's comparison of World War I and Cubism conveys :  the political realignment and upheaval caused by the war  the change in European cultural values as a result of the war  the impact that the war had on artists and writers  the effect that this war had on class structures”

Too Broad… “The sentence below appears in Paragraph 4: ‘You are, all of you, a lost generation,’ Stein told Hemingway when he showed up in Paris after the war. The quotation in this sentence is most closely connected with which idea in Paragraph 4:  the emergence of an aesthetic associated with World War I  the convergence of expatriates in postwar Paris  the staggering casualties among young men during World War I  the complete rupture of the prewar social order”