Samantha Tenorio
Statement of Purpose I examine the ways in which certain sites and forms of cultural production during the Harlem Renaissance provide a space for, and even foster, the transgression of racial and sexual norms, and thus informed the formation of new identities, such as that of women-loving women.
Introduction-Thesis Challenging Queer Theory The Blues: Articulating a Newfound Freedom The Cabaret: Queering Time and Space Literature: Confronting Black Female Sexuality through a Queer Lens Conclusion
“Criminal intimacies” 1 After hours Confounding narratives of racial and sexual uplift 1 Shane Vogel uses this term in his book The Scene of Harlem Cabaret, citing Lauren Berlant and Michael Warner
Bridging the gap Queer Studies and African American Studies The importance of intersectionality